The Office – A Long Goodbye

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I just saw the finale of The Office, a show that was one of my favorites until a couple years ago. I’d hoped that the episode would feature the kind of writing that made me love the show, but it didn’t.

Early in the season someone commented that “watching The Office had become like seeing a good friend on life support. You felt sad and wished for the end.” Very true, I thought. Also, very sad.

The finale follows the cast a year after the documentary has aired. Dwight’s going to marry Angela, whose little boy has not aged at all since the previous episode, though a year has gone by. (Wake up writers. The child should not have been in the episode. He wasn’t crucial.)

PBS was holding a panel for the documentary in Scranton so Toby, who’s given up his steady job and moved to New York to write a novel. Who’d buy that? Why move to the most expensive city in the country just to write? Stanley who’s retired, and Darrell who’s with the successful marketing company that Jim quit, all return to Dunder Mifflin. Even Michael Scott, albeit without Holly, which just seemed unreal and cheap on the part of the producers, was back.

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Better days

The PBS documentary became a big part of the second half of this final season. I think that was a big mistake because while the insights from the individual worked well in the show, giving more attention to the doc made me think about it more. That makes the wheels come off the wagon as it would cost millions to staff such a project for 9 years. At most it would be a 9 hour program and just would not fill an auditorium a year after it’s aired. Downton Abbey could a documentary won’t. Besides a PBS documentary would criticize as well as praise its subjects. It would leave viewers thinking that some of these people aren’t worthy of respect and that incompetence is rewarded if you’re surrounded by nice people. PBS’ Frontier House and other similar documentaries showed some people to be noble and others far from it.

Towards the episode’s end, various characters opine about how great their time at Dunder Mifflin was and ponder the obvious Hallmark versions of carpe diem. The problem I have is that Americans, who watch PBS, aren’t be so banal that they’d sit through 9 hours of a documentary (or over 100 hours of a sitcom, I hope) just to hear that it’s important to value the “good times.”

There was little from the interactions between the staff or the audience at the panel to show that anyone felt they got a raw deal. Hard to believe. Someone would have, there’d be some villains because unlike sitcom writers documentarians don’t need you to laugh or feel warm and fuzzy. These reality shows aren’t hagiographies. As time went on many of these characters became more and more neurotic or in the case of Dwight, quite possibly psychotic.

The finale of the British The Office was sadder and more true to life.

Things I didn’t buy this season:

    • That it wasn’t malicious for Oscar to lie and steal Angela’s husband, that no one at the office caught wind of it and turned on Oscar. Someone should have learned of this and rightly turned on Oscar.
    • That Angela married a state senator was far fetched – a minor complaint.
    • That after leaving the senator, Angela, a shrewd accountant, would be destitute and have no where to live other than Oscar’s place. (So contrived.)
    • That Angela’s baby would be talking at about one year old.
    • That Creed, who’s got a regular paycheck, would live in the Dunder Mifflin men’s room and no one would know. I figured out a professor was living in his office in a far shorter time.
    • That Jim and Pam’s marital problems weren’t contrived for the sake of the plot. His taking the job in Philly and her insisting on staying in Scranton never rang true. Her selling the house without his knowledge even though she reminded him that he bought the house without asking her. It’s all so out of character.
    • That Andy’d be and remain the manager even after leaving for months at a time. His character was always bizarre in a pathetic, yet scary way. Actually, it’s hard to believe he was chosen as manager. It made sense that Michael was. He was a great salesperson and the Peter Principle is based in reality.
    • That Ryan would return (with a baby!) and then run off with Kelly, who was a head case, which he knew.
    • That Jan didn’t show up. She’d have had a bone to pick with the documentary.
    • That many of these people function and
      That during the country’s biggest recession in generations no one of consequence was let go. America was cheated on that count.

I felt the writers ran out of ideas and talent. They may be new to the show and inexperienced as they relied so much on psychosis and obvious, contrivances to further each week’s stories.

2 thoughts on “The Office – A Long Goodbye

  1. Yep, sadly I agree with every point you made 😦 I was late to catch on to this series and started it on Netflix about a year and a half ago, then caught up with it on TV in this last season. The earlier episodes with Michael Scott were so much better. I felt the whole show went drastically downhill when he left….Which in turn made it very disappointing that he only made a…what? 2 minute appearance on the lase episode.

    LAME!

    1. I agree that Michael Scott was key to the show. He was the glue and perhaps Steve Carrell had writing input. Also maybe, I’m not sure, some of the writers left at that time.

      I agree that he should have have had more screen time and we should have learned about his current job, his family in the finale. It would have made the story better. Also, Michael would have called the office occasionally and some people would have kept in touch with him through the years. Running jokes there abounded. The writing at the end was just dreadful.

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