I’m a bit behind in my musings on Downton Abbey. The major events in episode 3 were Carson & Mrs. Hughes’ wedding. After a kerfluffle over what the ever-practical Mrs. Hughes would wear (she didn’t want to make a big deal about a dress and thus had no pretty, let alone elegant dresses), Elsie Hughes looked lovely in a coat that Cora wound up giving her. The trouble before the wedding reached its pinnacle when Cora, who had a headache from arguing with the dowager, discovered Anna, Mrs. Patmore and Mrs. Hughes all in her bedroom trying on one of her coats that Mary said she could wear. Cora through an out-of-character fit, but then Mary hadn’t explained or asked and it did look like a trespass over social boundaries. Soon Cora, true to form, apologised and wound up graciously giving Mrs. Hughes a gorgeous, embroidered coat that perfectly matched the plain dress Mrs. Patmore had ordered from a catalog. How lucky!
Edith took the reigns at the magazine. She sacked the complaining editor and worked all night to get the edition out. She lucked into meeting an attractive male acquaintance who asked her for drinks and then wound up staying up all night to help her with the magazine. How much cleaner than saving the pigs! Does that make it more or less romantic? What happened to Mary’s pig-beau?
Anna continued to have pains and fears of a miscarriage. The family elders continued to bicker over plans for the hospital and once again Thomas had a semi-comical, semi-sad Chekoves-que job interview at a big estate in decline. In the final scene I’m sure I wasn’t alone in rejoicing that Tom and Sybie have returned to Downton for good! (We could have guessed since Tom has been shown in promotional interviews and photos.)
Mr & Mrs. Carson were on their honeymoon for most of the episode. Several characters mentioned how hard it would be to call Mrs. Hughes Mrs. Carson. That little problem was solved at the end when everyone agreed that at the house she’d be Mrs. Hughes.
The squabbling over the hospital continued. Violet called in an aristocratic friend to assist her in her cause. Unfortunately, Lady Shackleton flip-flopped at the dinner party. Her main use proved to be that she brought her nephew, Henry, who is one of Mary’s suitors from last season.
Anna felt she was about to miscarry, so late at night Mary whisked her off to London via York, where the super Royal York Hospital with all it’s nifty skill and technology is. Hmm. Well, it worked out because Mary got to have cocktails with Henry and flirt a bit. Anna was okay and had a procedure that saved the baby. Still I wouldn’t want to take a train trip lasting I’d guess a few hours when I was miscarrying. Seems the last thing a woman would want to do would be to be on a train.
Daisy, who’s very eager to see that Mr. Mason get the house and farm that the Drewes have vacated since Mrs. Drewes kidnapped Edith’s daughter Marigold (what was she thinking?), almost sabotaged her job. She’s gotten to be quite a firebrand. She took Cora’s interest in Mr. Mason and a vague comment that Cora would see what she could do as a promise. When she hears a rumour that Mr. Mason won’t get the the land, Daisy works herself into a frenzy that culminates in her determination to tell off Cora. Every single servant urges her to calm down, to watch it, to wait and hope for the best, but Daisy obstinately ignores. At the pinnacle of her rage, Daisy storms upstairs. She’s willing to put her job on the line. Fortunately, before she can irrationally lash out against Cora, the Crawley’s tell her that they’ve decided that (although it’s not a great financial decision) they’re giving Mr. Mason the farmland. I doubt there was a luckier character on the show than Daisy at this time.
My favourite part of the show was when Gwen, who in the first season was a maid who with Sybil’s help became a secretary, showed up at Downton. She came with her husband, an aristocrat. When she arrived Thomas and Anna recognised her. The family members didn’t. Thomas, full of envy, blustered about how Gwen prospered, but he’s working in the same house in 1925 that he was in 1912 (or earlier). When serving, Thomas spilled the beans and got Gwen to reveal that she had been a kitchenmaid at Downton. While Thomas tried to embarrass her, Gwen regaled the family with stories of how dear Sybil helped her get the education and job that propelled her into the workforce and how that ties into her current association with a new woman’s college, Hillcroft. All the Crawley women now fully support this novel idea to educate women who need to work.
