Posts Tagged ‘romance

01
Sep
17

Casque D’Or

casque d'or

I didn’t know what to expect when I borrowed Casque D’or (1952) from the library. One surprise was that the heroine, Marie, was played by Simone Signoret, who gave a forceful performance in Army of Shadows. Marie is a a gangster’s moll and outshines her friends, not only with her cascading blonde hair, but with her vivacious spirit. The film opens with scenes that come right out of a Renoir painting. A party of young lovers rowing along a river followed by a lively dance hall scene. Marie stands out as she is the only woman who’s rowing a boat and she stands up to her boorish, abusive boyfriend.

(It was hard to believe that Marie, who’s so self-assured, would give such a churl the time of day, but the plot requires that.)

In the dance hall we first see a dozen or so upper class men and women enter to take a good look at their “inferiors.” From their comments it’s clear that they’re hear for the entertainment of watching how people who aren’t dripping in diamonds behave.

Soon the attention turns to Marie’s friends, the gangsters and their girls. Ever petulant, Marie’s boyfriend Roland takes an immediate dislike to Manda a carpenter who catches Marie’s eye. Manda is a friend of one of the gangsters and introduces himself to Marie’s set and holds his head high as they mock him because he’s a carpenter. He is confident enough to let their jokes roll of his back and he accepts Marie’s offer of a dance.

Hothead, Roland is furious and a fight with Manda ensues. Overseen by the gang’s boss, Felix, who also has a thing for Marie, Roland and Manda fight in a way I’ve never seen in a film. First both men are searched and any weapons are confiscated. The two men are spit far apart and Felix tosses a knife to the ground and the first man to get it,can use it on his opponent. Roland gets the knife. The fight is deftly shot with many close ups and felt realer than any I’ve seen. In the end Manda kills Roland, which sets up the story.

Banda must flee, but Marie pursues him and while Manda hides out Marie is with him and their romance grows. Smitten with spunky Marie, Felix plots to get Felix arrested and sacrifices one of his own men to lure Manda into captivity. The ending is bold and theme of loyalty and Marie’s life-giving spirit make this a must-see.

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30
Jul
17

The Rules of the Game

rules-of-the-game_image05

I had to watch The Rules of the Game under strange circumstances. My DVD only would play the film with the commentary going. Thus I read the subtitles and once in a while got a snippet of dialog without English commentary. I prefer first viewings without the expert’s take, but perhaps in this complex film the commentary was best.

Jean Renoir’s The Rules of the Game depicts two parallel classes, the upper middle class and the servant class. From the bourgeois Christine, Robert’s Austrian wife has disappointed her would-be lover Andre, an aviator who’s just completed a round the world journey. Andre gets no satisfaction from the clamoring crowd or the inquisitive press. Christine didn’t come so the whole flight was for nought.

Christine’s been in her Parisian home with her husband Robert and her maid Lisette. Robert’s tiring of his lover Genevieve and Lisette’s tired of her husband Schumacher. All are leaving for the countryside where a web of relationships will tangle creating a fine mess pulling the film from farce to tragedy with a surprise ending.

Renoir saw WWII coming. He also saw his society drunk on frivolity, careening over an edge. The Rules of the Game is a rare film that begins with light-hearted, harmless fun, but ends with broken hearts and a tragic death. The characters who all play at love see the consequence of their erroneous worldview.

The film is beautiful and many scenes are complex dances. Renoir was ambitious to offer such sophistication and it wasn’t till decades after it was made that The Rules of the Game was considered a masterpiece, one of the finest movies of all time.

If you think you’ve seen the actor playing Robert before, you have. He was ran the roulette table at Rick’s Café in Casablanca.

I’ll definitely watch this one again.

13
Oct
16

Brooklyn

brooklyn-movie-poster-01-599x885

Based on a novel, Brooklyn tells the story of an Irish woman, Eilis, who leaves the Emerald Isle where there are no jobs or eligible young men, to make a life in Brooklyn. While fitting in isn’t easy, she does find a boyfriend and succeed in bookkeeping at night school so that she puts down roots. She soon marries her Italian boyfriend in secret.

