Archive for the 'drama' Category




Based on a novel, Brooklyn tells the story of an Irish woman, Eilis, who leaves the Emerald Isle where there are no jobs or eligible young men, to make a life in Brooklyn. While fitting in isn’t easy, she does find a boyfriend and succeed in bookkeeping at night school so that she puts down roots. She soon marries her Italian boyfriend in secret.

Life takes a turn when her sister suddenly dies. Eilis returns to Ireland to help her mother who’s all alone. It’s intended to be a short trip, but then Eilis decides to stay for her good friend’s wedding and then someone finds her a temporary accounting job that she excels at and then she meets terrific young man. It seems that Eilis has found the life she always wanted in Ireland.


Continue reading ‘Brooklyn’


On Poldark, Season 2, Ep 1

I’ll be sharing my own thoughts on episodes 1 and 2 soon. Till then, here’s some insightful comments.

Episode 1 of season 2, and we start as we mean to go on, with Capt Poldark pulling his head out of the sand just long enough to stick his tongue out at the powers that be. Oh yes, our hero, in trouble once again, decides the way forward is to alternate between pretending it […]

via Poldark s2 ep 1 — UNPOPCULT


Antony and Cleopatra


After reading the play for my book club, I watched the 1971 Antony and Cleopatra film starring, written and directed by Charlton Heston. It was a grand epic and I think today a director would be more naturalistic, which isn’t necessarily bad. I did appreciate the grandeur and pretty much expected that in a Heston production.

I was surprised by the amount of skin shown. We see Charlton Heston in a thong-like loin cloth and some women’s bare backsides. It was the early 70s and Antony and Cleopatra were led by their desires and Cleopatra’s court was hedonistic in Shakespeare. (Earlier Chaucer wrote about Cleopatra and she was more of a “good wife,” more nurturing and romantic.)

The film did make parts of the play, which I read for my online book club, clearer.

The film was able to show the scale of the battles and their brutality, which was quite gory, but how things would have been. While it wasn’t perfect, I got the sense that the film did include authentic aspects of the Ancient World.

It reinforced my attitudes toward the characters–they weren’t at all admirable, but they were compelling as great people who suffered great falls.

As I watched I wondered why Shakespeare had all three servants–Iras, Charmian, and Eros–commit suicide for their masters. Such blind loyalty. I wondered how Shakespeare’s contemporaries thought of that. I wondered why no one went on to move on with their lives. Two women killed themselves for Cleopatra. Wow. Was she worth dying for? Ladies, you could have had a better life post-Cleopatra.

There was a scene in the film that really struck me. In Act 2, Scene 2 when Caesar and Lepidus are conferring Caesar’s watching two gladiators spar. Then Antony walks in and he and Caesar . All the while the gladiators spar and are quite violent. Therefore there was a good tension between the veiled, polite language Antony and Cleopatra use and the increasing fighting Caesar’s seeing.


Whiskey Tango Foxtrot

Whiskey Tango Foxtrot stars Tina Fey as Kim, a broadcaster who half-heartedly volunteers to go to Afghanistan on assignment. Fey’s character leads a nice, but ho hum life in New York with a steady boyfriend (Josh Charles) and a steady, unchallenging job just reading news. Once in Afghanistan, she realizes she’s way over her head. She eventually adapts to life during wartime.

While away, she discovers her boyfriend is cheating so she’s free to take up with Martin Freeman’s politically incorrect, usually philandering, war-savvy character, who’s a photo journalist.

I felt the first half of the movie drags and contains a lot of obvious jokes and clichéd situations about culture, but it’s worth watching on DVD or on a plane where you can watch half, take a break and watch the second half. Tina Fey does a fine job as does Martin Freeman and Josh Charles. The reason to watch is to see what sacrifices people make during this war that too many of us forget and to see what has gone on in Afghanistan.



Mr. Six

Mr. Six (left), his pal (right)

Mr. Six (left), his pal (right)

At a hotel, I asked a concierge for a list of good Chinese movies and Mr. Six was among them–and wow did it belong there.

I found it on a Singapore Air flight and this tale of the clash of the old and poor Beijingers with the rich and young blew me away. The film opens in the hutongs of Beijing where an old time gangster, nicknamed Mr. Six, lives and rules dispensing justice as he threatens pickpockets and intervenes between the police and a poor vendor. Mr Six, a widower, hasn’t even heard from his twenty-something son in six months. He knows the kid doesn’t care about him. He soon hears that his son’s been kidnapped as vengeance for sleeping with a super-rich kid’s girlfriend and then keying that guy’s Ferrari.

Mr. Six knows his son was in the wrong and tracks down the gang of rich car racers, who might as well come from another world. Their culture and mores have little in common with this old geezer who has a very clear, almost eye-for-an-eye view of justice.

Rich kid with blond hair and scratched Ferrari

Rich kid with blond hair and scratched Ferrari

Mr. Six shocks and impresses the kid his son wronged in a curious way. He’s given 48 hours to come up with 20,000 to pay for the car’s paint job. Mr. Six then proceeds to make the rounds of his old pals, some who’re squeaking by and others who’ve become wealthy to get the money. The film is a good look into China’s culture today. The young are (in some regions more than others) not buying into the old ethos. Materialism is on the rise and taking its toll in the form of souls. Mr. Six has the old justice system down, and it differs from Western ways so he surprised me again and again.

