As a student, Russian filmmaker Andrei Tarkovsky collaborated on a short film based on Hemingway’s The Killers, which I found on YouTube. At 19 minutes long it packs a punch just as the 1946 version does.
Tarkovsky directed the first and third scenes. He also plays a customer who whistles a tune while he’s in the diner. According to a Criterion Collection essay that tune was common on Voice of America and in Russia came to represent freedom.The Killers is a good introduction to Tarkovsky whose masterpiece Andrei Rublev is over 3 hours long.
Based on the 1927 short story by Ernest Hemingway, The Killers is straight up film noir. Directed by Robert Siodmak, he film begins with two hit men entering a sleepy small town and terrorizing the staff at the dinner. When they find out where the “Old Swede” (Burt Lancaster) lives, they complete their job. The odd thing is the Old Swede expects and accepts his fate.”
Reardon, An insurance investigator, is called in to find the Swede’s beneficiary. As the investigation progresses we learn about the Swede’s life and how he went from a failing boxer, to a robber, and how his love for a femme fatal named Kitty (Ava Gardner) was his downfall.
The insurance company doesn’t see the worth of pursuing the Swede’s decline or the big heist of $250,000 as it will minimally impact the ledger balance, but Reardon persuades his boss for a few days leeway. The story mainly consists of flashbacks, which are taboo in Hollywood, at least according to most screenwriting books, but they work. Each old acquaintance or lady friend has insight into the Swede.
The Criterion Collection DVD comes with bonus commentaries and I recommend watching the one with award winning master writer, Stuart M. Kaminsky who explains the birth of film noir, which was brought over to the US from German directors who emigrated here and how the films got darker and darker with time. Then the New Wave French became enamored of the style and coined the term Film Noir. Kaminsky offers his insights into the success of the story and both the 1946 and 1964 film versions. The DVD set has both of these versions and next I’ll watch the 1964 film with Lee Marvin and Angie Dickinson.
Alfred Hitchcock’s Cold War thriller Torn Curtain (1966) stars Paul Newman and Julie and kept me engaged from start to finish. Newman plays nuclear physicist Michael Armstrong who’s at an academic conference with his assistant cum fiancée Sarah Sherman. Sarah keeps asking him to commit to a wedding date, but Michael brushes this away. He’s got something else on his mind.
Suddenly Michael tells her he’s going to Sweden and someone else can give his presentation. Sarah’s baffled and later learns that Michael’s going to Berlin. She follows him and he’s furious when he sees her on his plane.
Sarah’s arrival is a surprise to the East Germans who welcome Armstrong. They’re confused about what to do with her. They move forward with their plan and Armstrong announces at a news conference that he’s defecting. Sarah’s shocked.
Now what? She’s come to East Germany and discovered she knows nothing of her fiancé, who’s going to give American military secrets to the enemy.
Little does she know that Michael’s a double agent. Spies give him instructions on where to go to get information on his operation, which soon goes off track.
The film’s a fast-paced thriller which will keep you guessing. Reviewing some other blogs I’ve seen it’s gotten some criticism for not being emotionally convincing, but I was more than satisfied with the twists and turns of Sarah and Michael’s romance just as I was with those of the Cold War enemies’ chases. Great climatic scene in a theater.
Torn Curtain earned a thumbs up from me.
Violence: A bit, but not so bloody.
Sex scenes: one, nothing too graphic.
RIP music great, Charlie Daniels. I vividly recall visiting my North Carolina cousins and hearing your “The Devil Went Down to Georgia” for the first time.
“The Devil Went Down to Georgia”
“Long-haried Country Boy”