25
Feb
15

Downton Abbey Season 5.6-7

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The last two Downton Abbey episodes have really moved along. I’m delighted that the pace picked up. In episode 6 Cora discovered that Edith is Marigold’s mother and she made Violet and Rosamund take her to the hotel where they had fled to. As usual, Cora was quite composed, though disappointed that she’d been kept in the dark about Edith’s pregnancy as any good mother would. She cooked up the scheme to bring Marigold into Downton’s nursery under the pretext that the farmers couldn’t afford to keep her and Edith would adopt her. By the end of episode 7, Robert guessed that Marigold isn’t really adopted.

I was surprised that Rose’s engagement was so short. Suddenly, at episode 7’s start everyone’s preparing for her wedding. The only problem is that Atticus’ is Jewish and both his father and her mother don’t approve of mixed marriages. Rose’s mom, the ultimate sourpuss Susan goes as far as setting up Atticus by having a floozie take suggestive photos with him. Fortunately, the ruse doesn’t work. Nor does Susan’s announcement that she and Rose’s father Shrimpy are divorcing stop the wedding, although Atticus’ dad disapproves of divorce. We don’t know that much about Atticus, but he’s good looking and seems nice. I just hope he doesn’t die. Mary, Edith, Tom and Rose’s generation does not have a good track record for marriages. I suppose someone’s spouse bound to live. (I’ll count Edith in this list though she didn’t get a chance to marry her beloved.)

The Lord Gillingham/Mary relationship has been over and it seems he’s moved on. He’s realized that his former fiancée suits him best. Nothing’s moved forward with Mary and Blake and since Mary’s so critical and aloof, I think he can do better. The energy they shared when they saved the pigs has cooled.

The police investigation has slowly moved along.  In episode 6 the police seemed to have Mr. Bates in their crosshairs, but by episode 7, they brought Anna in for a line up and then arrested her. Anna! She can’t have done it, though she had a reason. It seems way out of character.

Tom is seriously considering going with his daughter to Boston to start a new life. I really hope he doesn’t. He adds a down-to-earth perspective to the family and I doubt life in Boston would be preferable. It’s good for Tom to bond with Sybil’s family and he can find love in the village, he just needs to seek out someone with similar values and decent manners. He has valuable work at Downton and couldn’t be replaced.

The episode ended very much like season one of The Village did, with the ceremony for the unveiling of the WWI memorial.

23
Feb
15

Jeux Interdict, Forbidden Games

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Set in WWII, Jeux Inderdict (Forbidden Games) follows Paulette, a girl of maybe 5, who’s fleeing Paris with her parents. Refugees run along a country road as I suppose they do now in the Middle East. As war planes bomb a bridge, refugees seek cover. Paulette gets separated from her parents as she runs after her little dog. Soon, both parents and her dog are killed by German bullets. Paulette’s left to wander amongst the refugees.

Eventually, Paulette crosses paths with Michel Dollé, an older farm boy who’s searching for a cow that’s scared by the bombs and shooting. Michel brings Paulette to his poor family and they take her in. There’s no other place for her to go, other than to the neighbors, whom they view as snobs. The father does not want the neighbors to get a good write up in the local paper for taking in a war orphan.

Though he’s probably about 9 or 10, Michel’s the most educated of his family. He knows all the prayers by heart and regales Paulette with facts about animals and religion.

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Paulette’s been carrying around her dead puppy and Michel convinces her to bury it. When Paulette sees a cross in the Dollé’s house, she’s curious. She never knew what they were for. Thus Michel leads Paulette to build their own private cemetery in a deserted mill and they begin to steal crosses from wherever they can get them–graves, churches, hearses.

The adults can’t understand who’s taking the crosses and the rivalry between the neighbors grows.

All in all, Forbidden Games  is a natural, haunting film that mixes innocence, war, poverty, generosity and faith. It’s a simple, yet profound film, one I doubt anyone could make today.

16
Feb
15

Touchez Pas Au Grisbi


Directed by Jacques Becker, Touchez Pas Au Grisbi! (Hands Off the Loot!) is an unusual gangster film. Released in 1954, the film chronicles a genteel, older gangster, Max, who’d like to cash in his gold bars and retire. Max is very debonair and respected in his circle. We never see how he got 50,000,000 Francs in gold, which is usually what the main focus of a gangster film would be.

The first hour of the movie we see his life, his friendship with Riton, who’s a sidekick, rather than an equal, his girlfriends, his evenings at a little restaurant and night clubs. He’s involved with a platinum blonde showgirl, while Riton’s showgirl Josy is brunette — and is getting some action on the side with another younger, gangster. Max stumbles on Josy and her other lover, which leads to a good scene when Max takes his friend home, presents him with the facts about Josy and shows us how good friends should care for each other in troubled times.

