This should whet your whistle for the finale on Sunday.
Perhaps I missed something, but The Spirit of the Bee Hive confounded me. A story about Anna, a young girl living in a village in Spain, who sees a Frankenstein film and gets obsessed with figuring out why Frankenstein killed a girl who had tried to play with him. She asks her older sister, who’s probably 7 or 8 years old, and gets a fanciful response which sends her on a mission to find Frankenstein in a local field.
Because I don’t know much about Spanish history and couldn’t understand the context a lot of the film was beyond me. Moreover, the family was so alienated. The parents spent little time with each other or with their children. There were some touching scenes, but as a whole the parents seemed distant and lived in their own heads. The kids were allowed to wander wherever including along and on railroad tracks. They’d put their ears to the tracks to determine if a train was approaching. That made me tense, but on the suspense scale, I wanted something more.
At one point a man who’s been shot jumps off the train and makes his way to the abandoned barn in the desolate field where Ana seeks her Frankenstein. We never learn his story. Ana innocently cares for him and brings him food and tends as best she can to his wound. He never says much. One day after she leaves him some food and starts for home gunfire takes the man out. We never learn the source of the bullets. Since Ana’s given the victim her father’s jacket with his watch in the pocket, her father is questioned by police. We never hear what’s said and never does the father talk to Ana about her actions. So much is left to the imagination and without understanding of Spanish modern history and its impact on the culture, I couldn’t appreciate this film.
The father was a beekeeper and scholar and there’s plenty of bee hive patterns, like the windows shown above. Still I really never got the significance of the title. I was going to watch some of the extras on Disc 2, but I figured I didn’t want to spend the time digging deeper in the hope of possibly understanding an opaque film.
Ana is blessed with the most beautiful, arresting eyes and they’re well photographed. Her sister is pretty as well. Seeing how they’re captured on film was the best part of this movie. For the most part, the emotionally distant characters left me cold.
Based on Fanny Ben-Ami’s true story, Fanny’s Journey shows a thirteen year old girl who must lead her sister and friends out of WWII France into Switzerland. This powerful film captures childhood very naturally. The direction and acting are authentic and captivating.
Fanny and her sisters have been sent away from their parents to live in a boarding house that secretly protects Jewish children. When a priest informs on the boarding house, Madame Forman, one of the adults who run the place, manages to arrange for the children to go somewhere safer. She gets them all fake passports and schools them on what to say to anyone asking them questions en route. Each child is given a new name and Madame Forman tests them on them day and night.
From the start it’s touch and go. Germans are everywhere and Vichy French police are an equal threat. At first an older boy, Eli is in charge of the children, but after he’s arrested, Fanny’s thrust into the lead. She must figure out where to go and what to do next once their train is redirected and they lose touch with Madame Forman. As the going gets tougher and tougher the children feel like giving up and have plenty of complaints. Some are so young they have no idea why Jews must flee or what was happening to Jews throughout Europe. Their ignorance showed their wisdom.
The tension is maintained throughout the film and you’re heart will go out to these children. Fanny’s Journey is destined to be a classic.
In the final credits, you’ll see the real Fanny, who is still alive and has lived in Israel since the end of the war.
Who remembers this holiday treat?
My old employer, DDB has an office in China. Last month I showed my students a couple of their commercials. I just discovered this one. It’s thought provoking for this culture, where mothers tend to view their children critically so they have room to improve. DDB wondered whether they could change this behavior with an ad.
It’s gotten 40 million views and counting in China.
I found this moving, but also wondered about making women feel guilty while televised. I suppose if they felt willing to criticize their kids in front of a camera, they perhaps opened themselves up to this, but then again they were following a cultural norm.
What do you think?
If I hadn’t flown United, I wouldn’t have sought out Inside Outside a cute animated film about Riley, a happy middle school student, whose emotions go into a tailspin when she moves to San Francisco thus losing her friends, her big backyard and her upbeat attitude. What sets this film apart is that most of the action takes place inside Riley’s head, in an emotional control center. Amy Poehler is the emotion Joy and she’s the captain of this ship and feels compelled to only send happy thoughts to long term memory. Lewis Black plays a red hot Anger and other “shipmates” represent Disgust and Sadness. Joy doesn’t understand the value of sadness and is always trying to distract Sadness, who does have some wisdom to offer.
Joy and the other emotions fall out of their command center and must journey through Riley’s imagination, subconscious, etc. They go to a land of abstraction and become Picasso-ized. It’s all quite clever, but probably over the heads of most kids. Perhaps they’d go along for the ride anyway.
I was surprised that the film had Riley run away from home. She walks through the shady part of town where their new home is to the bus station. She gets a ticket and boards a bus. That was a bold move for a modern film to make.
Set in WWII, Jeux Inderdict (Forbidden Games) follows Paulette, a girl of maybe 5, who’s fleeing Paris with her parents. Refugees run along a country road as I suppose they do now in the Middle East. As war planes bomb a bridge, refugees seek cover. Paulette gets separated from her parents as she runs after her little dog. Soon, both parents and her dog are killed by German bullets. Paulette’s left to wander amongst the refugees.
Eventually, Paulette crosses paths with Michel Dollé, an older farm boy who’s searching for a cow that’s scared by the bombs and shooting. Michel brings Paulette to his poor family and they take her in. There’s no other place for her to go, other than to the neighbors, whom they view as snobs. The father does not want the neighbors to get a good write up in the local paper for taking in a war orphan.
Though he’s probably about 9 or 10, Michel’s the most educated of his family. He knows all the prayers by heart and regales Paulette with facts about animals and religion.
Paulette’s been carrying around her dead puppy and Michel convinces her to bury it. When Paulette sees a cross in the Dollé’s house, she’s curious. She never knew what they were for. Thus Michel leads Paulette to build their own private cemetery in a deserted mill and they begin to steal crosses from wherever they can get them–graves, churches, hearses.
The adults can’t understand who’s taking the crosses and the rivalry between the neighbors grows.
All in all, Forbidden Games is a natural, haunting film that mixes innocence, war, poverty, generosity and faith. It’s a simple, yet profound film, one I doubt anyone could make today.