Archive for the 'Classic' Category

21
Jul
14

Man in the Gray Flannel Suit

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After watching The Man in Gray, I figured I ought to check out Gregory Peck in The Man in the Gray Flannel Suit. I’d heard of the novel, but thought the story was merely a critique of corporate commuters and life in the suburbs. It’s mentioned in a few textbooks I’ve had to read and it seemed like it was a satire.

Not at all. At least the movie isn’t.

Tom Rath (Peck) has been back from WWII for 10 years. His wife Betsy (Jennifer Jones) wants a bigger home. She’s impatient with Tom exhorting him to strive more. Though he’s satisfied at his non-profit job, he sees that the bills will be easier to pay if he makes more. A fellow commuter lines him up with an interview at an ad agency. Since he resembles the CEO’s son, who died in WWII, he gets the job.

Memories of the war, of killing brutally, of a woman he loved there, haunt Tom. His children are zombies glued to the TV and his wife while not a nag, does complain a lot. All through this Tom navigates the ad business, learning how to read people and tell them what they want to hear. Yet he’s got too much natural integrity to keep up the game. Problems with his new house, the after effects of the war and his job, grow. Yet Tom meets them with heroism.

Peck’s performance is good. Tom Rath isn’t Atticus Finch, but he is a straight-shooter by the end. Thought one daughter had a funny preoccupation with death, the two other children were more or less extras. Childhood in this suburb was pure television addiction and chicken pox.

The film has an interesting realism that made me wonder how autobiographical the novel might be.

17
Jul
14

Mr. Peabody & Sherman

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When I was growing up I loved watching Mr. Peabody & Sherman’s cartoons as they traveled to various historical events. Now all the kids who have no idea who this famed pair is can see Mr. Peabody, the genius dog, and his boy Sherman right wrongs throughout time and space. The film, which I saw on a plane, captures the heart and soul of the original. Bravo!

The film moves quickly and is witty enough for adults and offers history with a spoonful of sugar for the young. I’m telling everyone I see that they should check this out whether they have kids or not. It’s just a fun film.

15
Jul
14

That Hamilton Woman

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That Hamilton Woman (1941) opens with a once well-off woman trying to steal a bottle of wine from a shop in Calais. She’s caught and thrown in jail with another woman who joined in the brouhaha that followed her arrest. Starring Vivien Leigh and Lawrence Olivier, That Hamilton Woman is a propaganda movie that Churchill asked the director Alexander Korda to make to appeal to Americans and convince the public that joining the war was the right thing to do.

Based on history, Leigh stars as Emma, who’s frequently changed her name about as frequently as she’s changed lovers. Her last lover, whom she thinks will marry her sent her to Naples to stay with his uncle, an ambassador who has a passion for collecting art — and beautiful women if they come his way. Though she and her mother who’s with her are worldly enough to know better, Emma’s surprised that her “fiancé” is going to marry a rich woman to help him out of financial troubles. He arranged for his uncle to take Emma offer her hands. Jilted, she’s furious at the trickery, but she’s an opportunist and winds up marrying the old uncle and making the most of life as an ambassador’s wife.

The many portraits by Abbott originate from th...

Horatio Nelson by Abbott (Photo credit: Wikipedia)

She meets Horatio Nelson, the famous naval leader who beat Napolean, time and time again. Though their both married, they become intimate. Leigh’s perfect as the coquettish and politically astute Emma. Olivier is commanding as Nelson. We see the couple across many years from when they first meet, to when Nelson returns after 5 years at war. It’s the only movie I’ve seen where the leading man is still dashing despite losing an arm and an eye.

In Naples the couple is fairly open about their love. It maddens Nelson’s son who’s stationed on his ship and he’s the first to refer to Emma as “That Hamilton Woman.” Town gossips soon use that term as well, but it doesn’t bother Emma. She’s got chutzpah galore. I read the history and this was a woman who used to dance naked on tables in her early days in “show business.” So the late 18th century wasn’t as straight-laced as you might think.

