Scott Adams clearly explains how to know when someone, it could be yourself or another person, is experiencing cognitive dissonance. When a new fact or phenomenon presents itself and it goes against a fundamental belief, one you don’t want to question or part with, your mind uses all kinds of tricks to deflect it so you can remain in your comfort zone.
I’m working my way through the DVD set, The Adventures of Antoine Doinel, and watched the fourth film, Bed and Board (Domicile Conjugal in French). Bed and Board delights as it shows Antoine as a newly wed. He’s married Christine whom he met in the previous film Stolen Kisses. The film offers a charming look at Antoine and his better functioning family members (i.e. his wife and in-laws) as he continues to hop from job to job. At the start of the film, Antoine’s job is coloring flowers for a florist shop. When his experiment to dye flowers red blows up, he soon gets a job with an American company controlling model boats in a harbor. It’s a silly job, which he got through an error, but Antoine never complains.
As a husband and father, Antoine is old fashioned in a quaint way and really wants to play out his role as protector and loving husband and father in his dreamy way. Christine and Antoine do disagree and have problems, but none are major. One of my favorite part of the movie is how Antoine goes behind Christine’s back to name his son. Yes, the was wrong. They should have solved the problem if only by flipping a coin, but it was a cute, very Antoine move.
Truffaut is amazingly sensitive about how he shows childbirth, infidelity and conjugal life. I’m guessing it was his style and not censorship in 1970s France. It made me smile.
A chance encounter with a Japanese siren, for whom his chivalry leads to temptation, shows a failing, and . . .
Here’s a troubling yet, fascinating documentary on illegal sales of surveillance equipment that can surveil all cell phones in an area or that can track all the internet information in an entire country.
Yes, you read that correctly.
It’s chilling to say the least. I had no idea.
Part two of Kobayashi’s trilogy Human Condition maintains the excellence of the first film. Here the hero Kaji is a private in the military. It seems no one on the face of the earth faces more degradation than a WWII Japanese private. Kaji’s particularly targeted because he’s suspect of being a “Red” since he tried to get humane treatment for the Chinese P.O.W.’s stationed at the mine he managed.
The “vets” or soldiers with more experience are merciless in their brutality against the newer recruits. In fact, the sensitive Obara, who’s physically weak and plagued by domestic problems, is beaten and humiliated in a way I’ve never witnessed. While Kaji tries to help, that makes matters worse for Obara who commits suicide rather early on in this three hour film.
Although Kaji is strong and performs his duties without failure, because of his principles, he’s berated and targeted. In no uncertain terms, the film indicts the Japanese military, where a few good men are outnumbered by corrupt brutes. Even when he was in the hospital, he was beaten. The head nurse thought nothing of striking patients!
As in Human Condition, part 1, Tatsuya Nakadai, who plays Kaji, is stellar. I just learned that he was a shop clerk and Koyabashi, the director of Human Condition, discovered him and put him in a film.
Taking a break from drama on the level of Human Condition, I watched Cary Grant and Irene Dunne in The Awful Truth. The Awful Truth is a 1930s romantic comedy about a married couple that races into divorce court after a misunderstanding. Each side has gotten the “wrong end of the stick.”
While they have 90 days between the court date and the divorce finalizing, Lucy, the wife, meets an Oklahoma tycoon who woos her, making Jerry, her soon-to-be ex-husband painfully jealous. Jerry no sooner gives up than Lucy realizes she wants him back.
In a nutshell: Lots of slapstick, lots of wit, lots of style and lots of fun.