Also the film itself takes some interesting turns that wouldn’t come up in an American film. At one point the young, spoiled kids agree to meet Mr Six and his cronies to resolve the matter with a big fight. The old guys show up, but the young ones don’t. I can’t remember a no-show like that in a Western film. Returning home, Mr. Six gets surrounded by henchmen sent by the rich kid’s dad. They proceed to threaten and beat him.

The film captivates and has stayed with me and will for quite some time.

 Warning: Mr. Six will strangle and fight anyone who’s treating his son unjustly. It’s not as violent as The Godfather but there’s a lot of fighting and some blood.


A Night to Remember


A Night to Remember (1958) is a disaster film with dignity. It lacks the sentimental love story, which was central to Titanic, but that’s why it’s a better film. Directed by Roy Ward Baker, the film shows the swells enjoying the high life and the boisterous fun below in steerage mixed in with the misplaced wire messages about the iceberg and the frustrating refusal of nearby ship called the California to believe the Titanic’s distress messages.

The film shows people of all sorts, some willing to help their fellow passengers and others who’ll kick and claw their way into a lifeboat. The film weaves the facts in so you don’t feel like it’s a history lecture. You root for the characters all the while knowing most won’t make it. When the boat starts tilting so much that it’s at a 45° angle, you feel dreadful.

The Criterion Collection offers a good essay on the film here.


Downton Abbey, 6.6


My reactions to the sixth episode of the final season of Downton Abbey. I’d say this was my favourite episode of the season due to all the humour.

  • As is true for the whole season, I find the clothing sumptuous and it made me want to work on my triceps.
  • Robert is out of the hospital and on the mend, but confined to bed all week.
  • This week the hoi poloi was allowed to trample through the Abbey to make money for the Hospital Trust. What a situation ripe for dissension and humour! Of course, Violet, Carson and Robert believed this was the end of civilisation and they did have a point. Even Edith (I think) later said having them come through made her feel like there was something strange so that people were willing to pay to gape at them so that their home was a bit like a zoo. What was most funny was how when Cora, Mary and Edith gave their tours they knew so little about the house’s history. It makes sense because they’ve grown so used to it. It’s just home. Still since they fight to keep it you’d expect them to know more.

Don’t you just love these clothes?

  • Daisy continues to get on my nerves. Lately, Mr. Mason is growing sweet on Mrs. Patmore, who seems to return his feelings. Daisy does whatever she can to keep them apart. In this episode she throws a letter to Mrs. Patmore from Mr. Mason in the trash. Luckily, Mrs. Patmore finds it, but Daisy’s acting so oddly and there’s no reason for it–especially since Daisy hasn’t taken up Mr. Mason’s offer for her to live in his house, which would be a lot more more comfortable and pretty than the servants’ quarters. She’d still be able to work at the Abbey.
  • The storyline with the hospital progressed. The York Royal Hospital will take over the local hospital. What’s worse was that they’ve made Cora president of the hospital, and they’re sidelining Violet. Everyone kept that a secret from Violet till she discovered the truth via the grapevine. She was livid! The climax was Violet storming into the Abbey during the charity tour and blowing off steam with the acerbic wit we love her for.
  • Mary’s love life is moving along. With Tom as an escort, she met Henry Talbot at a dinner party in London. Afterwards, Tom disappeared and Henry and Mary got caught in the rain and shared a romantic kiss. She’s still concerned about his lack of status and his car racing, which reminds her of Matthew’s death.
  • Edith invited Bertie, the man who helped her get the magazine out in one night, for dinner at the Abbey. She even showed him her “ward” Marigold. Finally Mary is on to the truth that Marigold is Edith’s daughter. Rather than directly asking Edith, which she really can’t go since she’s got such a rotten relationship with her sister or asking her parents, she’s trying to get the truth out of Anna and Tom. I really applaud their loyalty to Edith as neither spilled the beans.
  • Poor Thomas. He’s teaching Andy, who’s illiterate, to read. Yet Mrs. Patmore and Carson have seen Andy coming out of Thomas’ room so they’ve reached the conclusion that Thomas is corrupting Andy. Well, Thomas has been cold and conniving so people don’t expect him to be kind so in part, you reap what you sow, but it’s still too bad. He’s being pushed out the door. It’s understandable because the family has to make cut backs, but now it seems, that he’s getting pushed out because  Thomas has been misunderstood. He promised Andy he’d keep his illiteracy a secret so out of honour he can’t tell. What a dilemma.
  • Mr Carson continues to nitpick his new bride Mrs Hughes over her cleaning and cooking skills. She must have known how to make a bed to have progressed in her early career, yet it’s not good enough for Mr Carson, who has no tact. Unfortunately, rather than raising the issue, Mrs Hughes has been stewing. I predict she’ll explode next week. We’ll see.
  • Dexter, who deserves to be out of a job at the Dowager’s, coerced Spratt into pleading her case with Violet. He succeeded, but as is the case with blackmail, he’s still on the hook. Dexter will tell the world that he hid his nephew, who was fleeing the law. Yes, Spratt broke the law, but Dexter is so manipulative it’s dangerous.

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