Directed by master director, Mizoguchi Kenji, Sansho the Bailiff is based on a Japanese folktale. I wasn’t familiar with the original tale, but got caught up in the film. It’s the story of a family of noble station. The father, who’s an official, gets into trouble for prioritizing the peasants. He’s taken away and his wife and young children, a daughter named Anju and son named Zushio must leave their home and go into exile. En route to their destination, a priestess meets them and tricks them so that the mother is taken to a brother and the children are separated and sold into slavery.
The principled father taught his children to always be merciful to the needy. Yet as he grows, Zushio forgets this lesson and as a slave brands another slave on the forehead to gain favor with the Bailiff. His sister scolds him for this heartless action, which is a catalyst for Zushio’s turn around.
The mother laments the lost of her children and it’s amazing how they find she’s alive and how in the end Zushio finds her and does live by his father’s principles though it costs him dearly.
I didn’t realize that there was slavery in 11th century Japan. I found the film a wonderful history lesson as well as lesson in self-sacrifice. The film’s beautifully constructed and the Criterion Collection DVD comes with an enlightening commentary by an expert in film and Japanese culture. My only unanswered question was what was the role of a bailiff in medieval Japan. He held so much power compared to a bailiff today.
I highly recommend Sansho the Bailiff.