Three of the Downton Abbey cast members, Michele Dockery, Laura Carmichael and Allen Leech, review Maggie Smith’s best lines from the TV series.
An analysis of Harold Lloyd’s The Kid Brother
A colleague at my new job suggested I watch Chris Fleming as Gayle Waters Waters on a comedy show on YouTube. It’s an outlandish look at upper middle class suburbia. Enjoy.
I’m impressed with the how entertaining this show is when there’s no studio or big budget. The humor isn’t cookie cutter. It’s also not G rated. They don’t swear, but there are some risqué comments.
The Hidden Fortress (1958) is another Kurosawa masterpiece that blew me away. Like characters from Shakespeare, two pusillanimous peasants bicker over how irritating they are to each other as they head home after escaping from a wartime prison. One stumbles upon some gold hidden in a stick in a river. An emblem on the stick shows that the gold is the fortune from the clan that lost the war. Greed overcomes the men and they start trying to get all the sticks they can. They become obsessed and go back and forth between cooperation and conflict over the gold.
This ancient, Japanese vaudeville act is soon upset when a strange man sees them hunting for the gold. Eventually, they learn he’s a legendary general who’s intent upon saving an exiled princess and returning her to safety and restoring her clan. As foolish as the peasants are, they do occasionally come up with clever ideas. The gruff general realizes their counterintuitive plan to go through enemy territory could work since no one expects them to take that route.
What follows is a story of courage and honor, peppered with outstanding action scenes, wit and just plain foolishness that made me smile. Toshiro Mifune is outstanding as the general, who’d probably love to ditch the peasants but keeps them with him just because they’d probably do more harm to his mission and themselves if left to their own devices.
The princess exudes force and honor as no other character, I can recall. Raised like a boy, she’s strong, brave and willful. Kurosawa shows that she cares for her people because she insists that the general buy one of her subjects who’s been sold to a brothel owner even though taking another person on their journey is risky. Various viewers have noted that the princess is played by an actress whose career never took off and that the performance is rather one dimensional. I see what they mean, but I don’t think that one weak performance hurt the film that much. The princess was quite compelling and not just a stereotypical character who needed saving so the story had momentum.
The one thing about the princess that puzzled me was that for some reason her eyebrows were drawn on at 45° angles. They were very dark and dominated her face.
Like many Kurosawa films, The Hidden Fortress has great power and grab me emotionally. All in all, The Hidden Fortress is a classic that’s not to be missed. It inspired George Lucas when he conceived of Star Wars.
I can’t believe I never heard of Jeanne Robertson, a super perceptive comedienne whom I just discovered on YouTube. Her humor centers on her home life and old and young can watch, even in the same room.
This story of how she and her husband handled an errant son is priceless.
I didn’t expect to like Kurosawa’s Yojimbo (1961) as I knew it was a samurai film and fighting’s not my thing, but since I’m on a Kurosawa roll, I figured I should see it anyway. Boy, am I glad I did. The film offers unexpected wit and an unforgettable, surly hero, named Sanjuro.
Sanjuro wanders about the country after his master and retinue have lost. He comes to a town caught in the crossfire of two gangs. The townspeople live cowering in fear. After Sanjuro displays his swordsmanship with finesse the gang leaders try to lure him with money so he’ll play for their side. Ever cagey, Sanjuro’s wise to their game and trickery and double-crossing follow. There is no good side to join.
Sanjuro’s irascible but not evil. He does save a family knowing that’ll cost him. He gives them his gold coins to flee, but when they try to thank him he shouts that he hates anyone who’s pathetic and if they cry he’ll kill them. It’s all tongue in cheek and such humor in the context is a poke at the Western or samurai genre movies.
Also, the soundtrack is pure 1960s Western music, which adds a layer of fun as it winks at Hollywood and films in general. Another aspect of humor is the buffoonery of the other characters one gang’s nincompoops are just as inept as the other’s. Sanjuro operates on a whole different plane.
Toshio Mifune plays Sanjuro masterfully. He shows more with a glance or flick of a toothpick than most award-winning actors of any era. If he can convince a Western/fighting movie anti-fan like me to eagerly desire to watch the three other films, his performance must be stellar. Kurosawa made a lot of movies with Mifune and once said that:
Mifune had a kind of talent I had never encountered before in the Japanese film world. It was, above all, the speed with which he expressed himself that was astounding. The ordinary Japanese actor might need ten feet of film to get across an impression; Mifune needed only three. The speed of his movements was such that he said in a single action what took ordinary actors three separate movements to express. He put forth everything directly and boldly, and his sense of timing was the keenest I had ever seen in a Japanese actor. And yet with all his quickness, he also had surprisingly fine sensibilities. – Akira Kurosawa, Something Like an Autobiography.
Tatsuya Nakadai, who starred in Human Condition, Ran, and several other classics, appears as a loyal member of one of the gangs. He’s set apart as the one gangster with a gun, which he shoots with precision as a counter to Sanjuro’s very traditional swordsmanship. His character is threatening and probably the sharpest of the bunch though no match for Sanjuro.
This film inspired Sergio Leone’s Spaghetti Western, A Fistful of Dollars, in fact it’s said to be almost a carbon copy. I may just watch that too, but I’ve become such a Mifune fan, I doubt anyone can fill his shoes.
I’ve recently seen Tracey Ullman’s comedy from her new show on BBC. I’d forgotten how funny she is. She does great impersonations of Angela Merkel, Theresa May, Dame Judy Dench and more. She’s wonderful.
Tracey as Angela Merkel
It may be time for such a charity.
If you can’t get yourself to Asia to live the fabulous life of, say an English teacher, just check out one of the over 1000 videos Simon and Martina have made in which they share their discoveries of their old home Korea and their new home Tokyo.
Warning! After watching this I wanted to buy a yukata.
After watching this you’ll want to eat Japanese ice cream. Hard to come by in most places, but a lot cheaper than a yukata.
Here’s some good advice on the protocol of Korean spas, which are worth a visit if you’re in Korea.