I’ve taken loads of photos of traditional markets in China and I’m sure to post more. This video has a Chinese woman explaining the ins and outs of shopping in these markets.
A Western woman, who’s taken on Japanese style and speaks Japanese very well, asks people in Tokyo what they envy in foreigners.
If you can’t get yourself to Asia to live the fabulous life of, say an English teacher, just check out one of the over 1000 videos Simon and Martina have made in which they share their discoveries of their old home Korea and their new home Tokyo.
Warning! After watching this I wanted to buy a yukata.
After watching this you’ll want to eat Japanese ice cream. Hard to come by in most places, but a lot cheaper than a yukata.
Here’s some good advice on the protocol of Korean spas, which are worth a visit if you’re in Korea.
It’s bad manners to discuss toilet activities. But the topic often comes up when people recount their first experiences in China. For many, confronting a squat toilet for the first time is a shock.
This fundamental encounter with the unknown can tell us about the relation of purity and danger, public and private space, and the role of the state in China’s rapidly changing society. Such abstract calculations come to life on the toilet according to five stages, starting with “shock.”
“toilet adventures” is designed to provoke discussion of such experiential, theoretical and ethical issues.
A social scientist put together this documentary consisting of interviews with mainly non-Chinese people regarding their attitudes towards toilets in China. Most visited before China opened up in the 1980s. The interviews reveal a lot about the individual and his or her culture as they do about China.
Directed by Mikio Naruse, Apart from You (1933) shows two geishas who’re stuck in an ignoble profession they wish they could escape. The film starts with an amusing scene in a geisha house run by an old woman who smokes and gambles. She studies the racing statistics in the paper like a scientist.
While Western books and films Orientalize geishas accenting their musical skill and gorgeous clothes, I’m finding films and books created by Japanese people portray this life as hard and soul killing.
I can’t improve upon Michael Koresky‘s synopsis so I’ll simply quote it:
Apart from You also gives us our first glimpse of Naruse’s careful way of dramatizing geisha life. The film concerns two melancholy working women: the long-suffering Kikue (seen in an early shot plucking out telltale gray hairs) and the younger Terugiku, whose beauty and seeming optimism mask growing disillusionment. Their internal wounds slowly become apparent: Kikue is having difficulty with her teenage son, Yoshio, who, bitterly embarrassed by his mother’s profession, has stopped attending school and fallen in with a pack of delinquents. Terugiku harbors deep resentment toward her family, especially her alcoholic father, for forcing her to become a geisha to help support them. An attraction develops between Terugiku and Yoshio—in the film’s most moving segment, she takes him on a trip to her family’s impoverished village; there, she instructs him that it’s wrong to be ashamed of and mistreat his mother, who works in her profession only to provide for him and his education. The verisimilitude with which Naruse depicts the geisha existence reaches its apex in the film’s frenetic party scenes, startlingly physical, decadent displays based on the director’s observations of a geisha house near Shochiku Studios.
Apart from You is a moving film though there were a few shots that were awkward as if the director was trying to figure out the medium. These were rare, but glaring errors, which given the power of the whole film, are easily overlooked. Similarly, the hoodlums Yoshio joins seemed like caricatures, but they’re not on screen that much. Both actresses who play geishas were quietly compelling and sympathetic.
I haven’t seen Keeping of with the Kardasians or The Real Housewives of Anywhere, but I imagine that The Queen of Versailles is one or two steps above them. American, opulent and way overstated, The Queen of Versailles is an anti-Downton Abbey.
This Sundance award winner documents the riches to rags story of the Siegels a nouveau riche couple with 8 children building the biggest house in America. Mr. Siegel made his fortune in the time share business and got caught in the banking scandal of 2008. For most of the film, we see how this couple deals with the downward spiral.
Their goal is to keep the time share dynasty afloat and to stay one step ahead of the bankers, whom David Siegel sees as Shylocks and Jackie compares to vultures. Apparently, they’re blind to the irony. David’s fortune was also built on overselling to customers whose desires outstrip their ability to afford. Still since David really is anguished and is working hard to fix his problem concerned that his 7 children with Jackie will have to actually go to college and train for eventual careers. (I do admit that I was smirking as I wrote that last sentence.)
The family seems to be living in a fog and always has been. Real conversations between them are few and far between. They talk towards each other and deflect a lot of what is said. Everyone ignores the real problems, just as they ignore the dog droppings that are in room after room of their garish mansion.
The most genuine people are Jackie, Victoria, age 14, David’s middle aged son from his first marriage and David. Victoria’s endearing when she goes to bat for her mom, telling her dad that he ought to snap out of his funk for a few minutes for dinner since she and her mother went to the trouble of making it. The subtext is clear. You need to consider us more than the finances and the Shrek movie you’re watching in your man cave.
Interestingly, everyone’s more honest and authentic (as much as these folks can be) when they talk to the documentary maker. Victoria sees that her mom was a trophy wife in this May December relationship. She doesn’t put down either parent for that, but calls it as she sees it.
Jackie has charm and generosity that carry the film. I liked her in spite of myself. Yes, she goes way overboard; yes those boobs must be fake; yes, she needs to get with it and start saving and get her life together, but she’s likable and funny. She gives her high school friend whose suburban track house is in foreclosure $5000. Her comments could win Emmy’s if they came out of the mouths of sitcom characters.
Typically, I’d have nothing but contempt for these sorts of people, but they are just so hopeless and a few are funny, that I sort of like them. This may be wrong-headed, but I blame the system more than the people in this film.
- Why Time-Share King David Siegel Thinks He Got Bush Elected (businessweek.com)
- Review in The Globe and Mail
- Roger Ebert’s Review
- Flash Essay: A Documentary to See: The Queen of Versailles (lenleatherwood.wordpress.com)
- Florida Mogul: I Was ‘Personally Responsible’ For Bush’s 2000 Victory (huffingtonpost.com)
- ‘The Queen of Versailles’ by Lauren Greenfield (movies.nytimes.com)
- Lessons of decadence for 2 distinct Queens of Versailles (indieethos.wordpress.com)
- The Queen of Versailles: Shakespeare Meets Housewives And Hits Uncomfortably Close to Home (observer.com)