The Dressing Downton exhibit has opened in Chicago at the Driehaus Museum. I’d never been to the Driehaus, but the exhibit drew me. In this restored mansion once owned by the Nickerson Family, there’s an exhibit of the costumes featured in PBS’ Masterpiece’s lavish drama Downton Abbey.
This Gilded Age mansion was the perfect venue to see costumes of the same era. With your $25 admission, you get a free audio tour, which enables you to hear not only the descriptions of the rooms, but the stories behind the costumes from the early 20th century. In several cases the costumers would find a vintage dress and embellish or restore what remained of it, which gives the clothes more authenticity.
My friend and I savoured both the costumes and the house itself so it took about 2 hours to get through the three story house. If you drive down, you can get your parking validated so you wind up paying just $14 for 12 hours parking, which is a real deal in Chicago. The museum is holding several events such as author talks and a viewing party for the series’ finalé. I wish I could attend, but I leave for China tomorrow. Alas.
Written by David Kamp, The Film Snob’s Dictionary is a fun little reference book with a tongue-in-cheek tone that can help readers learn to b.s. their way through an erudite conversation on film or just help readers learn a little more about filmmakers and terms related to film.
Here are a few entries, chosen randomly, to give you a taste of the book:
Film Threat. Surprisingly buoyant, unsmug Web ‘zine (originally a print magazine) devoted to independent film. Where snobs go to read fulsome appreciations of Sam Raimi and interviews of such Queens of the B’s as Debbie Rochon and Tina Krause. (N.B. The website was bought and taken offline so where will we read these articles about people I never heard of?)
Mankiewicz, Herman. Gruff, whiskey-soaked, cigar chomping, old-school screenwriter par excellence (1807-1953)who bolted from his comfy perch at the Algonquin Round Table to write titles for silent films and screenplays for talkies, famously summoning his friend Ven Hecht west with te line “Millions are to be grabbed out here and your only competition are idiots.” A dab hand at many genres–he wrote or cowrote Dinner at Eight, the Marx Brothers’ Duck Soup and The Pride of the Yankees . . . .
Third Row, The. The only appropriate place for a true cinephile to sit, as per the dictum of the late snob overlord and belle-lettrist Susan Sontag. Though the third row is said to provide the ideal perch from which to comfortably take in the MISE-EN-SCENE while unobstructed by fellow audience members, New York’s Anthology Film Archives, in 1970, catered to the socio-pathology of Film Snobs by opening its Invisible Cinema . . . .
Sacha Guitry created another light-hearted film with The Pearls of the Crown. In this movie, which Guitry wrote, directed and stars in, a French writer, a man works for the Pope and an English royal assistant, search for three, rare, matching pearls that have gone missing since the 16th century. As the three men hunt down these pearls, they discover the truth in the lives of historical figures like King Henry VIII. Throughout the film, the audience is treated to wry humour. Here Guitry, who’s something of a French Noel Coward, plays for roles: two kings, a writer and one more character.
The film is charming and you’ll even learn a bit about history. Good when you’re looking for light entertainment and don’t mind subtitles.
My reactions to the sixth episode of the final season of Downton Abbey. I’d say this was my favourite episode of the season due to all the humour.
I learned about this amazing animated film from Every Frame a Picture (below). Created by Satoshi Kon, Millennium Actress is a unique, dreamy film that tells the story of Chiyoko, an old woman who looks back on her life when a documentary filmmaker, Tachibara, finally convinces her to agree to being interviewed. Tachibara, who was always sweet on Chiyoko, presents Chiyoko with a long lost key, which like Marcel in In Search of Lost Time opens up a storehouse of memories. Then the story goes back in time in an incredibly imaginative way mixing flashbacks, dreams and daydreams to show why Chiyoko went against her mother to become an actress during WWII.
The story skips back in time to various times in Chiyoko’s life and further goes back to various periods in history which her films were set in. There are a few political messages, which like Kurosawa’s No Regrets for our Youth, criticise how Japan imprisoned those who disagreed with the war. Because Kon’s techniques are so innovative in how they harken back to the shape-shifting that’s a frequent feature of Japanese folktales (but you don’t need to know that to enjoy the film), the film constantly surprised and delighted me. Throughout the film, the current day filmmakers were present in the past and that technique was particularly intriguing and innovative — at least to me, a novice in the anime world.
This video by Tony Zhou is incredible and made me want to see Millennium Actress.