The Ambassador Hamilton enjoys Emma more as an ornament than anything else. While he asks Emma to be discreet, he isn’t all that hurt by her affair. Nelson’s wife is another story. She’s been waiting for him for 7 years and has gotten wind of “that Hamilton woman.” The stern and upright, Mrs. Nelson meets her husband in London when he returns after defeating Napolean’s navy at Trafalgar, in a battle scene that’s wonderfully shot. She’s a plain woman who’s strict and old fashioned. I’m not sure whether the real Lady Nelson was like this and think the film would be stronger if she were actually a rather attractive nice woman. This choice makes it easy to side with Nelson. I prefer more complexity and reality.

Emma Hamilton, in a 1782–84 portrait by George...

The real Emma Hamilton, in a 1782–84 portrait by G. Romney,                (Source: Wikipedia)

Be that as it may, the film is dramatic and it was fun to watch Vivien Leigh in a role other than Scarlett O’Hara. Since we see in the first scene that Emma ends up on the skids, I’m not spoiling anything by discussing that. I felt sorry that she ended up like that. It didn’t seem right that her husband, who never insisted she end her affair, died penniless and then she got no money from Nelson. According to the Criterion Collection bonus feature with the director’s nephew, history’s unclear about what happened to Emma, but the moral code of the day required that to show an adulterous couple, you would have to show that dire consequences follow that sort of life choice.

All in all, That Hamilton Woman, was an entertaining way to learn about 18th and early 19th century British history. Nelson’s military acumen and self-sacrifice are laudable and though I doubt the film would succeed in convincing Americans it’s time to jump into WWII.

Again, the Criterion Collection’s bonus features were worth seeing. Michael Korda, whose uncle directed the film and whose father was the art director, provided lots on insights into its making and the collaboration between his father and uncle. He also described Vivien Leigh’s tempestuous relationship with Olivier whose personality favored more even-keel people.

06
Jul
14

ozu tokyo chorus

In 1931 Ozu made Tokyo Chorus, a silent movie about a salary man who promises his son a bicycle when he gets his bonus. From the early school scenes we see the hero has a problem with authority and can be a troublemaker.

Anticipating the father’s bonus all is sunny at home. However, the hero speaks up for an older colleague who was unjustly fired and winds up losing his job at an insurance agency. He doesn’t know how to break this to his family, life is changing and hard times lie ahead. (Remember the downside to life long employment is it’s awfully hard to find a job as a mid-level professional. There are no openings.) He tries to satisfy his son with a scooter, but it doesn’t satisfy. The other kids have bikes and the son, who gets very bratty in a very realistic way, won’t accept anything less.

The film shows the man trying to find work, but without luck. Then his daughter gets ill and has to go to the hospital. It’s sad when we see how he had to pay the hospital bill. Throughout the film his wife is long suffering. She’s a serious woman who’s married a man who often can’t control himself. At times he unwittingly humiliates her, but she never gets angry. She seems to understand that won’t help and believe that endurance is the key to survival.

The film is well paced and kept my interest. It’s further evidence that silent films can say more than many talkies. Often the characters speak, but we don’t get cards saying what was said. That’s okay because we can infer the dialog and in that way the film is universal. The actors, particularly the hero, who’s played by  Okada, Tokihiko is very likable and expressive. According to imdv.com, he died a couple years after making this film. It’s a shame because he could have had a long career.

03
Jul
14

The Burmese Harp

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I’m catching up on my blogging. I saw this movie before I left China and haven’t had time to blog.

Another Criterion Collection DVD, this one based on a popular Japanese novel, The Burmese Harp is set as WWII ends. A company of Japanese soldiers is in Burma, on the look out for British soldiers. Their captain is very musical and has used singing to build espirit de corps and to trick the Brits, or try to. When they hear the British soldiers approaching their camp, the captain urges his company to laugh and sing to give the impression that they’re goofing off though they’re on their guard. When they start singing a song with the same tune as “Home Sweet Home,” the Brits echo back. Soon the Japanese learn that their side has surrendered.

Yet there’s another Japanese company up in the mountains, a fervent nationalistic group that’s still fighting. Mizushima, a soldier who’s learned to play the Burmese harp, volunteers to go up the mountain and tell these soldiers the war’s over. He’s given 30 minutes to get these hold outs to surrender. No matter what he says, they refuse. They don’t believe Mizushima and feel their duty is to fight to the death no matter what.

After 30 minutes, true to their word, the British start attacking. Most of the hold outs get killed. Mizushima survives, but is shocked. His world’s been shattered and he can’t  return to his unit. He steals a Buddhist monk’s robes and wanders the countryside as a monk.

