16
Apr
16

Creed

Screen Shot 2016-04-16 at 11.19.04 PM

The most recent and perhaps last in the Rocky film series, Creed travels a well worn path. I’d heard a slight buzz about it when it came out, so I expected a little more. It’s a story about Apollo Creed’s son. He’s illegitimate which caused some identity issues. On the one hand, he’s distanced himself from his father by using his mother’s surname. Yet he quits a steady corporate job and pulls up stakes in L.A. and moves to Philadelphia to convince Rocky Balboa to train him.

As you’d expect Rocky initially refuses. He’s out of that world now. Eventually, Rocky agrees. Then, of course, there’s a big match and Creed, the newcomer gets a match with the World Champion in his weight class.

I saw the first Rocky and thought it was good, as I recall. Creed did a good job for this sort of film, but it’s really not my genre or my sport.

22
Mar
16

A Night to Remember

A NIGHT TO REMEMBER

A Night to Remember (1958) is a disaster film with dignity. It lacks the sentimental love story, which was central to Titanic, but that’s why it’s a better film. Directed by Roy Ward Baker, the film shows the swells enjoying the high life and the boisterous fun below in steerage mixed in with the misplaced wire messages about the iceberg and the frustrating refusal of nearby ship called the California to believe the Titanic’s distress messages.

The film shows people of all sorts, some willing to help their fellow passengers and others who’ll kick and claw their way into a lifeboat. The film weaves the facts in so you don’t feel like it’s a history lecture. You root for the characters all the while knowing most won’t make it. When the boat starts tilting so much that it’s at a 45° angle, you feel dreadful.

The Criterion Collection offers a good essay on the film here.

21
Mar
16

Paprika

paprika-poster

Holy moly, what a film!

Paprika is another fabulous Satoshi Kon creation. It left me stunned by its mastery and left me wanting to figure out what exactly had I experienced.

I’m not a big anime fan so I don’t know much about the history or depth or breath of the art, but wow, Paprika took an art form to its limits. I never knew what to expect and while the basic story’s easy to follow, it’s till perplexing.

The story revolves around a group of psychologists who’ve developed a device called the DC mini that allows people to view another person’t dreams if they are also wearing a DC mini. Boy, I had no idea how bizarre some dreams might be. The technology gets out of the hands of its creators, who then go on a quest to protect this amazing invention, which has a purpose they realize isn’t only good.

From start to finish the film moves in and out of dream worlds that are colorful, boisterous, scary, and bizarre. Dr. Chiba, the lead female character is a very serious, very beautiful psychologist who’s often bickering with her obese, irresponsible colleague as they try to track down his assistant who’s taken the DC mini. Paprika is Chiba’s alter ego who mainly inhabits the world of dream. She’s a sexy, super girl, who rescues a cop who’s having a little existential crisis.

Yet Paprika is not a film about plot. It plays with plot and constantly twists and turns defying any expectations. It’s ultra cool and something any adventurous filmgoer should see. Once I get my VPN to work, I’ll find the trailer on YouTube and post it here.

04
Mar
16

Steve Jobs

steve-jobs-movie-650x350

I knew Steve Jobs of Apple Computer fame wasn’t warm and fuzzy, but the film Steve Jobs refined my image of him. If Aaron Sorkin’s script got it right, Steve was one cold, driven man. With a superb cast including Michael Fassbender as Jobs, Kate Winslet at his “work wife,” Seth Rogen as Steve Wozniak and Jeff Daniels as John Scully, Steve Jobs shows it’s main character minutes before three big product launches as all his personal chickens inevitably come to roost.

The first part of the film shows Steve barking at an engineer who can’t guarantee that the new Mac will be able to say “Hello” on cue, fighting over money with the mother of his first child, whose paternity he questions despite a judge ruling to the contrary, arguing with Wozniak, his friend from way back when, by refusing to acknowledge the Apple II team, whom Woz feels needs some credit, and listening to Scully impart fatherly wisdom. In Sorkin’s hands the bickering and arguing are dramatic rather than annoying. The film does convey a group of talented people coping with an egotistical talented man, who may be a genius, while asking the whether a “great” man can’t also be a good one? With Wozniak, I think the audience hopes the answer’s yes.

151008174051-steve-jobs-movie-1024x576

The next launches we see are for the NeXT computer, which wasn’t even designed to really be sold but more as a tactic for getting back at the helm of Apple, and for iMac.

