This Rick Steve’s special on how Easter is celebrated in Italy, Greece and Slovenia was wonderful. I had no idea of the colorful, heartfelt traditions that people have kept through the centuries.
He describes holidays and practices from Mardi Gras all the way through Easter Sunday.
I looked for some photos of these holiday practices, but soon learned that this year due to the CCP Virus, they’ve been canceled. My nephew was in Greece for a semester abroad, but had to come home. What a shame as Greece celebrates with lots of passion and color.
I pray next year will be normal and maybe I’ll have the good fortune to take a trip.
I was surprised that Katerine Hepburn could bore me. In Davide Lean’s Summertime (1955) she did. Hepburn plays Jane, an American secretary on her dream vacation in Venice. She’s dreamed of this trip for years and has a lot of energy and high expectations. Soon Jane’s pouting because her trip isn’t as idyllic as she hoped. She doesn’t have any horrible mishaps like getting robbed or sick so to me she just needed to look for some alternatives. Maybe she should go out for a day with the American couple who seemed a bit corny, maybe she should go to a different city or get a tour guide over the age of 10 instead of the urchin who looked about 6, had no shoes, spoke English better than a lot of Italian university students and who spoked cigarettes, which Jane gave him. (That was something you wouldn’t see today. Jane didn’t spoke on screen ever, but had a pack and bargained with this ragamuffin for.)
Jane does bump into an handsome Italian, Renato in the Saint Marco’s Square and the next day happens to go into Renato’s shop. There’s clearly some attraction, but Jane’s awfully standoffish despite her severe loneliness which makes it impossible to enjoy Italy.
About half of the film consists of Jane moping, which made it drag. Eventually, Renato pursues Jane, who soon discovers he’s married. At that revelation, Jane wants to end things, but she’s so lonely.
Jane had built this trip up in her mind so much that it was destined to disappoint. When she talks of home, it’s not as though she hates it. We’re not sure why she never married. She does mention going to a real ball as teen so she’s had opportunities for romance apparently.
Renato continues to pursue her and responds with pat answers to questions about his wife and children. Jane could do better. I hoped she’d end things with Renato.
All in all, I found the film dull despite Hepburn’s ability to be clever and energetic.
I’ve heard that Bicycle Thief is a classic film but never saw it — till now. I got the DVD, and see that the title’s been correctly translated to Bicycle Thieves, which makes more sense. (Bravo, Criterion Collection!)
I wasn’t sure what I expected, but I didn’t expect the emotional power this simple movie packed.
In a nutshell, Bicycle Thieves shows the poverty of post-WWII Italy. Many men stand in line for job opportunities. Only a couple will get anything. Since he has a bicycle, Antonio Ricci is lucky enough to get a job putting up posters. He must have a bike. The first problem is that his bike has been pawned. It recoup it his wife Maria pawns the family’s sheets, sheets they got as wedding presents. Since this job will pay well and steadily and since there’s nothing else of value, pawning the sheets seems sensible. Though I did have a feeling of apprehension as soon as they got their money.
Antonio uses most of the money to recover his bike and starts work. As the title suggests it isn’t long before some ne’er-do-well, someone just as needy as Antonio steals the bike. The rest of the movie is the search for the thief and the bike. While it seems like little can be done with such a simple problem, director DeSica presents a journey through impoverished Rome that breaks your heart and shows you the self-absorbed rich, the dangers of pedophiles, the ties between a father and a son and the longing for better by people who’re more than willing to work for what they get.
The ending is particularly moving and well earned. The emotional journey we’re taken on is real. As a neo-realistic film Bicycle Thieves portrays life as it probably really was for many. I could definitely watch this again and again.