Life takes a turn when her sister suddenly dies. Eilis returns to Ireland to help her mother who’s all alone. It’s intended to be a short trip, but then Eilis decides to stay for her good friend’s wedding and then someone finds her a temporary accounting job that she excels at and then she meets terrific young man. It seems that Eilis has found the life she always wanted in Ireland.

SPOILER ALERT

Continue reading ‘Brooklyn’

11
Oct
16

On Poldark, Season 2, Ep 1

I’ll be sharing my own thoughts on episodes 1 and 2 soon. Till then, here’s some insightful comments.

Episode 1 of season 2, and we start as we mean to go on, with Capt Poldark pulling his head out of the sand just long enough to stick his tongue out at the powers that be. Oh yes, our hero, in trouble once again, decides the way forward is to alternate between pretending it […]

via Poldark s2 ep 1 — UNPOPCULT

08
Feb
16

Downton Abbey, 6.6

Downton-Abbey-Series-6-Episode-6-Review-The-One-Where-Nothing-Happens

My reactions to the sixth episode of the final season of Downton Abbey. I’d say this was my favourite episode of the season due to all the humour.

  • As is true for the whole season, I find the clothing sumptuous and it made me want to work on my triceps.
  • Robert is out of the hospital and on the mend, but confined to bed all week.
  • This week the hoi poloi was allowed to trample through the Abbey to make money for the Hospital Trust. What a situation ripe for dissension and humour! Of course, Violet, Carson and Robert believed this was the end of civilisation and they did have a point. Even Edith (I think) later said having them come through made her feel like there was something strange so that people were willing to pay to gape at them so that their home was a bit like a zoo. What was most funny was how when Cora, Mary and Edith gave their tours they knew so little about the house’s history. It makes sense because they’ve grown so used to it. It’s just home. Still since they fight to keep it you’d expect them to know more.
downton-abbey-season-6-episode-9

Don’t you just love these clothes?

  • Daisy continues to get on my nerves. Lately, Mr. Mason is growing sweet on Mrs. Patmore, who seems to return his feelings. Daisy does whatever she can to keep them apart. In this episode she throws a letter to Mrs. Patmore from Mr. Mason in the trash. Luckily, Mrs. Patmore finds it, but Daisy’s acting so oddly and there’s no reason for it–especially since Daisy hasn’t taken up Mr. Mason’s offer for her to live in his house, which would be a lot more more comfortable and pretty than the servants’ quarters. She’d still be able to work at the Abbey.
  • The storyline with the hospital progressed. The York Royal Hospital will take over the local hospital. What’s worse was that they’ve made Cora president of the hospital, and they’re sidelining Violet. Everyone kept that a secret from Violet till she discovered the truth via the grapevine. She was livid! The climax was Violet storming into the Abbey during the charity tour and blowing off steam with the acerbic wit we love her for.
  • Mary’s love life is moving along. With Tom as an escort, she met Henry Talbot at a dinner party in London. Afterwards, Tom disappeared and Henry and Mary got caught in the rain and shared a romantic kiss. She’s still concerned about his lack of status and his car racing, which reminds her of Matthew’s death.
  • Edith invited Bertie, the man who helped her get the magazine out in one night, for dinner at the Abbey. She even showed him her “ward” Marigold. Finally Mary is on to the truth that Marigold is Edith’s daughter. Rather than directly asking Edith, which she really can’t go since she’s got such a rotten relationship with her sister or asking her parents, she’s trying to get the truth out of Anna and Tom. I really applaud their loyalty to Edith as neither spilled the beans.
  • Poor Thomas. He’s teaching Andy, who’s illiterate, to read. Yet Mrs. Patmore and Carson have seen Andy coming out of Thomas’ room so they’ve reached the conclusion that Thomas is corrupting Andy. Well, Thomas has been cold and conniving so people don’t expect him to be kind so in part, you reap what you sow, but it’s still too bad. He’s being pushed out the door. It’s understandable because the family has to make cut backs, but now it seems, that he’s getting pushed out because  Thomas has been misunderstood. He promised Andy he’d keep his illiteracy a secret so out of honour he can’t tell. What a dilemma.
  • Mr Carson continues to nitpick his new bride Mrs Hughes over her cleaning and cooking skills. She must have known how to make a bed to have progressed in her early career, yet it’s not good enough for Mr Carson, who has no tact. Unfortunately, rather than raising the issue, Mrs Hughes has been stewing. I predict she’ll explode next week. We’ll see.
  • Dexter, who deserves to be out of a job at the Dowager’s, coerced Spratt into pleading her case with Violet. He succeeded, but as is the case with blackmail, he’s still on the hook. Dexter will tell the world that he hid his nephew, who was fleeing the law. Yes, Spratt broke the law, but Dexter is so manipulative it’s dangerous.
19
Jan
15

