Archive for the 'Award-winning' Category

20
Feb
17

La La Land

What was all the fuss about La La Land? Since it got so many awards and nominations, I was quite excited to see it. After doing so, while I grant you it was fresh to see an update of a golden age musical, I wasn’t wowed.

La La Land stars Emma Stone and Ryan Gosling, who’re okay, but not favorites of mine. They seem to lack that star quality that Gene Kelly, Debbie Reynolds, Fred Astaire or Ginger Rogers and the like all had. It’s the story of two young starry-eyed dreamers who go to L.A. to fulfill their dreams. He wants to open a jazz club and save jazz as a genre and she wants to be an actress.

I’ve lived in L.A. and went to pursue my writing dreams. It was an interesting period, more so than the movie and less clichéd. Here we see a sanitized version of two one dimensional characters struggling to “get in.” He’s an arrogant loner and she’s a single girl looking for love and acceptance. I wasn’t particularly interested in whether they stayed together or not. I was surprised that Gosling’s character was such a churl. He’s rude to her. She’s rude back and after awhile they’re in bed, when they both should have kept looking for a better partner (or in his case done some self-examination and improved his attitude and personality and then found someone).

The commercials made me expect Gosling’s character to be a kinder person. I was surprised by how self-absorbed he was. He certainly wasn’t someone it would be fun to spend time with.

The dancing and singing were fine, but neither performer is as skilled at the old greats or as those on Glee. I’d have casted people from Broadway, included a few catchier songs and created characters that were more engaging and unique. Giving both of them good friends would have allowed the story to show why we should care about these characters.

The lyrics of the one song that I remember elude me, but the melody does pop into my head now and again. MGM would have given me songs I want to hear again and again. Song’s that were memorable like “Oklahoma!,”  “I Could have Danced All Night,” “In America,” or “Gotta Dance.”

The ending wasn’t as sad as I think the creators intended.

13
Oct
16

Brooklyn

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Based on a novel, Brooklyn tells the story of an Irish woman, Eilis, who leaves the Emerald Isle where there are no jobs or eligible young men, to make a life in Brooklyn. While fitting in isn’t easy, she does find a boyfriend and succeed in bookkeeping at night school so that she puts down roots. She soon marries her Italian boyfriend in secret.

Life takes a turn when her sister suddenly dies. Eilis returns to Ireland to help her mother who’s all alone. It’s intended to be a short trip, but then Eilis decides to stay for her good friend’s wedding and then someone finds her a temporary accounting job that she excels at and then she meets terrific young man. It seems that Eilis has found the life she always wanted in Ireland.

SPOILER ALERT

Continue reading ‘Brooklyn’

28
Aug
16

Tokyo Godfathers

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By Satoshi Kon, Tokyo Godfathers shows three homeless misfits–a gambler, who’s lost his family, a transvestite and a runaway teen–who discover an abandoned baby. These outsiders, though flawed and somewhat to blame for their situation, come to get the audience’s sympathy and respect. They bicker as they seek the baby’s parents, which is a wild odyssey full of surprises against a gritty backdrop I rarely see in Japanese films.

The misfits have interesting backstories and as the story progresses they are forced to come to terms with their mistakes and history. They lead us through Japan’s shadier sides and the artwork is realistic.

Unlike the other Kon films I’ve seen this one sticks to the story with no departures into the character’s subconsciouses. Tokyo Godfathers/em> is a film I’d watch again and again.

16
Jul
16

Mr. Six

Mr. Six (left), his pal (right)

Mr. Six (left), his pal (right)

At a hotel, I asked a concierge for a list of good Chinese movies and Mr. Six was among them–and wow did it belong there.

I found it on a Singapore Air flight and this tale of the clash of the old and poor Beijingers with the rich and young blew me away. The film opens in the hutongs of Beijing where an old time gangster, nicknamed Mr. Six, lives and rules dispensing justice as he threatens pickpockets and intervenes between the police and a poor vendor. Mr Six, a widower, hasn’t even heard from his twenty-something son in six months. He knows the kid doesn’t care about him. He soon hears that his son’s been kidnapped as vengeance for sleeping with a super-rich kid’s girlfriend and then keying that guy’s Ferrari.