Baxter, Cora’s lady’s maid, is called upon to agree to testify against the man who urged her to steal from her previous employer. At first she was reluctant, but Mr. Mosley convinced her that if she didn’t other women would probably be tricked by him and would end up in jail or as prostitutes (that’s what has happened to some of women he’d conned).
Odds and Ends
In the U.S. after months (maybe 10 months it seems) of promotions, Downton Abbey’s sixth season began on Sunday. My tradition has been to watch Downton with my aunt, who’s now living in an assisted living facility. I brought dinner for us and arrived early. Our problem was we couldn’t get PBS on Direct TV in her room. No one was able to help us. Ugh!
We had dinner and then I left to watch the show, feeling awful that my aunt wouldn’t be able to watch a show she loves.
I enjoyed this first episode, but feel that this review will echo what I said last season. I enjoyed seeing favourite characters and elegant costumes, but not all that much happened.
A chambermaid tried to blackmail Mary about her rendezvous with a Lord Whoever last season. We knew the chambermaid wouldn’t succeed and she doesn’t she’s just an annoyance. I’d expect a chambermaid in a nice hotel would have lots of opportunities for blackmail and that she’d be better at it than she was. It was odd how she had so much time and money to travel to the Abbey so frequently. By the end of the episode, Robert came to Mary’s rescue, showing his fatherly love, which made Mary realise how good a father he is. Still, I’d hoped that wily Mary would have outsmarted the chambermaid.
Violet has learned that a larger hospital would like to take over the village hospital. She shares her scuttlebutt at a board meeting and Isobel and Lord Merton, who seems to be trying to score points with her, oppose Violet and the local doctor, who doesn’t believe bigger is necessarily better. Cora’s caught in the middle and seems to be swayed more by Isobel’s views. I hope Cora gets a better storyline this season, but I doubt it.
Edith, as is often the case, didn’t get a lot to do. Her daughter is fully now part of the family. Edith handled an irate call with the editor of the paper she’s inherited. There was a nice scene with her aunt in which Edith considers moving to London to get out of Mary’s shadow, which would be best for her. Mary dominates Downton and there Edith will always play second fiddle.
I’ve wondered how the series will end and whether the Crawley’s will be able to keep their estate. In last night’s episode a nearby house went up for sale and the Crawley’s neighbours auctioned off most of their belongings. This sale obviously makes us all wonder what will happen to the Crawley’s who’re unable to replace staff and are now considering lowering wages. The elegiac mood of the end of a beloved era hung more heavily last night and probably will throughout the series.
At the auction, Daisy had an outburst. She’s very upset that her father-in-law will probably be kicked off his farm. When she saw the new owners, surrounded by her employers and all the people milling about shopping for antiques and what-not, Daisy let loose her feelings of the injustice of Mr. Mason. Though she had a point, she didn’t help Mason at all and just got herself in hot water. As Mr. Carson points out this was a “dismissible offence.” Yet the Crawley’s were merciful and Robert just scolded her.
Mr. Carson and Mrs. Hughes are engaged, but Mrs. Hughes was worried about the “terms of the marriage.” There was a bit of comedy as she had Mrs. Patmore run back and forth to find out how intimate Mr. Carson expected her to be. In the end, Mr. Carson convinced Mrs. Hughes that he wanted a real marriage and that his love for her was strong and real. I wonder whether Mrs. Patmore will have to continue to play the messenger/marriage counsellor between these two people who’ve known each other for decades?
With a flourish of deux ex machina, Julian Fellows tied up the storyline of Anna being suspected of murdering her rapist. Another woman confessed to the crime. She must have been a female Jean Valjean since Anna was the prime suspect and there was no clear reason why the woman confessed, but it’s lucky for Anna that she did.
Favorite Violet lines
At first glance from my PBS emails, I didn’t think much of this summer’s Poldark. However, last week there wasn’t much to do in the evenings and I needed to keep awake to overcome my jet lag, so I watched an episode a night. While it’s not a top tier Masterpiece, it has grabbed me.
