Whiskey Tango Foxtrot

Whiskey Tango Foxtrot stars Tina Fey as Kim, a broadcaster who half-heartedly volunteers to go to Afghanistan on assignment. Fey’s character leads a nice, but ho hum life in New York with a steady boyfriend (Josh Charles) and a steady, unchallenging job just reading news. Once in Afghanistan, she realizes she’s way over her head. She eventually adapts to life during wartime.

While away, she discovers her boyfriend is cheating so she’s free to take up with Martin Freeman’s politically incorrect, usually philandering, war-savvy character, who’s a photo journalist.

I felt the first half of the movie drags and contains a lot of obvious jokes and clichéd situations about culture, but it’s worth watching on DVD or on a plane where you can watch half, take a break and watch the second half. Tina Fey does a fine job as does Martin Freeman and Josh Charles. The reason to watch is to see what sacrifices people make during this war that too many of us forget and to see what has gone on in Afghanistan.

 

Sherlock: Season 3, Episode 1

Sherlock Series 3

Finally, Benedict Cumberbatch and Martin Freeman have returned after a too long Sherlock hiatus. Like all Sherlock fans I was eager to learn how on earth Sherlock survived. My book club read “The Empty House” this month in honor of Sherlock’s return and I’ve got some thoughts on that here.

PBS has a thorough synopsis here so I won’t offer one. I will have spoilers so watch the episode first online if you can.

I did like the parallels I noticed in the modern “The Empty Hearse” episode. While in the original, Sherlock doesn’t fall all the way down the falls and his death is faked, there’s a modern equivalent solution. This modern fall was also faked for the same reason: Moriarty and his cronies had to see Sherlock was dead. The screenwriters Steven Moffat and Mark Gatiss accomplish this with a plot wherein Molly Hooper gets Sherlock a body to use to replace his corpse and a set up of 13 eventualities that have Watson’s view obstructed and manipulated. It’s clever and does work.

In the original story in which Roger Adair is murdered in a room that seems to not have been entered by an murderer. In the television show the screenwriter replaces the unentered room with a subway car that is entered but mysteriously exited. The last train leaves one station with a sole passenger, but that man has disappeared by the next stop. Quite clever.

I was delighted to see Sherlock, Watson, Molly, Lestrade and Mrs. Hudson again. I welcome Mary, whom Watson is going to marry, as he was in the originals. However, there was one odd point in the story when she’s teasing John about shaving his mustache, which is just awful. The actress seems to take on Moriarty’s tics as she teases. It’s a bit odd and I blame the director – and I suppose the writer too.  I’d like to see Mary have her own career rather than just being Dr. Watson‘s assistant. It is 2013 after all. If John had the wherewithal to set up a practice and is bored with his work, he would have had the energy to date, maybe not the first year after Sherlock died, but later. So give him a girlfriend with her own profession.

I didn’t buy how Anderson, the forensic specialist who dislikes Sherlock, now has become a scraggly fan who leads a Sherlock groupies in conspiracy theory meetings. Also, I miss Moriarty. There will be a new villain, but Jim Moriarty was perfectly despicable and two seasons wasn’t enough.

I wish there was more time given to solving the crime and developing the character of this turncoat terrorist. He didn’t get so much as a line of dialog. A lot of time that was spent on jokes that winked at the fans could have been sacrificed to flesh out the criminal.

The scene on the subway when Sherlock and John must defuse the bomb was tense, but it whimpered at the end when Sherlock saved the day by simply flipping the off switch. Too far fetched for me.

The Hobbit

TheHobbit

I enjoyed The Hobbit when I read it for the first time last November. I’m not a fantasy fan normally, but I liked the characters and wit in The Hobbit.

I saw The Hobbit’s 3D IMAX version and it was the first time for me to see a 3D film, which I found kind of cool, but not necessary. In fact as the story progressed, the 3D aspect was rather distracting.

As I watched The Hobbit, I wondered about the frame with some old guy I didn’t know since I haven’t seen The Lord of the Rings going about writing and explaining why he was writing the story of Bilbo Baggins. I’d have cut that as I don’t think Peter Jackson needed this extra link to his first trilogy.

I thought Martin Freeman and Richard Armitage, old “friends” from Sherlock and MI-5 respectively, were good. All the actors were. What I had problems with was the extras stuffed into the film. I didn’t need the high octane fighting scenes and the drawn out CGI effects. Just because you can do something, doesn’t mean you should.

Jackson’s imprint is bold in this film as the tone differs from Tolkien‘s novel. I thought the best parts of the film were Tolkien’s wit and gentle narration. The scene where the mountains and rocks came to life to do battle was just bizarre. I left the theater rather worn down by the clamor and epic, slick action. Again, I often felt I was watching a computer game.

I’m glad I saw The Hobbit, but don’t feel I need to see two more films in this trilogy, that could easily be one film. I think Peter Jackson just wants to milk the story and beef up ticket sales. I agree with Salon writer who thinks “Hollywood” has stripped The Hobbit of its poetry.