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His unit search for him and don’t want to return to Japan without him. At one point they think they’ve passed him on the road, but Mizushima doesn’t acknowledge them. He’s too shattered and lost to return to his old life.

The Burmese Harp doesn’t address the atrocities the Japanese committed, but it does show the horrors and effects of war. Most of the civilian Japanese had no idea what their soldiers did overseas so it wasn’t part of the original novel, or something the director, who broke out with this film, knew of.

The Burmese Harp presents an interesting view of WWII, one that I’d never considered. It also depicts Japanese culture with nuance.

02
Jul
14

City Lights

The Tramp and the Blind Girl

I’d never watched Charlie Chaplin’s City Lights, or perhaps any Chaplin film, before. I remember being shown some silent film as a child in some group setting and being bored to tears. That feeling ran deep, though the specifics – who was in the film, or what it was about faded fast. Since I’m half way through my year of watching one “old” i.e. pre 1960 movie a week, I thought it’s high time to watch Chaplin.

After seeing and loving Harold Lloyd’s Safety Last released by the Criterion Collection with the enriching commentary, I thought I could like City Lights. I was right. What a delightful, charming, poignant film! Chaplin plays his signature Tramp, who I think everyone in the West with a pulse has seen in some form. As the film opens some long winded politician is bloviating at a ceremony to unveil a statue about progress and prosperity. When the drape is removed, we see the Tramp asleep in one of the figure’s laps. He scrambles to get out of the way, always desiring not to bother anyone, but in so doing gets more entangled and almost loses his pants. It’s high comedy, but still works. What’s more Chaplin is definitely satirizing the politicians and society that honors these values while blind to those left behind or harmed by “progress” and whom “prosperity” has overlooked.

Soon the Tramp meets and falls in love with a girl who’s blind, who sells flowers on the street. She mistakes him for a millionaire and this is the main plot. After impressing the flower girl, the Tramp runs into a crazy, distraught millionaire whose life he saves. The friendship between the eccentric millionaire and the Tramp is mercurial. When the millionaire’s drunk, all’s well. When he sobers up, he rejects the Tramp, time and again.

The Tramp and the Millionaire

The film’s commentary helped me note a lot in the film that I would have overlooked. The political themes, the cast, and the history (how on average Chaplin did 38 takes for every scene in what he himself dubbed a “neurotic” quest for perfection).

The film came out in 1931 when sound had been around for awhile. Chaplin, the commentator states, didn’t think sound really added much to films and that it took away some of film’s subtleties. While there’s plenty of slapstick, I can see Chaplin’s point. By having to rely on pantomime, the actors have to do more with a look or action. Also, Chaplin’s films did well all over the world. He felt that if the audience heard his accent some wouldn’t like his work as much. It’s a valid point as when I watched, I projected an American accent on to the characters.

The film is delightful and succeeds in providing humor and pathos often right on top of each other.

27
Jun
14

Woman in Green

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Last week I had trouble blogging as the Chinese seem to be keen on blocking VPNs. So I have been catching up on old movies for my New Year’s resolution, I just haven’t been able to blog about them.

I enjoyed The Woman in Green, a Sherlock Holmes movie starring Basil Rathbone ad Sherlock and Nigel Bruce as Watson. The pair set the standard for Sherlock and Watson and I appreciate a Sherlock who consistently shows his good humor towards his sidekick’s foibles.

In The Woman in a rich older man, Sir George Fenwick meets and alluring younger woman. After a night out with her he awakes in a cheap hotel room unable to recall how he got there. When he finds a severed finger of a woman in his pocket, he fears that he’s involved in a series of murders. He’s soon blackmailed.

The police are perplexed by the murders and call in Holmes and Watson, who happened to see Sir George out with a beautiful blonde. Sir George’s daughter brings the finger which she dug up after she saw her father burying something suspicious in their yard. When Holmes and Watson go to interview Sir George, they find him dead. Soon Holmes suspects Moriarty‘s involved.

The movie still entertains without getting quite as gruesome as a more modern depiction might. Rathbone portrays Holmes as a sophisticated genius, who may be a trifle arrogant, but has the social skills to smooth problems over as needed. It’s a classic mystery, still fun to watch.

