I just discovered Laowhy86, who makes these YouTube videos on China. I find they’re quite accurate and absorbing.
What was all the fuss about La La Land? Since it got so many awards and nominations, I was quite excited to see it. After doing so, while I grant you it was fresh to see an update of a golden age musical, I wasn’t wowed.
La La Land stars Emma Stone and Ryan Gosling, who’re okay, but not favorites of mine. They seem to lack that star quality that Gene Kelly, Debbie Reynolds, Fred Astaire or Ginger Rogers and the like all had. It’s the story of two young starry-eyed dreamers who go to L.A. to fulfill their dreams. He wants to open a jazz club and save jazz as a genre and she wants to be an actress.
I’ve lived in L.A. and went to pursue my writing dreams. It was an interesting period, more so than the movie and less clichéd. Here we see a sanitized version of two one dimensional characters struggling to “get in.” He’s an arrogant loner and she’s a single girl looking for love and acceptance. I wasn’t particularly interested in whether they stayed together or not. I was surprised that Gosling’s character was such a churl. He’s rude to her. She’s rude back and after awhile they’re in bed, when they both should have kept looking for a better partner (or in his case done some self-examination and improved his attitude and personality and then found someone).
The commercials made me expect Gosling’s character to be a kinder person. I was surprised by how self-absorbed he was. He certainly wasn’t someone it would be fun to spend time with.
The dancing and singing were fine, but neither performer is as skilled at the old greats or as those on Glee. I’d have casted people from Broadway, included a few catchier songs and created characters that were more engaging and unique. Giving both of them good friends would have allowed the story to show why we should care about these characters.
The lyrics of the one song that I remember elude me, but the melody does pop into my head now and again. MGM would have given me songs I want to hear again and again. Song’s that were memorable like “Oklahoma!,” “I Could have Danced All Night,” “In America,” or “Gotta Dance.”
The ending wasn’t as sad as I think the creators intended.
In this French film, we meet Antoine, the Dad in Training, who’s a mess as an adult. He’s a music producer and has little regular work. In the opening scene he’s begging for funding for the latest singer he’s found. It doesn’t look like that recording will get off the ground. At home, he contributes little financially and nil as far as child care of his two delightful daughters.
His wife Alice reaches a breaking point. The couple separate legally and Alice sends the two girls to Antoine for him to take care of for two weeks. She goes incommunicado so Antoine must manage juggling both his music career and figuring out how to be a father, how to get a 6 year old to take her medicine, how to console a nine year old daughter, who thinks she’s responsible for her parent’s separation and how to feed two kids when money’s tight. His sister often helps out and offers a realistic, sometimes critical but always true view of Antoine’s life.
As the story progresses, after various gaffes hooking up and with online dating, and Antoine does grow up as a father. Alice is impressed, but will they get back together?
All the performances rang true. I liked Antoine’s sister’s role as she offered real advice without pulling any punches. The ending was real and certainly not what a Hollywood film would have done. A definite thumbs up.
Like Paper Moon and Zazie dan le Métro, You’re Ugly Too pairs a young girl, who isn’t so innocent, with a criminal who’s not used to children, forcing them both to connect. An Irish film, You’re Ugly Too follows Stacy who’s 11 and whose mother has recently died. Her Uncle Will gets released from prison to care for Stacy, his niece. Stacey’s wary and cynical. Uncle Will tries to cure her of her cursing and spitting. He takes her to live in a caravan her mother owned where they meet Emilie, a neighbor who comes pounding on their door seeking protection from her husband’s abusive friends.
Will soon discovers that due to her trauma and grief, Stacey has narcolepsy. A doctor prescribes stimulants, which Will is soon downing on the sly. A bureaucratic issue prevents Stacey from going to the local school. Since she was a teacher in Belgium, Emilie offers to tutor Stacey. The girl sees this just as a ploy to get near her uncle and tries some matchmaking. Oddly enough Emilie’s husband doesn’t care whom his wife sleeps with as that gives him permission to do as he pleases. Yet in the end Emilie turns out to be less reliable than any of the characters.
Stacey, played by Lauren Kinsella, and Aiden Gillen’s Will are both emotional porcupines, but I was drawn to them because they were so real, so scarred. By the end of the film they aren’t hugging and healed, but you could see they did love each other and did belong with each other.
The cinematography is terrific as it takes a bland, stark landscape and makes it dramatic. The film’s haunting and different, definitely worth your time.
Jenna Coleman continues to win me over in Masterpiece’s (and ITV’s) Victoria. This week the main problem was poor Albert’s search for a role in the U.K. Naturally, he wants to be more than Mr. Victoria. The queen is aware of the problem, but at first missteps by calling him in for a project. He perks up but when he learns that he won’t be signing documents, just blotting them as any clerk could, he is disappointed.
Victoria’s worry is getting pregnant right away. She’d rather not, though she wants children in time. It’s a natural preference, but in those days not easily done. She receives some wrong advice about jumping up and down ten times after having sex. She does this for a while before Albert finds her and tells her it won’t work.
The big social issue of the episode is American slavery. English abolitionists appeal to Victoria to lend her support, but she wisely passes this off to Albert, who though gawky and nervous about his accent and his English agrees to give a speech against slavery. When that goes over, Albert gets some dignity.
I like this couple that often disagree, but always do with respect. It’s a complex relationship because of their cultural differences and Victoria’s position as a monarch, while Albert has no title, until the Queen figures out how to confer one without ruffling her uncle’s feathers. The Queen is certainly politically astute for such a young woman, which is fascinating.
If find I’m losing patience with the subplot with the ladies’ maid who’s supporting a woman and child. What irks me is that the information about her connection to them comes out so slowly. The mystery is too drawn out. I’d like to see that story speed up.
I learned about this YouTube channel which led, evidently, to a TV show. Adam Ruins Everything is a must see program if you want to see what lies and myths we’re fed as consumers and citizens.
Guess, what? You don’t need to drink 8 glasses of water or liquid a day.
Adam loves research and he uses that to ruin everything so I’ve subscribed. I will still tip, but I’ll relax about drinking 8 glasses a day, a goal I’ve never attained.
I admit I didn’t much like L’Avventura, the story of a rich Italian woman who goes missing while on a weekend away with her rich, jaded friends. I concede that the actors were gorgeous and skillful; the sets and cinematography excellent, but the story was lacking and the personalities were exasperating.
The story’s simple. Anna is unhappy in a general alienated 1960s way. She bickers with her boyfriend and pouts a lot because life’s missing something. When she’s off on a boat with her friends she dives in the water and is never seen of again. I do mean that. We don’t ever see her and though I can appreciate innovation in plots, this was too much. While her friends and father search for her, her boyfriend (he’s no boy – these characters seem to be in their late 20s or 30s) and her best friend Claudia go to look for her. Looking for Anna becomes insignificant compared to Claudia and Sando, Anna’s boyfriend, who embark on romance spiced up with occasional pangs of guilt on Claudia’s part.
The film is striking and beautiful. I did buy into Claudia’s dramatic emotions as she pushed and pulled at Sando. Much of the film is a critique of the shallow lives of the rich. I didn’t quite buy it, true as it might be. The characters were simply playboys and playgirls and I found it hard to actually believe they couldn’t find something to dedicate their lives to. I suppose there are people like this.