I’ve sped through two 6 episode seasons of Derry Girls and loved every minute. Set in Londonderry in the 1990s when Northern Ireland was experiencing the “Troubles” a time of military occupation and bombings by the IRA, Derry Girls focuses on a tight knit group of teenage girls growing up amidst violence. In spite of all this we see Erin Quinn and her friends and family dealing with taking exams, the goody-two shoes at school, mothers, the fragility of a friendship.
Writer Lisa McGee is adept at weaving stories together and taking her audience on a funny and meaningful tour of teenage Ireland. I commend her for the funniest laundry joke I’ve ever seen and for adeptly mixing hilarity and pathos. She protects no sacred cows. Now there is a lot of swearing, so you’ve been warned.
Each actor superb and as an ensemble they produce delight from start to finish. There is no weak link in this cast.
I can’t wait for Season 4.
Derry Girls is available on Netflix and www.meilju22.com.
When her carriage is unsuccessfully attacked by Irish rebels, Victoria learns that the Irish want their freedom. Thus the queen takes her entourage to visit the Emerald Isle.
Albert gets Bertie a new tutor from his visit to Cambridge. Victoria’s not amused because she wasn’t consulted. That’s understandable. Albert continues to have trouble with his role, which he sees as second-fiddle, and Victoria’s mourning Skerrett and impatient that no one realizes this. All these emotions add to the marital conflict between the Queen and the Prince.
Like Cinderella or Jane Eyre, Feodora’s left at home to look after the children. She stews and pouts and is clueless about the new tutor, whom the servants suspect is up to something.
In Ireland, the royal retinue stay at Lord Palmerston’s estate. We meet Lady Palmerston. I expected a long suffering woman trapped in a loveless, arranged marriage. I was off base. Lady Palmerston is a busy beekeeper and happy with her open marriage.
Victoria’s blown away with the open marriage concept. She shares this arrangement with Albert, not that it’s something either of them want to try, but she’s amazed she’s met a woman who’s okay with this.
Love is also in the air between Sophie, the duchess with the churlish husband, and the new footman, Joseph. It’s a perilous relationship, that’s consummated and joyous. The duchess and the footman frolic in at the beach and aren’t as secretive as they should be. Rather jealous, Lord Palmerston notices and warns Sophie that she’s playing with fire. She doesn’t heed his advice and I suspect will be found out next week (or soon).
Victoria is a big diplomatic success at the ceremony in Dublin where she says just the right things and shows the Irish she cares. This doesn’t solve everything, but she was the first British monarch to visit Ireland since the Middle Ages, so I think she’s due some credit.
Back home, Albert quarrels with Victoria. He also is proud as can be that Bertie’s making great progress with his studies. His math and French have taken off.
However, Victoria’s new maid eventually mentions that the servants suspect the tutor of child abuse. The queen immediately races to the children’s room and catches the tutor in the act. He’s thrown out. I would have like to have seen him thrown in jail and put on trial. Poor Bertie! I found this storyline the most heart-breaking of the week. (Sophie should know her affair will be found out and that to cuckold a duke with a hot temper will not go unpunished. I fell sorry for her but she’s an adult.)
As usual, the hour sped by. The program is packed with drama, gorgeous costumes, and splendid scenery. This week we were also treated to some fine Irish-inspired music.
Like Paper Moon and Zazie dan le Métro, You’re Ugly Too pairs a young girl, who isn’t so innocent, with a criminal who’s not used to children, forcing them both to connect. An Irish film, You’re Ugly Too follows Stacy who’s 11 and whose mother has recently died. Her Uncle Will gets released from prison to care for Stacy, his niece. Stacey’s wary and cynical. Uncle Will tries to cure her of her cursing and spitting. He takes her to live in a caravan her mother owned where they meet Emilie, a neighbor who comes pounding on their door seeking protection from her husband’s abusive friends.
Will soon discovers that due to her trauma and grief, Stacey has narcolepsy. A doctor prescribes stimulants, which Will is soon downing on the sly. A bureaucratic issue prevents Stacey from going to the local school. Since she was a teacher in Belgium, Emilie offers to tutor Stacey. The girl sees this just as a ploy to get near her uncle and tries some matchmaking. Oddly enough Emilie’s husband doesn’t care whom his wife sleeps with as that gives him permission to do as he pleases. Yet in the end Emilie turns out to be less reliable than any of the characters.
Stacey, played by Lauren Kinsella, and Aiden Gillen’s Will are both emotional porcupines, but I was drawn to them because they were so real, so scarred. By the end of the film they aren’t hugging and healed, but you could see they did love each other and did belong with each other.
The cinematography is terrific as it takes a bland, stark landscape and makes it dramatic. The film’s haunting and different, definitely worth your time.
Based on a novel, Brooklyn tells the story of an Irish woman, Eilis, who leaves the Emerald Isle where there are no jobs or eligible young men, to make a life in Brooklyn. While fitting in isn’t easy, she does find a boyfriend and succeed in bookkeeping at night school so that she puts down roots. She soon marries her Italian boyfriend in secret.
Life takes a turn when her sister suddenly dies. Eilis returns to Ireland to help her mother who’s all alone. It’s intended to be a short trip, but then Eilis decides to stay for her good friend’s wedding and then someone finds her a temporary accounting job that she excels at and then she meets terrific young man. It seems that Eilis has found the life she always wanted in Ireland.
My new favorite comedy is Moone Boy created by Chris O’Dowd and Nick Vincent Murphy. In this Irish sitcom import, Martin Moone (David Rawles) is a twelve year old with a full grown imaginary friend named Sean. Martin lives with his shambolic family, which consists of his father who runs a sign shop, his mother who becomes Weight Wishers counselor and three older sisters who don’t like Martin at all.
Martin needs someone in his corner and Sean helps him navigate the slings and arrows of school, romance, and family life. Set in 1989-90s, Moone Boy reminds me of The Wonder Years. It’s got wit and heart. The acting, particularly Martin’s performance, is natural and the pace is brisk. Each episode, available on Hulu.coma and PBS in some areas, wrings the most from every story. In the two seasons I’ve seen every episode delights.
I wish I could draw like this, or like the monks who illustrated the Book of Kells.
This simple, yet magnificent movie introduces us to Brendan, a boy living in an Irish monastery when the Book of Kells was created. As Viking invasion is a major threat, his uncle, the abbot, focuses on building strong walls to keep the barbarians out. In contrast, an older monk and talented illustrator believes that completing “the book that turns darkness into light” should be their top priority.
Curious and innocent, Brendan gets caught up in this conflict and embarks on his hero’s journey.
The power of this film lies in its intricate Celtic animation. Dazzling and mesmerizing, I’ve never seen anything like it.