Directed by Kurosawa, The Men Who Tread on the Tiger’s Tail (1945) follows a group of seven samurai warriors t who dress as monks to travel through their enemy’s checkpoint. Adapted from classic story that both Noh and Kabuki theatre had covered, Kurosawa adds a comical character, a self-described blockhead who’s a porter taking the same trail as the warriors. For me he was the highlight of the film.
It’s a short (59 minutes) and simple film with little violence considering it takes place during a time of war and the characters are samurai. The theme that struck me most was reverence. The leader hid his face most of the time and his soldiers, particularly his second in command treated him like a god. I was struck by this as my own culture so emphasises equality that I just couldn’t imagine feeling so in awe of any person.
The climax comes early in the film when the warriors must convince the lord at the checkpoint that they are monks. The lord has been told to look for seven warriors in disguise. It’s dramatic, but more suspenseful than high octane as a modern film would be.
The film’s good for people wanting to get to know the breadth of Kurosawa’s work, otherwise I wouldn’t say it’s a “must-see.”