In Unfaithfully Yours, Rex Harrison plays conductor Alfred de Carter, a pompous egotist. (Doesn’t Harrison play a lot of this sort?) De Carter’s clueless brother-in-law Augustus misunderstood his request to “look after my wife while I’m gone and as a result Augustus has Daphne, the wife, followed by a detective.
At first Alfred wants to give his wife the benefit of the doubt, but other people want to tell him that his wife was found leaving his secretary’s hotel room in a negligee in the middle of the night. Soon Alfred’s high minded ethos are out the window and while he’s conducting a symphony concert, he’s plague by different scenarios involving confronting Daphne about this affair.
Each variation is more comical than the last. Directed by Preston Sturges, Unfaithfully Yours is a madcap comedy with a perspicacious take on jealousy. I particularly liked how well music was worked into the story and how each piece fit Alfred’s mood to a T.
The psychology of jealousy is explored to the limit. Harrison offers a superb performance of slap stick humor in a scene towards the end when he tries to trick his wife. Unfaithfully Yours moves at a clip and in spite of a few corny jokes stands up to the test of time. In the 1980s, they did a remake of Unfaithfully Yours starring Dudley Moore. I doubt it could match this clever film.
The Criterion Collection version includes a bonus feature with Terry Jones of Monty Python fame describing how he discovered Preston Sturges and his thoughts on the film.
I never really wanted to get caught up in someone else’s obsession. When I watched The Kindergarten Teacher, (2014) I was a witness. The film was engrossing and well-acted, but rather disturbing. (After The Minutes, I could do with a some drama that wasn’t.)
The Kindergarten Teacher is about Nira, a teacher who becomes obsessed with Yoav a student who’s a poetic genius. Poems come to him from out of the blue, poems with words like “banality.” Poems that describe the complexity of love with more wisdom than most adults can muster. The teacher is a would-be poet and she starts passing off Yoav’s work as her own in her poetry group.
Nira becomes obsessed. So focused on Yoav’s genius, Nira ignores most of her other students and while she has a fine marriage and two children, none of this matters much compared with Yoav’s poems.
Soon Nira has gotten Yoav’s nanny fired and has disregarded every boundary in her profession or commonsense. Watching this film is like watching a train wreck. You know it will end badly, but I was surprised how.
The Kindergarten Teacher is compelling, and I was able to believe that Yoav did write the poems. I would certainly watch another film with the star, Sarit Larry, who played Nira, bu for a time, I need to watch drama that isn’t disturbing.
FYI: There’s going to be an America version released in 2018.
What a powerful movie! I just bought it because I thought a geisha film might be interesting. I had no idea that this Mizoguchi (see Life of Oharu ) film would be so entralling.
A fusion of two Japanese ghost stories and a story Guy de Maupassant, Ugetsu Monogatari tells the story of two brothers with obsessions that bring their families to ruin. One brother, low class farmer, dreams of becoming a samari; the other, a potter, dreams of making a fortune and showering his wife with luxurious presents. Given their low social status and the hierarchy of the day, both dreams are ridiculous.
Set in a time of civil war, pursuing these dreams results in the families’ destruction, one wife’s murder and the other’s rape and eventual fall into prostitution. Both men are shown as foolish and obsessed and they fall prey to ghosts as they ignore the warnings they receive.
Mizoguchi’s cinematography is exquisite and the composer’s music alluring. Mizoguchi uses cameras as no director I’ve seen does. Viewers are taken to a dreamy sometimes crazy world as they follow the brothers’ obsessions. The story is haunting, and acting, especially the actresses’ performances is quiet and powerful.
I watched with the Criterion Collection commentary on, which helped me appreciate the story and production. I might not have realized that the princess was a ghost till the end as I lacked a knowledge of how Japanese ghosts operate. A Western ghost would not have been so subtly portrayed. This is definitely a movie I’d watch again.
Starring Bette Davis, All About Eve is a classic, yet I’d never seen it — till now. It’s a captivating film about Margo Channin, a veteran actress and her circle of theater friends. They’re a jaunty bunch, witty and rather insular. I doubt they know anyone who isn’t in the theater. It’s a happy group though till Eve, a young fan of Margo Channing, the big star, is spotted near the stage door. Margo’s friend is struck by Eve’s persistence and apparent innocence. Before you know it, the group takes Eve into their circle as an adoring fan cum servant.
The problem is Eve’s rather obsessive and driven, she plots to take Margo’s place in the stars, to supplant her favorite actress both professionally and romantically by stealing Margo’s boyfriend. Eve’s psychopathic and manipulative managing for a time to fool everyone but Margo. Eve was wooden and scary. It’s troubling that she got the success she got. The dialog’s snappy and the acting good. Thus even though there weren’t any characters I’d like to know, the film kept my attention from start to finish.