     

    28
    May
    14

    The Flowers of St. Francis

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    I thought this would be a biopic, but it isn’t, or not traditionally so. Get <em>Brother Sun, Sister Moon</em> if you want to see how Francis became a Saint. Watch this to get a feel for his life, for his approach to prayer and spirituality. Directed by Robrito Rossellini, written by Federico Fellini, this gentle film about a great saint, The Flowers of St. Francis shows 12 vignettes of Francis and his followers. It’s gentle, serene, humbling and at times funny. Francis’ humility, and connection to God come through clearly. He’s so patient with his men, some of whom would make me tear my hair out like Br. Ginepro, who creates trouble by stealing a pig’s foot from a live pig. Ginepro was my second favorite character as he’s funny, but also so sincere. Ginepro just lacked wisdom at first, but his capture by barbaric rebels was probably the pinnacle of the film.

    <em>The Flowers of St. Francis</em> is well worth anyone’s time.

    21
    May
    14

    I Live in Fear

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    Kurosawa’s I Live in Fear (1955) drew me with the first scene when a dentist mentions he’s a judge for the local family court. Family court in Japan? This is bound to be interesting. At family court, where in 1955 Japan three men from the neighborhood and a silent woman (the secretary?), hear the cases of family disputes. In this case adult children want to have Kiichi Nakajima, their father, ruled incompetent because his fear of subsequent atomic bombings compels him to move his family, wife, grown children and their spouses and his mistresses and children by them, to Brazil, where they’ll be safe.

    The court hears all sides and ponders a decision, while back at home family members continue to bicker, worried about money, the father’s will, the family business-a foundry the father still runs. Meanwhile the father goes around town presenting his plan to his illegitimate children, a son whose mother has died, a daughter whose mother runs a bar Nakajima funds and a married daughter who’s husband talks way too much about the effects of such bombs to a man who’s already obsessed and anxious about them. Say what you will about this man who certainly got around, but he provides and protects them all. He’s given jobs and a home to his legitimate sons and makes sure the others get money every month. In a touching scene outside the courtroom, when tempers were running high and the father was furious with his children, he returns to the corridor and gives his wife and children a bottle of orange soda pop. Providing for his family is so ingrained. Yet no one notices.

    The case drags on, apparently more than most cases do in family court. All judges admit that the father has a point. The dentist, played by one of my favorite Japanese actors, points out that perhaps it’s crazy to go along with your life ignoring the bomb. Certainly, in Japan it should have been. In hindsight we know nuclear bombs haven’t been used since WWII, but in 1955 it wasn’t clear they wouldn’t be. The judges just can’t bring themselves to rule for Nakajima. Leaving a successful business and good middle class life, to go to Brazil was just too much. (Though there are lots of Japanese in Brazil and Peru. I wonder when they immigrated.)

    fear 3

    He’s looked into buying a farm in Brazil and the seller comes to Japan to show the family a film about it and answer their questions. Nakajima isn’t completely crazy. He takes rational steps. The court clearly considered this though they also sympathize with the adult children who just don’t want to be uprooted. Eventually, Nakajima’s youngest legitimate daughter and his wife agree to go, but an appeals court would still need to rule in favor of the father.

    The film’s an absorbing look at Japanese culture and the impact of nuclear weapons. I know I’ve pretty much filed their existence in the back of my head, and though I don’t want Nakajima’s obsession, a reminder of their consequences isn’t bad.

    05
    May
    14

    Voice of Terror

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    This week I watched The Voice of Terror for my weekly old movie selection. The Voice of Terror is a Sherlock Holmes film with Basil Rathbone and Nigel Bruce. In this film Nazi’s are predicting and broadcasting them minutes before they occur. Trains are getting derailed, factories are getting blown up, and the government is completely ineffective. Time to call in Sherlock Holmes.

    While this 1940s film lacks the slick appeal of the new Sherlock with Benedict Cumberbatch and Martin Freeman, it’s still highly satisfying. Rathbone is Sherlock and Bruce is Watson, a delightful one to boot. They have a good rapport and can be witty and compelling as a scene requires. I think you have to watch and think a bit more carefully to appreciate the humor here, but even if you miss it, you can enjoy this detective flick. There’s a memorable scene at the end that takes some lines from Doyle’s “The Last Bow.”

    It was rather relaxing to watch an exciting drama that doesn’t need to take its viewers to the edge.




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