While I’d heard of the Al Pacino movie Serpico, I didn’t know the plot or anything other than that Frank Serpico was a NY cop with a rebellious streak. This documentary, Frank Serpico, gives the story of Serpico often in his own words and in the words of New York Times reporters and cops who worked with him.
Frank Serpico is a colorful character and always has been. The film is chronological and provides background on his youth and family. I learned that before Serpico joined the police force, he was a teacher in New York.
Serpico seemed to be a skillful cop who from the start was on the periphery of the force because he wasn’t Irish American. Irish Americans made up the majority of the force. The film makes much of how Serpico was an outsider which made him more likely to speak out, report and testify against the pervasive corruption in the NYPD in the 1970s.
While working in narcotics, Serpico soon discovered that most of his peers were on the take. Another investigation supported Serpico’s conclusion. Cops on up the hierarchy were taking in millions. As predicted, Serpico was targeted by the cops who resented him. If you’ve seen the movie from the ’70s, you know he was shot and abandoned by the other cops. Because a civilian called the police, Serpico got medical attention and lived.
Now in his 80s, Frank Serpico describes what happened and why he was so ethical. There’s an interesting scene when Serpico was reunited with one of the cops who didn’t report Serpico getting shot.
The good cinematography that adds point of view. The movie with Pacino is brought up a lot and as Serpico wasn’t after fame, he exiled himself far from the city. A few areas could have been eliminated or shortened as they were repetitive. All in all, this was a film that held my interest that apparently isn’t as embellished as the Hollywood production. So if you’re interested in the police in general or Frank Serpico in particular, check out this film.
Wow! I can’t stop thinking about this movie. A couple people summarized it and the idea of a documentary about three men who were adopted discovering that they’re triplets, separated shortly after birth did intrigue me.
Born in 1961 three baby boys were adopted each by a family from a different socio-economic class though the Louise Wise Agency. When one begins community college, he’s weirded out by all the people greeting him and calling him Eddie. Every where he goes people are happy to see “Eddy” even though this young man’s name was Bobby. A friend of Eddy’s figures out that the two are twins.
Soon Eddy meets Bobby and they’re fast friends/reunited brothers. The story goes viral in the papers. Then things get even more unlikely. David Kellman opens the paper and sees two boys who look like him. He quickly learns that he’s a triplet. The three become a sensation and are on The Today Show, Donahue and the entire talk show circuit of the 1980s. They learn they’ve got all the same mannerisms and tastes.
They’re overjoyed and become inseparable pals. In time they move in to a New York apartment and start a restaurant called Triplets.
But the parents, while open to loving all these boys, are angry. How could this adoption agency not tell them their son had siblings? Their attempts at getting answers and justice are thwarted. A meeting with the agency leaders amounts to nothing. The law firms they approached for help turn them away because their employees may want to adopt through Louise Wise, which struck me as odd given how unethical this revelation is. Wouldn’t it be better for the truth to come out, this agency close and another that is more open and truthful take its place?
A journalist investigating research on twins learns about a study by Peter Neubrauer on nature vs. nurture. In this study done with twins and triplets at the Louise Wise Agency. Thus the triplets and other multiple birth adoptees were guinea pigs for a psychological study neither they nor their parents agreed to. It’s frightful.
The movie goes on to show the effects of this study on the lives of this innocent trio. It’s a film you won’t forget. The dramatized scenes of the past are done with authenticity and the interviews of the boys and those close to the story are sincere, funny and poignant. The film is well made and original. It’s full of twists and revelations that will hit you hard as you contemplate the impact of scientists playing with people as if they were toys. It’s a must-see film. You should be able to stream it or get the DVD at your library.
Jon Stewart’s guest last night, June 2nd, was Bill Moyers. Moyers is probably my favorite journalist alive. His programs on PBS have always been well-conceived, fair and informative. Not just a lot of hot air.