While all the performances were strong, I found both Steve Jobs’ and his illegitimate daughter Lisa, the most compelling characters. Sorkin’s story focuses on Jobs’ own feelings of rejection as an adopted child and his rejection of his first daughter as a means of explaining his personality and life. We never see his wife or other children, who apparently weren’t as interested in his launches as Lisa and her money-grubbing mother. (A bit hard to believe, but okay, it’s fictionalized, I get that.) The film ends with Steve and Lisa negotiating some stormy waters in their relationship, leaving me with the question of what role did this girl have with his other children.

All in all, it’s a compelling film, that left me with some questions. I don’t doubt that Steve Jobs was a misanthrope, but realize that this film is fictionalized to so the hero change, in a way that the real man may or may not have. It also brought home the point that Jobs wasn’t a designer, an engineer or programmer. He was a conductor, who can’t play an instrument.

 

14
Feb
16

More from Dressing Downton

DSCN5427

Tearoom at the Driehaus Museum

DSCN5441DSCN5453DSCN5465

DSCN5475

Care to guess who wore which of these at Rose’s presentation?

DSCN5506DSCN5445

DSCN5444

Just like Violet always wears violet, for Rose they liked to                                                                put her in rose or include a rose in her clothes or jewelry

13
Feb
16

Dressing Downton

DSCN5483

The Dressing Downton exhibit has opened in Chicago at the Driehaus Museum. I’d never been to the Driehaus, but the exhibit drew me. In this restored mansion once owned by the Nickerson Family, there’s an exhibit of the costumes featured in PBS’ Masterpiece’s lavish drama Downton Abbey.

This Gilded Age mansion was the perfect venue to see costumes of the same era. With your $25 admission, you get a free audio tour, which enables you to hear not only the descriptions of the rooms, but the stories behind the costumes from the early 20th century. In several cases the costumers would find a vintage dress and embellish or restore what remained of it, which gives the clothes more authenticity.

DSCN5514

My friend and I savoured both the costumes and the house itself so it took about 2 hours to get through the three story house. If you drive down, you can get your parking validated so you wind up paying just $14 for 12 hours parking, which is a real deal in Chicago. The museum is holding several events such as author talks and a viewing party for the series’ finalé. I wish I could attend, but I leave for China tomorrow. Alas.

DSCN5481

 

 

11
Feb
16

The Film Snob’s Dictionary

filmsnobdict

Written by David Kamp, The Film Snob’s Dictionary is a fun little reference book with a tongue-in-cheek tone that can help readers learn to b.s. their way through an erudite conversation on film or just help readers learn a little more about filmmakers and terms related to film.

Here are a few entries, chosen randomly, to give you a taste of the book:

Film Threat. Surprisingly buoyant, unsmug Web ‘zine (originally a print magazine) devoted to independent film. Where snobs go to read fulsome appreciations of Sam Raimi and interviews of such Queens of the B’s as Debbie Rochon and Tina Krause. (N.B. The website was bought and taken offline so where will we read these articles about people I never heard of?)

Mankiewicz, Herman. Gruff, whiskey-soaked, cigar chomping, old-school screenwriter par excellence (1807-1953)who bolted from his comfy perch at the Algonquin Round Table to write titles for silent films and screenplays for talkies, famously summoning his friend Ven Hecht west with te line “Millions are to be grabbed out here and your only competition are idiots.” A dab hand at many genres–he wrote or cowrote Dinner at Eight, the Marx Brothers’ Duck Soup and The Pride of the Yankees . . . .

Third Row, The. The only appropriate place for a true cinephile to sit, as per the dictum of  the late snob overlord and belle-lettrist Susan Sontag. Though the third row is said to provide the ideal perch from which to comfortably take in the MISE-EN-SCENE while unobstructed by fellow audience members, New York’s Anthology Film Archives, in 1970, catered to the socio-pathology of Film Snobs by opening its Invisible Cinema . . . .




Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,069 other followers

May 2016
M T W T F S S
« Apr    
 1
2345678
9101112131415
16171819202122
23242526272829
3031  

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,069 other followers

Blog Stats

  • 14,644 visits

My Script Frenzy Status


Follow

Get every new post delivered to your Inbox.

Join 1,069 other followers

%d bloggers like this: