With one of the best car chases I’ve ever seen, W.C. Fields’ The Bank Dick was a nice change after watching Russian drama. Fields plays Egbert Sousé, the head of the house full of women who constantly complain. He’s no angel, but you sympathize with him because his family treats him awfully. As the name without the accent grave suggests, Sousé drinks a lot and is a layabout. By accident, he thwarts a bank robbery and is hailed as a hero. As a reward, the bank president makes Sousé is given a job as the bank detective. Soon he gets his daughter’s boyfriend into financial trouble through a hare-brained scheme to buy bonds. As he’s basically a decent fellow, he tries then to save his future son-in-law, but everything goes wrong.
The film was at times clever and at times corny in a way that delights. Not only did I smile, but I learned a host of new words like adscititious and several others (below). The characters are stock and the humor often just plain silly, but The Bank Dick is fun and entertaining. I hadn’t seen a W.C. Fields’ film in years and will look for more.
Harold Lloyd’s talking Cat’s Paw (1934) satirizes dirty politics. (You can watch the whole film on YouTube by clicking above.) Lloyd plays Ezekiel Cobb, the son of a missionary who grew up in rural China. Cobb comes to California to find a wife. He’s supposed to stay with a minister, who for years has run for mayor against a corrupt machine politician. The minister is a puppet who doesn’t realize he’s simply used to make it look like there’s democracy in this town.
When the minister suddenly dies, his corrupt campaign manager needs a chump to run in his stead. He decides this naive newbie Cobb is just the man for the job.
Cobb’s an endearing character. He’s a fish out of water in America. Though he looks like he belongs here, China is his home. So he’s constantly bowing and has no idea what our slang means. He’s often mistaken for a “native” and this often gets him into all kinds of scraps. He lacks the street smarts and skepticism frequently found in corrupt cities.
Yet while the film never directly says as much, God helps the innocents and through a hilarious series of mishaps, Cobb is photographed punching the corrupt mayor and becomes a sensation. He’s swept into office. He’s as upset as anyone. He wants to return to China where everyone understands his references to the revered Ling Po, who’s wisdom he frequently imparts.
Cobb accepts his office and brings his innocent honesty into practice. He outfoxes the foxes and it’s a delight to see.
Lloyd is delightful. It offers satire with a clever story that still entertains. There are times when supporting characters use words like “Chink” which are derogatory and wouldn’t be used in a film today, but the characters who use such terms are portraying prejudiced people in contrast to the hero who respects and understands Chinese culture.
Cobb does search for a wife and looks for an idealistically innocent, poised woman. Pet Pratt, a woman in his boarding house is a worldly woman who tricks him by taking him to a nightclub with 1930s adult entertainment. She’s just the woman to help Cobb govern. It’s an added twist to the film, especially since Harold Lloyd films usually feature American sweethearts. Pet Pratt does not fit that mold and is fun to watch.
I was amazed by Cobb’s plan to clean up the city. He wasn’t the goody-two-shoes he seemed at the start.
Cat’s Paw was a fun film, which shows 1930s views of China.
I’ve added a new film to my collection of absolute favorites. It’s The Kid Brother (1927) by Harold Lloyd, which Criterion collection has just released on a 2-DVD set with plenty of extras like expert commentary and interviews of Lloyd and Lloyd’s granddaughter.
Poor Harold Hickory. His big brothers, and they are big, outshine him at home. His father the sheriff views Harold as too young and weak to participate in town meetings or fight for good when the community needs strong men. Harold reveres his father and these slights hit him hard. No one sees how ingenious, loyal and hard working young Harold is.
When a group of charlatans arrive in town, the same day as Harold’s dad is entrusted with the town’s money to pay for a new dam (so quite a sum), Harold gets duped into letting them put on a medicine show. Dad never would sign off on such a deal, but the Kid Brother was fooled. Harold soon realizes his error and what a disaster it will be.
Catastrophes come one after another and the gags are inspired. I laughed out loud and was amazed at the film’s charm. In one minute, you get more humor than in 5 minutes in any other comedy.
Not only is the film placed with comedy, there’s also romance. Jobyna Ralson, who starred in The Freshman, appears as an orphan girl, who’s linked to the medicine show conmen and she soon captures the hearts of Harold and his brothers. Their meeting and relationship is sure to make you smile.
The Kid Brother qualifies as a must-see film for all ages. I enjoyed watching with the commentary on to get all the background on Lloyd and the making of this four star classic. This is an amazing mood-lifter.
It’s past Halloween, but this is still funny.
François Truffaut’s Small Change (1976) was the first foreign language film I can recall seeing. I distinctly remember some neighbors raving about it and I was astonished by the idea of seeing a film in another language. A think our parents thought Small Change would be edifying so we were piled into a car and a group from the neighborhood all went. I remember being delighted by the scene when a toddler’s left alone and falls out of his apartment window, but remains unscathed. “Gregory go boom!” the boy exclaims to the petrified crowd.
The film still delighted though I did wish for more plot. Truffaut is wonderful with children and understands their lot better than most. The mischief of kids making a mess whenever the adults get caught up in their own lives, the innocence of looking for love, and the loneliness of hiding your family’s poverty or abuse are all present in this brightly colored panorama. Childhood’s changed in many ways with helicopter parents and high tech developments, but some of comedy and even the tragedies still remain.
The teacher’s monologue at the end struck me to the core in 1976 and again in 2018. I’ll share it below, but it’s a spoiler so don’t say I didn’t warn you.
Hospitalité is a one of a kind movie — or perhaps an odd movie is more like it. The main characters are Mikio, a middle aged man who’s taken over his family’s small printing shop, Natuski, his new, young wife, Eriko, his daughter from his first marriage and his sister who’s divorced. The daughter and the sister are sort of like prompts in that they appear when the plot needs a nudge. Otherwise, I didn’t think they seemed all that real.
The family’s pet parakeet goes missing and the young wife and daughter put up a notice in the neighborhood for it. A strange neighbor presents himself to help find the bird. Before they know it this odd ball Kagawa has been hired and then moves into their small home. A couple days later Kagawa brings his blonde wife to live there. The wife is a liar telling some she’s from Brazil and others that she’s from Bosnia. Chaos ensues. It reminded me of the Cat in the Hat but with the parents remaining home and allowing a nutcase teak over and never clean up.
Kagawa quickly discovers secrets both the husband and wife have and blackmailing them to get his way. By the end of the film the couple have completely lost control of their home as Kagawa practically turns the place like a youth hostel.
I found the film very different and unpredictable, but shortly after it ended I saw loads of holes in the story.
I can’t believe I never heard of Jeanne Robertson, a super perceptive comedienne whom I just discovered on YouTube. Her humor centers on her home life and old and young can watch, even in the same room.
This story of how she and her husband handled an errant son is priceless.