Poldark, Ross Poldark, had to fight for the red coats because he got in trouble gambling. In Virginia most of his company is killed. Ross survives but it takes him years to return home. When he’s back, he learns that his love, who though him dead, is about to marry his cousin, his richer cousin. Also, his father’s died and the family home and estate is in ruins. Poldark sets to regaining his wealth by reopening a mine and tending to his farm.
Unlike many in the town, Poldark is fair-minded and not blinded by status. He pays his workers well and lends a hand to those who fall on hard times. When he sees Demelza, a young village woman abused by her father, he hires her as a housemaid to work with his two unkempt, often drunk servants.
It’s tough seeing his love married to his weak, insipid cousin and the local society women do nothing but annoy Poldark. As time goes by he’s aware that Delmelza’s more than just a decent housekeeper. Under her rough manners, she’s wise, kind and beautiful. Rashly, he marries her upsetting all social proprieties.
I like that the show presents an era we rarely see on Masterpiece. Poldark’s house is dark and run down, unlike Downtown Abbey or The Paradise. It’s a rougher time, especially for the lower class. There’s a lot about borrowing money and wrangling to gain financial advantage. Even those draped in silk with their walls lined with ancestral portraits aren’t free from worry. It shows how the Crawley’s financial woes were more common throughout time.
The program can get a bit far fetched or descend to the bodice ripper conventions, but that’s easily forgiven. Overall, Poldark entertains and sheds light on 18th century Britain.
Three weeks into Downton Abbey and the story is moving slowly along. We still get Edith pining for her daughter, some more conflict over the WWI memorial and just a bit of Thomas making a suspicious phone call. (He’s probably looking for a new job.)
The biggest event for me was that Violet’s butler saw Mary and Lord Gillingham coming out of the Grand Hotel in Liverpool. She called Mary in for a chastising tete-a-tete. As always, Violet was hard to out-reason. Cora wouldn’t have been as frank or strong. In fact, as a mother Cora just goes along with her daughters. They are adults now, but no one turns to her though she’s far from domineering. You’d think she’d be perceived as the approachable mother.
As for Cora, she went up to London to look at paintings with Simon Bricker, the art historian with the not so hidden agenda. They strolled through the galleries and Cora poured out her heart as Simon complimented and almost swooned over her. Cora seemed to enjoy the freshness of an admirer. When she got back to Rosamond’s apartment, Robert was waiting for her all dressed up in his tuxedo. He’d planned a surprise for her and was (rightly) suspicious of Bricker’s time with Cora. Cora was annoyed. They had a little spat since no one in Britain has ugly “Who’s Afraid of Virgina Wolf?”-type fights. Thank God.
Cora’s feeling restless wishing she had more purpose in her life. She’s just bored. Find a hobby and make some friends, Cora. You do need a life, but you don’t need an affair.
Mary seems tired of Lord Gillingham already. I wonder if he’ll gossip about her if she ends the relationship. She certainly isn’t excited about marrying him.
The police came by to question Bates, who made up a story about his day in York. If the screenwriter, Julian Fellows is gutsy, he’ll make Bates guilty, but I think we’ll go through a trial and then find out Bates is innocent. Sometimes I feel like a pawn in Fellows’ hands. He comes up with about half as many ideas as needed for a series and spreads them thin.
Will next week be more eventful? No spoilers, but a yes or no would be welcome.
I see Julian Fellows as still finding the story. I suppose it’s harder because history in 1922 isn’t providing a definite event to build a plot on. I still enjoy Downton, the acting is just superb, but last night we just saw life carrying on.
Anna was the main figure for me as she soldiers on after being raped by a servant from a visiting Lord. Though I’m sure it would entail great hardship, I do wish she heeded Mrs. Hughes’ advice and contacted the police. It’s a false dichotomy to assume that if she speaks up Mr. Bates will kill the rapist and get imprisoned again. I know that in this era women didn’t speak up, but some might have and I’d like to see how that process was conducted – even if it was patently unjust. How would the Crawley‘s and the servants respond? By keeping silent, Anna also cuts herself off from the support of those around her. For now she’s keeping Mr. Bates away because she feels “dirty.” Understandable, but to move back to the main house without allowing time to heal seems hasty.
