I just heard about a body language expert’s YouTube Channel. What’s cool is she evaluates the body language shown in various big news events.
She didn’t post a hearing analysis of the Judge Kavanaugh’s testimony at the hearing. She seems to do these for several major people/events.
What a terrific film! I have to thank Sharon for recommending it to me. I learned of Babushkas of Chernobyl from the library’s Fall Film Challenge. Here’s what she wrote on the DVD’s Fall Film Challenge slip of paper:
A unique story to be sure. Quoting the co-director Holly Morris, “The dead zone, it turns out, is full of life.” That is a great hook and so true. After the Chernobyl disaster, the Babushkas refused to stay away from their homes. Decades later, they continue to live on their own terms. These women are rock-solid awesome.
Like The Wolfpack, you can put this in the “who knew” category i.e. stranger than fiction. These women find a way.
Yes, this is the story of three grandmas, or Babushkas, who retuned to their homes within the Dead Zone by Chernobyl. They farm here, forage and fish. So daily they eat what’s high in radiation. Yet, and the doctors confirm this, they outlive many of their former neighbors who evacuated. Go figure.
We learn about these tough women and their thinking about living in a ghost town. We also see the teenage boys who’ve taken to sneaking through the barbed wire. These teens play a computer game called S.T.A.L.K.E.R. which is set in the site of the nuclear disaster. They’re drawn to this eerie ghost town, where some of their relatives lived and worked. They see it as romantic.
The Babushkas are sure to warm your heart. Talk about resilient and dedicated.
Some background by the co-director of The Babushkas of Chernobyl.
From the library, I received a Fall Movie Challenge recommendation of Jean Cocteau’s Beauty and the Beast (1946). It’s a terrific movie that portrays a dream world better than any film I’ve ever seen. This live-action film offers an atmosphere that surpasses most animated films, which are easier to make other-worldly.
Cocteau follows the original fairytale’s plot more closely than the Disney version. He shows a father with financial troubles, two complaining, selfish daughters, one filial, hardworking daughter and a lazy, wastrel of a son. The dynamics of the siblings was key to the drama, I think. From the start we see the brother’s ne’er’do-well pal wooing Belle, with no luck.
After some financial ups and downs, the father on a journey through the forest and stay at a bizarre castle where the statues seem alive as do the arms holding the candles along the wall, mistakenly picks a rose for Belle unleashing the Beast’s anger. Soon Belle agrees to return with the Beast to his castle in lieu of his taking her father’s life.
The castle is one of the best parts of the film. The plants that grow wildly throughout the home and the living statues and lights are freaky and enchanting.
This film is intriguing because in large part to how wild the environment and Beast seem.. Thus while the story is a fairytale, it will appeal to adults with imagination. It would scare young children, but they can enjoy the Disney film. Jean Cocteau’s Beauty and the Beast is a wild, imaginative trip for classic film buffs.
Based on a novel, The Miniaturist has been adapted by the BBC and PBS. Set in 17th century Amsterdam, it’s the story of young Petronella Brandt, who agrees to be married off to a rich merchant to pay off her late father’s debts and save her mother and siblings from poverty. A Vermeer beauty, Petronella finds herself in a weird family. Her husband Johannes is never around and after almost two weeks hasn’t the energy, or so he says, to consummate the marriage. Her sister-in-law Marin is Puritanically devout and has a strange obsession with her brother. Marin’s behavior suggests there could be something incestuous between Johannes and her, but by the end of episode one, I think that was a diversion.
The two servants are Otto, whom Johannes bought from slave traders and Cornelia. I’d expect such a wealthy man to have more servants.
There’s a lot of mystery once Petronella’s wedding gift arrives. It’s a miniature version of her new home. She’s told to hire someone to decorate it and finds an artisan, a miniaturist, to make a few new objects for her. The odd thing is that she’s presented with additional objects she didn’t order, such a baby cradle and a box with keys. Somehow the miniaturist knows all the family secrets.
I find the plot annoying because it’s so overtly manipulative. I feel like the writer is toying with me. Also, despite a lot of research and detail, much of the dialog and themes are very modern or a modern person’s projection on to the past. Stereotypes, like the cold, rich friends and the pious sister also distance me from the story. I wish there were more characters who spoke. It seems like they’re keeping the budget down by having such a small cast, but perhaps that’s now the books was. I’m not sure I’ll watch the rest. The Victorian Slum Home show was much more interesting.
