Boss

If The West Wing offers the kind of politics, I dream of, Boss shows the kind of politics I fear we have, i.e. Tales from the Dark Side of Power, Greed and Lust. 

On my flight from Beijing I discovered Kelsey Grammer’s Boss, a high testosterone drama about a fictitious Chicago mayor trying to control city and Illinois politics while hiding his degenerative neurological disorder. Longtime mayor Tom Kane (Grammer) combines Richard Daley and King Lear. Kane’s wife Meredith is a cold-blooded daughter of the former mayor. His daughter has a character that I couldn’t buy. She appears to be a Presbyterian minister who runs a free medical clinic, uses heroine and has sex with her drug dealer. Her theology is quite severe and Biblically literal, yet she only lives out an isolated form of social justice. She seems to have no friends and the mentality of a schizophrenic. I found her character a set up for audience stimulation with little believability, though the actress is compelling.

His staff consists of a taciiturn chief of staff, who has thugs on speed dial and a blonde bombshell with a highly calibrated libido so she can up the show’s heat.

More intriguing characters are a reporter who’s sniffing around sensing that something’s wrong with the mayor’s health while also investigating corruption and wrong doing emanating from the mayor’s office. The Illinois governor and his up and coming challenger illustrate how the mayor is the most influential politician in the state.

I watched four episodes so I was pulled in despite my the female characters. I pretty much figure that the writers are going to fall short of Shakespeare in their ability to write about both genders.

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