The movie’s pace picks up in the last thirty minutes. Angelo, Josy’s real love interest, abducts Riton using him as leverage to get Max’s gold. Loyalty forces Max to get Riton back and in doing so there’s the sort of a pursuits and shoot outs you’d expect in a gangster movie.

I thought the acting was good, but the first hour of the movie should have more plotting, just a little more. Show us Max getting the gold. I can be patient with a film that wants to go off the beaten path, but I almost gave up on this one. Finally, the very end of the film is abrupt and left important points about Max’s future up in the air so I can’t give this a thumbs up, unless someone knows more about Jacques Becker or French noir films.

13
Feb
15

Moone Boy

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My new favorite comedy is Moone Boy created by Chris O’Dowd and Nick Vincent Murphy. In this Irish sitcom import, Martin Moone (David Rawles) is a twelve year old with a full grown imaginary friend named Sean. Martin lives with his shambolic family, which consists of his father who runs a sign shop, his mother who becomes Weight Wishers counselor and three older sisters who don’t like Martin at all.

Martin needs someone in his corner and Sean helps him navigate the slings and arrows of school, romance, and family life. Set in 1989-90s, Moone Boy reminds me of The Wonder Years. It’s got wit and heart. The acting, particularly Martin’s performance, is natural and the pace is brisk. Each episode, available on Hulu.coma and PBS in some areas, wrings the most from every story. In the two seasons I’ve seen every episode delights.

05
Feb
15

Ohayo/Good Morning

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In Ozu’s 1959 film Good Morning (Ohayo) two young brothers take a vow of silence when their parents refuse to buy them a television. Complications ensue when the neighbors and teachers read in all kinds of things into the silence. Gossip spreads and at one point to boys run away. The youngest brother, who’s probably 6, is particularly cute.

All in all, it’s a charming film that shows Japan on the brink of prosperity.

25
Jan
15

The Two of Us

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Claude Berri’s autobiographical, The Two of Us is a gem set during WWI in France. It opens with Claude, a mischievous boy, stealing a toy tank from a toy store getting chased all around. Claude finds trouble at every turn driving his father to distraction. Because since they’re Jewish, the safest path for the family is to lay low, but Claude constantly calls attention to himself with his troublemaking. A family friend arranges for Claude to go live with her Catholic parents.

The problem is that “Grampa” is quite a bigot and spouts all sorts of anti-Semitic slurs. Claude is coached to hide is religion so he’ll be safe in the countryside. Nonetheless, he’s mercilessly bullied for being the new kid from Paris. You just can’t win.

Based on the director’s own childhood experience, there’s a sophisticated treatment of a close relationship that grows in spite of prejudice. Played masterfully by Michel Simon, Grampa loves this boy and takes him under his wing, dealing with his troublemaking with patience Claude’s father couldn’t muster. Berri chose Cohen to play Claude while visiting a Jewish school and seeing him getting into trouble in class and later hiding from the principal behind some curtains. The shoes poking out from under the curtains gave him away. A natural actor, Cohen brings a realism to his understated performance.

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The Two of Us, as Truffaut commented, shows how most French people lived during the war, those who weren’t in the Resistance or helping the Germans. People just going about their business; people who could be both kind, loving, and yet be hindered by ugly beliefs. It’s a deft film that can portray bigotry without supporting hatred all the while showing the goodness mixed in with the prejudice.

The Criterion Collection’s DVD, as usual, includes insightful short interviews that deepen one’s understanding of the film.

If you liked Claude Berry’s later films, Jean de Floret or Manon of the Spring, you’ll love The Two of Us.

22
Jan
15

The Politician’s Husband

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David Tennent plays a British politician who makes a speech criticizing the Prime Minister’s immigration policy and then resigning. His plan was that he’d receive support from his best friend, who’s also in Parliament. It all goes pear-shaped. His friend betrays him and his wife’s political career leaps ahead due to some power plays. Emily Watson plays the wife in this gray-toned drama. She not only heeds the advice of a senior politician who plots against her husband but declines to support her husband in a television interview. The interview marks a complete betrayal and the husband starts to plot.

On the home front, the grandfather is extremely likable, the only likable character in my book. He offers wisdom and takes care of the grandkids including a son with Ausberger’s. Now that he’s not working the husband must spend more time with his son, and we soon see this is one of his weak points. It is very hard to suddenly take care of a special needs child.

All in all, this three part series is too bleak for me. It’s all scheming and betrayal. The political issues are too generic and never spelled out as they would be in say The West Wing so beyond these characters there isn’t anything to care about. Even though I’m a David Tennent fan, I won’t bother watching the finale.




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