A colleague at my new job suggested I watch Chris Fleming as Gayle Waters Waters on a comedy show on YouTube. It’s an outlandish look at upper middle class suburbia. Enjoy.
I’m impressed with the how entertaining this show is when there’s no studio or big budget. The humor isn’t cookie cutter. It’s also not G rated. They don’t swear, but there are some risqué comments.
A powerful short film by Disney|Pixar
The Hidden Fortress (1958) is another Kurosawa masterpiece that blew me away. Like characters from Shakespeare, two pusillanimous peasants bicker over how irritating they are to each other as they head home after escaping from a wartime prison. One stumbles upon some gold hidden in a stick in a river. An emblem on the stick shows that the gold is the fortune from the clan that lost the war. Greed overcomes the men and they start trying to get all the sticks they can. They become obsessed and go back and forth between cooperation and conflict over the gold.
This ancient, Japanese vaudeville act is soon upset when a strange man sees them hunting for the gold. Eventually, they learn he’s a legendary general who’s intent upon saving an exiled princess and returning her to safety and restoring her clan. As foolish as the peasants are, they do occasionally come up with clever ideas. The gruff general realizes their counterintuitive plan to go through enemy territory could work since no one expects them to take that route.
What follows is a story of courage and honor, peppered with outstanding action scenes, wit and just plain foolishness that made me smile. Toshiro Mifune is outstanding as the general, who’d probably love to ditch the peasants but keeps them with him just because they’d probably do more harm to his mission and themselves if left to their own devices.
The princess exudes force and honor as no other character, I can recall. Raised like a boy, she’s strong, brave and willful. Kurosawa shows that she cares for her people because she insists that the general buy one of her subjects who’s been sold to a brothel owner even though taking another person on their journey is risky. Various viewers have noted that the princess is played by an actress whose career never took off and that the performance is rather one dimensional. I see what they mean, but I don’t think that one weak performance hurt the film that much. The princess was quite compelling and not just a stereotypical character who needed saving so the story had momentum.
The one thing about the princess that puzzled me was that for some reason her eyebrows were drawn on at 45° angles. They were very dark and dominated her face.
Like many Kurosawa films, The Hidden Fortress has great power and grab me emotionally. All in all, The Hidden Fortress is a classic that’s not to be missed. It inspired George Lucas when he conceived of Star Wars.
If you’re looking for a fun gangster movie with a message, pick up All Through the Night (1942) starring Humphrey Bogart, Conrad Veldt, who played Major Strasser in Casablanca, and Peter Lorre, who was also in Casablanca, William Demerast (of My Three Sons), Phil Silvers and Jackie Gleason. Bogart plays Gloves Donnahue, head of a minor gang of gamblers in New York. Devoted to his dear old mother, when she calls Gloves because she’s got a weird feeling about the disappearance of the baker who lives below her, Gloves comes running. Soon the baker’s body’s found and Gloves gets wrongly implicated in the man’s murder.
To get the police off his case, Gloves must get to the bottom of this mystery and he soon encounters a group of Nazi spies operating under the U.S. government’s nose, planning all sorts of evil. Some romance is added to the story through a pretty German singer Gloves meets. Whether she should be trusted remains to be seen.
The film moves briskly and there are plenty of quips in every scene, as you’d expect in a Bogart film. By the end, the jaded gamblers are protecting their country and offering examples to the audience on how we should all band together. All through the night entertains, despite its occasional hokey joke.
Perhaps I missed something, but The Spirit of the Bee Hive confounded me. A story about Anna, a young girl living in a village in Spain, who sees a Frankenstein film and gets obsessed with figuring out why Frankenstein killed a girl who had tried to play with him. She asks her older sister, who’s probably 7 or 8 years old, and gets a fanciful response which sends her on a mission to find Frankenstein in a local field.
