Directed by Louis Malle, Zazie dans le Metro (1960) is an exuberant, colorful film that sends up all the devices and techniques of film based on a masterful comic novel by . The story is simple and doesn’t capture the quality or
Zazie is a lively, 10 year old girl, who visits her uncle in Paris while her mother has a rendezvous with a lover. Her one hope is to ride the metro, but there’s a strike so that seems unlikely. A flamboyant man with an odd set of friends, Zazie’s uncle lives an unconventional life since he’s an exotic dancer and has a wide assortment of eccentric friends.
Zazie explores the city and outsmarts most of the adults around her. She’s a worldly girl who speaks honestly at all times, but swears a lot. Since my French isn’t street French, I doubt I understood the full force of her swearing. In the essay, Girl Trouble, the writer notes that many people took their children out of the of the theatre because the language was so offensive. Form me, I realised that Zazie spoke like a sailor, but that it was a convention of the film and I took it as a comment on the adults’ behaviour more than anything else.
The film’s comedy is fresh and the pace fast with several of the best chase scenes I’ve ever seen. The film is exuberant and one I keep thinking of and smiling each time I do. The actress who played Zazie, Catherine Demongeot, gives a realistic, captivating performance. It’s a film I whole-heartedly recommend and know I’ll watch again and again.
Good essay on Criterion Collection “Girl Trouble.”