Red Beard

2014-12-03

Red Beard performs surgery as Yasumot o looks on

I had imagined the premise of Kurosawa’s Red Beard (1965) incorrectly for years. I assumed it was some samurai film with lots of sword fights so I never bothered with it. Then when I listened to the commentary on The Lower Depths, I realized that it was a drama. I had to right this wrong so I picked up the DVD at the library.

Set in 19th century Japan, Red Beard isn’t just about the curmudgeon older doctor so nicknamed, it’s equally about young Dr. Yasumoto, who has just finished medical school and arrives Red Beard’s clinic. Yasumoto is not happy about working in a clinic that serves the poorest of the poor. He had his heart set on treating high status samurai. Surely, this is a mistake the arrogant, obstinate ¬†young doctor believes.

On-the-set-of-Red-Beard-600x377

Yasumoto (Kayama) and Red Beard (Mifune) with director A. Kurosawa

Yasumoto refuses to put on the clinic uniform or to abide by any of the clinic rules. He’s horrified by the outward appearance of the poor. He almost gets killed when he flouts a rule about avoiding the hut in the back where a deranged, wealthy woman is housed. All the while Red Beard is gruff, wise and patient. He sees so much more than Yasumoto can.

I loved Red Beard’s gruff ways. He was gentle with the patients who needed it, but tough with those who were foolish. He was wise in dealing with Yasumoto, allowing the young doctor to figure life out on his own and smiling when he finally donned his uniform and took on treating the poor of his own accord.

The plot twists and turns. Sometimes Red Beard is the focus, often Yasumoto, or a poor girl who’s rescued from a brothel. So many characters are given the spotlight and they all deserve it. The film has an emotional depth on par with The Human Condition, and one that few films bother to attempt. Kurosawa doesn’t beat you over the head with a message, but he does make you muse on how you should be kinder or more compassionate, how you should stretch beyond your comfort zone. It’s a film I could watch again and again. I’m so glad my misconception was dispelled. Red Beard is a treasure.

 

Mr. Six

Mr. Six (left), his pal (right)

Mr. Six (left), his pal (right)

At a hotel, I asked a concierge for a list of good Chinese movies and Mr. Six was among them–and wow did it belong there.

I found it on a Singapore Air flight and this tale of the clash of the old and poor Beijingers with the rich and young blew me away. The film opens in the hutongs of Beijing where an old time gangster, nicknamed Mr. Six, lives and rules dispensing justice as he threatens pickpockets and intervenes between the police and a poor vendor. Mr Six, a widower, hasn’t even heard from his twenty-something son in six months. He knows the kid doesn’t care about him. He soon hears that his son’s been kidnapped as vengeance for sleeping with a super-rich kid’s girlfriend and then keying that guy’s Ferrari.

Mr. Six knows his son was in the wrong and tracks down the gang of rich car racers, who might as well come from another world. Their culture and mores have little in common with this old geezer who has a very clear, almost eye-for-an-eye view of justice.

Rich kid with blond hair and scratched Ferrari

Rich kid with blond hair and scratched Ferrari

Mr. Six shocks and impresses the kid his son wronged in a curious way. He’s given 48 hours to come up with 20,000 to pay for the car’s paint job. Mr. Six then proceeds to make the rounds of his old pals, some who’re squeaking by and others who’ve become wealthy to get the money. The film is a good look into China’s culture today. The young are (in some regions more than others) not buying into the old ethos. Materialism is on the rise and taking its toll in the form of souls. Mr. Six has the old justice system down, and it differs from Western ways so he surprised me again and again.

Also the film itself takes some interesting turns that wouldn’t come up in an American film. At one point the young, spoiled kids agree to meet Mr Six and his cronies to resolve the matter with a big fight. The old guys show up, but the young ones don’t. I can’t remember a no-show like that in a Western film. Returning home, Mr. Six gets surrounded by henchmen sent by the rich kid’s dad. They proceed to threaten and beat him.

The film captivates and has stayed with me and will for quite some time.

¬†Warning: Mr. Six will strangle and fight anyone who’s treating his son unjustly. It’s not as violent as The Godfather but there’s a lot of fighting and some blood.