Mr. Six knows his son was in the wrong and tracks down the gang of rich car racers, who might as well come from another world. Their culture and mores have little in common with this old geezer who has a very clear, almost eye-for-an-eye view of justice.

Rich kid with blond hair and scratched Ferrari

Rich kid with blond hair and scratched Ferrari

Mr. Six shocks and impresses the kid his son wronged in a curious way. He’s given 48 hours to come up with 20,000 to pay for the car’s paint job. Mr. Six then proceeds to make the rounds of his old pals, some who’re squeaking by and others who’ve become wealthy to get the money. The film is a good look into China’s culture today. The young are (in some regions more than others) not buying into the old ethos. Materialism is on the rise and taking its toll in the form of souls. Mr. Six has the old justice system down, and it differs from Western ways so he surprised me again and again.

Also the film itself takes some interesting turns that wouldn’t come up in an American film. At one point the young, spoiled kids agree to meet Mr Six and his cronies to resolve the matter with a big fight. The old guys show up, but the young ones don’t. I can’t remember a no-show like that in a Western film. Returning home, Mr. Six gets surrounded by henchmen sent by the rich kid’s dad. They proceed to threaten and beat him.

The film captivates and has stayed with me and will for quite some time.

 Warning: Mr. Six will strangle and fight anyone who’s treating his son unjustly. It’s not as violent as The Godfather but there’s a lot of fighting and some blood.

01
Jun
16

On the Waterfront

on-the-waterfront-1954-001-terry-on-swing-with-edies-glove (1)

Yippee! I can reach my blog today! How long will this last?

Not very, I’m afraid, so on to a movie review.

Though I’ve heard parodies of the “I coulda been a contender” dialogue, I’d never seen Marlon Brando as Terry Malloy in the famed On the Waterfront. It wasn’t what I expected, though I’m not sure what I expected.

On the Waterfront opens with Brando’s character unwittingly luring a union activist to his death. The mob that controls the union want’s no trouble. They don’t want fair wages or fair play. They blindly follow their corrupt boss Johnny, content to get whatever scraps he throws their way. Terry’s brother is a lawyer for the mob and his link to Johnny pulled Terry in evidently. Years ago Terry was a promising boxer, but at Johnny’s insistence threw a fight. Terry’s rough around the edges to say the least. From what I’ve read, this natural, raw acting style was quite a departure from most films of its day. Now it’s the norm so while the film pulled me in, I wasn’t sure why it’s a classic.

Terry soon meets the dead man’s sister Edie Doyle, a gorgeous, principled young woman. He becomes smitten and she’s been sheltered at a woman’s college so she’s interested in him. Presented with Edie’s view of justice, which is exemplified in the neighborhood priest who organizes and stands up for workers’ rights, in spite of the older priest’s advice to mind his own business, Terry starts to change. He sees the injustice and personal cost of letting Johnny rule the waterfront.

I liked the film until the scene where after a quarrel, Terry runs after Edie, who’s lost hope that Terry will change. She’s fled to her apartment and Terry breaks down her door after she yells out that he should go away. She’s terrified, and yes, probably attracted, but if someone broke down my door I’d call the police no matter how charming or handsome he might be. Eventually, they embrace. Right. After he breaks down the door and struggle. This may have passed for love in the 1950s, but now it’s most unappealing. I felt that Upton Sinclair’s books like The Jungle or King Coal are better ways to learn about the workers’ movement.

09
May
16

10,000 Marks

My old employer, DDB has an office in China. Last month I showed my students a couple of their commercials. I just discovered this one. It’s thought provoking for this culture, where mothers tend to view their children critically so they have room to improve. DDB wondered whether they could change this behavior with an ad.

It’s gotten 40 million views and counting in China.

I found this moving, but also wondered about making women feel guilty while televised. I suppose if they felt willing to criticize their kids in front of a camera, they perhaps opened themselves up to this, but then again they were following a cultural norm.

What do you think?

14
Feb
16

More from Dressing Downton

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Tearoom at the Driehaus Museum

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Care to guess who wore which of these at Rose’s presentation?

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Just like Violet always wears violet, for Rose they liked to                                                                put her in rose or include a rose in her clothes or jewelry




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