I’m glad Mary rejected Lord Whoever’s proposal. It’s just too soon. There’s no urgency in getting married for her. Though the pool of available men is smaller due to the war, I’m sure Mary can find love in time.
I’m concerned about Edith signing whatever paper the editor Mr. Gregson gave her. Yes, he showed his worth by beating the card sharp and getting all the aristocrats’ debts cleared, but he seems to be up to something. The convoluted marriage problems with his wife who we’re told is mentally ill are so dubious.
Looks like Alfred may take a big test at the Ritz to get into their prestigious training program. Good for him. It did take his seeing Ivy kissing Jimmy to spur him to action.
Poor Tom has been ruminating on Edna’s assertion that she expects him to marry her if she’s pregnant. What a nightmare that would be! Good thing Tom was smart enough to turn to Mrs. Hughes who put Edna in her place and convinced her to leave. Mrs. Hughes is wonderful! Downton would not survive without her.
Looks like Rose will eventually get herself into romantic trouble. She was bound to from the start. Still we only have some hints. In London she was deserted on the dance floor when the black singer sprang into action and took his place. Rose was very impressed, while her chaperone Aunt Rosamund warned her to be careful. It would be good to see more of Lady Rosamund.
So a lot did happen, but for some reason the plot doesn’t have the same momentum.
I liked this British teen’s reviews of American junk food. He’s new to the U.S. and has a fresh perspective on what I think of as commonplace.
Ahh, the house was abuzz as everyone quickly prepared for Edith’s wedding to the older Sir Anthony. What are my thoughts? Well, there will be spoilers below, so don’t say you weren’t warned. Here’s my 2 cents on an episode that kept me rivetted:
I can’t recall anticipating the return of a television show more than I have Downton Abbey‘s Season 3. Perhaps Sherlock, when it comes but that’s way off in the distance. I’ve re-viewed several of the episodes from the previous seasons when they were re-broadcast and noted little details that I’d missed.
At last on the 6th, we got to meet Cora’s mother, the brash American, Mrs. Martha Levinson, played with great panache by Shirley MacLaine. Talk about a bull in a china shop and someone to set Violet’s teeth on edge. How did Cora develop such grace? Her father must have been more reserved.
Julian Fellow’s story drew me in as I wanted to tell Branson, the ex-chauffer to lighten up, put on the Downton clothes and make his case by drawing on people’s sympathy rather than jumping on a soap box every chance he got. I did feel sorry for him when Sybil’s old suitor sneered at him and slipped him a mickey.
Another great story element was the announcement that Lord Grantham has lost his fortune, well, Cora’s fortune. That news, hushed up as it has been, charges every scene with tension. What will all the characters do when they find out? For now only a few know.
Thomas never ceases to devilishly plot and this time he got on O’Brien’s bad side. By making her nephew get in trouble by marring Mathew’s dinner jacket, Thomas became the victim of O’Brien’s prank of hiding all Lord Gratham’s good shirts thus adding to the ruin of the episode’s most significant social event and making the Lord look like a waiter or a Chicago bootlegger, take your pick.
We got glimpses of Bates in jail and Anna trying to do a bit of detective work to get him out. We also see that if he doesn’t keep his cool with his cellmate, Bates may get himself into further trouble.
As usual, the two hours went fast and tantalized fans with great character development and plot points. It looks like Edith’s going to marry Sir Anthony, the old geezer she’s so fond of. He’ll treat her well, it seems, and she is keen on him, but generally when the groom’s so luke warm, that doesn’t bode well for a marriage. Time will certainly tell.
It’s directed and devised by Armando Iannucci, who created VEEP and In the Loop. It’s a smart send up of the finagling and incompetence that rears its ugly head daily in the Ministry of Social Affairs.
Strong adult language and deft, sophisticated barbs so beware.