It’s a pity because I think this setting is fascinating. It’s no Poldark or Victoria. I wish there were a few more characters who were warm blooded.
I discovered the absorbing Victorian Slum House series last night and was blown away. It’s a British reality show, which like PBS’ Frontier House took a number of modern people and put them back in the past. The participants of Victorian Slum House go back to the late 19th century to live in poverty in a Victorian slum.
One family of 5 lives in a one apartment. Another is a tailor’s family and the four of them live in two rooms. As a tailor, they expected to make clothes from scratch. What they learn is their assigned to buy highly worn used clothes and fix or modify them. During the 1860s, when episode 1 is set, poor people didn’t buy new clothes. They bought what was patched up.
There’s a single man who’s a rent collector and also does some woodwork. He did opt to switch his modern protheses for one that resembles what was used back then. The producers did add some material that made it more comfortable than what people of his class had. There’s a couple that are shop keepers and they live on the top floor of the slum. They have better clothing and furnishings. Yet their finances are precarious because they depend upon their customers being able to pay up at the end of the week. No one knows for sure what they’ll earn in a week so their fear is real.
Sleeping on benches, Victorian era
Finally there’s a single mom with ten year old twins. Her lot is the most precarious. She works from home making fancy gift boxes. She starts with lots of optimism, but bought more food on credit than the others and her earnings fell far short of what she planned. So she’s very close to being evicted. In fact, in the 1860s, my guess is that she would have been and she’d have wound up down stairs in the sleeping room, where people slept on benches sitting up.
The program is full of interesting facts and the participants comments are enlightening.
Here’s a TED Talk by one of The Wolfpack boys.
Thanks to Sharon for bringing this unique documentary to my attention. Directed by Crystal Moselle, The Wolfpack (2015)shows a family consisting of six brothers, their parents and their sister who live in New York. The parents met when the mother went backpacking in South America. She shared his dislike for materialism and were married.
The sad and curious thing about this family is that the father became a control freak and would lock the wife and children in the apartment. He believed it was for security, but actually I saw it as a form of control. They could only go outside when the father permitted it and he apparently went with them so no one could escape. One year they were allowed out 9 years and another they weren’t taken outside at all.
The film focuses on the older brothers. The mother was certified by the state to homeschool the kids and they all spoke articulately and politely. The father had wanted 10 children as his dream of heading a tribe, but seven was the limit (biologically) for the mother. The father didn’t work; the father explained that he didn’t believe in work. I wondered what he did when he was out of the house for hours and hours. They family lived on welfare. The father dreamt of moving to Scandinavia, where the welfare was even better, but that never materialized.
The compelling thing about the documentary is how creative the boys were. To stave off boredom and keep sane, they watched the 5000+ DVDs that their dad had collected and then they’d copy the scripts and act out the films. They made clever props. It’s a good thing there were so many kids or they wouldn’t have enough actors.
Continue reading “The Wolfpack”
Starring the elegant, beautiful Catherine Deneuve, François Truffaut’s The Last Metro (1980) takes us back to WWII where Marion Steiner struggles to aid her Jewish husband who’s hiding under their theater, to put on a new play despite the government censors. The news is that Lucas Steiner has fled France, but that’s a cover. He’s hiding out in the theater’s basement, where his wife Marion visits every night. She lined up a guide to get him out, but the plan fell through as the situation has grown too dangerous.
Though he’s going stir crazy, Lucas listens through the pipes and gives notes to the performers via Marion, who must keep a cool façade while being pulled in all directions fearing that a German-sympathizing critic will censor the play, which could lead to the discovery and imprisonment of her husband.
Gérald Depardieu plays a young amorous actor, who’s also in the Resistance.
As the film is based on Truffaut’s childhood memories of the era, The Last Metro offers several light hearted moments, such as Depardieu’s failed attempt to woo one of the theater staff.
The film is well acted and paced covering a significant era, but for me it wasn’t quite as good as The 400 Blows or Zazie dan let Metro.