Because I don’t know much about Spanish history and couldn’t understand the context a lot of the film was beyond me. Moreover, the family was so alienated. The parents spent little time with each other or with their children. There were some touching scenes, but as a whole the parents seemed distant and lived in their own heads. The kids were allowed to wander wherever including along and on railroad tracks. They’d put their ears to the tracks to determine if a train was approaching. That made me tense, but on the suspense scale, I wanted something more.
At one point a man who’s been shot jumps off the train and makes his way to the abandoned barn in the desolate field where Ana seeks her Frankenstein. We never learn his story. Ana innocently cares for him and brings him food and tends as best she can to his wound. He never says much. One day after she leaves him some food and starts for home gunfire takes the man out. We never learn the source of the bullets. Since Ana’s given the victim her father’s jacket with his watch in the pocket, her father is questioned by police. We never hear what’s said and never does the father talk to Ana about her actions. So much is left to the imagination and without understanding of Spanish modern history and its impact on the culture, I couldn’t appreciate this film.
The father was a beekeeper and scholar and there’s plenty of bee hive patterns, like the windows shown above. Still I really never got the significance of the title. I was going to watch some of the extras on Disc 2, but I figured I didn’t want to spend the time digging deeper in the hope of possibly understanding an opaque film.
Ana is blessed with the most beautiful, arresting eyes and they’re well photographed. Her sister is pretty as well. Seeing how they’re captured on film was the best part of this movie. For the most part, the emotionally distant characters left me cold.
A historical survey of motherhood across the decades.
Serendipity brought me Gigot starring Jackie Gleason of The Honeymooners fame. I remember Gleason’s sitcom from my childhood, but my view of him as an actor in film was vague, i.e. I knew he was in movies, but hadn’t watched any, not even Smoky and the Bandit.
Gleason wrote the story of Gigot, a pet project of his. Gene Kelly directed it and someone else wrote the screenplay. Gigot is a mute janitor in France. He’s the butt of everyone’s jokes and pranks. His landlady cheats him. Yet kind-hearted Gigot lives according to his own generous principles. He never gives up on goodness, though no one treats him well.
Late one night Gigot runs across a prostitute and her young daughter trembling in the rain and he gives them shelter in his basement apartment. Soon Gigot and the girl bond and his life mission becomes keeping Nicole, the girl, in good spirits. The scene where Gigot follows Nicole inside a church and she asks him what this building is was beautiful. Gleason astonished me with his acting. He showed so much heart and intelligence behind the veil of his character’s disability.
The prostitute is just as jaded and conniving as many of the villagers. She argues and berates Gigot, until the scales fall from her eyes, for a time.
The film is moving, but if you can’t take some sentimentality you won’t like it. If you want to see Jackie Gleason’s depth as an actor or just enjoy a movie with a lot of heart, before sarcasm became en vogue, try Gigot.
Christmas is the time for sweets, the cuter the better. Here’s some inspiration.
Recipes by Carina
Directed by master director, Mizoguchi Kenji, Sansho the Bailiff is based on a Japanese folktale. I wasn’t familiar with the original tale, but got caught up in the film. It’s the story of a family of noble station. The father, who’s an official, gets into trouble for prioritizing the peasants. He’s taken away and his wife and young children, a daughter named Anju and son named Zushio must leave their home and go into exile. En route to their destination, a priestess meets them and tricks them so that the mother is taken to a brother and the children are separated and sold into slavery.
The principled father taught his children to always be merciful to the needy. Yet as he grows, Zushio forgets this lesson and as a slave brands another slave on the forehead to gain favor with the Bailiff. His sister scolds him for this heartless action, which is a catalyst for Zushio’s turn around.
The mother laments the lost of her children and it’s amazing how they find she’s alive and how in the end Zushio finds her and does live by his father’s principles though it costs him dearly.
I didn’t realize that there was slavery in 11th century Japan. I found the film a wonderful history lesson as well as lesson in self-sacrifice. The film’s beautifully constructed and the Criterion Collection DVD comes with an enlightening commentary by an expert in film and Japanese culture. My only unanswered question was what was the role of a bailiff in medieval Japan. He held so much power compared to a bailiff today.
I highly recommend Sansho the Bailiff.