Masculin Féminin

In general I don’t like Jean-Luc Godard’s films, yet there’s always something in them that intrigues.

Jean-Pierre Léaud (best known for 400 Blows) plays Paul, the kind of lost guy Léaud plays. Paul is an activist, who likes to spray paint his views on Vietnam on cars and walls. He’s in search of love, but awkward and unsure as he pursues Madeleine, a cute singer he meets in a café. Madeleine is also naive and unsure about Paul or love in general. Her main interest is the release of her new record. 

The best part of Masculin Féminin is the dialog between Paul and his hooligan pal, Madeline and her friends as they answer questions about sexuality, love and the issues of the late 1960s. Godard presents these kids as the generation that embraces Coca-Cola and Marxism. 

The Criterion Collection DVD has some good supplements including two interviews — one from 1966 and the other from 2005 — with Chantal Goya, who played Madeleine. 

The film has stuck with me for its look at the innocence of young people who were experiencing a changing society and the film’s abrupt ending. I like how different it felt but also found it very unsettling. Major events aren’t shown or predictable in the least, which seemed like a bit of a con.

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