Downton Abbey, 5.3

Three weeks into Downton Abbey and the story is moving slowly along. We still get Edith pining for her daughter, some more conflict over the WWI memorial and just a bit of Thomas making a suspicious phone call. (He’s probably looking for a new job.)

The biggest event for me was that Violet’s butler saw Mary and Lord Gillingham coming out of the Grand Hotel in Liverpool. She called Mary in for a chastising tete-a-tete. As always, Violet was hard to out-reason. Cora wouldn’t have been as frank or strong. In fact, as a mother Cora just goes along with her daughters. They are adults now, but no one turns to her though she’s far from domineering. You’d think she’d be perceived as the approachable mother.

As for Cora, she went up to London to look at paintings with Simon Bricker, the art historian with the not so hidden agenda. They strolled through the galleries and Cora poured out her heart as Simon complimented and almost swooned over her. Cora seemed to enjoy the freshness of an admirer. When she got back to Rosamond’s apartment, Robert was waiting for her all dressed up in his tuxedo. He’d planned a surprise for her and was (rightly) suspicious of Bricker’s time with Cora. Cora was annoyed. They had a little spat since no one in Britain has ugly “Who’s Afraid of Virgina Wolf?”-type fights. Thank God.

Cora’s feeling restless wishing she had more purpose in her life. She’s just bored. Find a hobby and make some friends, Cora. You do need a life, but you don’t need an affair.

Mary seems tired of Lord Gillingham already. I wonder if he’ll gossip about her if she ends the relationship. She certainly isn’t excited about marrying him.

The police came by to question Bates, who made up a story about his day in York. If the screenwriter, Julian Fellows is gutsy, he’ll make Bates guilty, but I think we’ll go through a trial and then find out Bates is innocent. Sometimes I feel like a pawn in Fellows’ hands. He comes up with about half as many ideas as needed for a series and spreads them thin.

Will next week be more eventful? No spoilers, but a yes or no would be welcome.

10
Jan
15

Miss Annie Rooney

annie rooney

With the end of 2014, came retrospectives reminding us of all the talented, accomplished people who died last year. One was Shirley Temple Black so I thought it fitting to watch one of her movies. Netflix just had Miss Annie Rooney, which I’d never seen so the choice was easy. (I’d expect Netflix to have a few more.)

Shirley plays the title character, a young teenager with dreams of high romance. Annie and her friend live half their lives in a very romantic dream world where they quote plays and use as many elegant words as they can without fussing about whether they use them correctly. They’re cute and funny.

Annie’s family consists of her father who’s just one “get rich quick” scheme away from becoming a millionaire and her grandfather, a retired policeman who’s traded his uniform in for an apron as he is the chief cook and bottle washer at home. Grandpa is only the Rooney with both feet on the ground. Her father is a salesman attracted to get rich quick schemes and unable to keep money in his pocket to pay the rent. As the story progresses, the father imperils the family financially, while the grandfather tries to keep them afloat by borrowing from his pension.

Annie soon meets a very wealthy young man and is smitten with his polish. Trouble arises when he invites her to his birthday party without telling his snobbish parents. Annie’s introduction into society is not what she’d dreamed. I loved the dialog and slang. A drizzle puss is a wet blanket and pocket lettuce means cash. There are dozens of such  gems.

Joey, there are times when you positively curdle me.”
“Come on gate! Let’s circulate”
“I won’t know any arithmetic under a million.”

This Shirley Temple film was a balm to my soul after watching the masterful, but dark Happy Valley, The Village and One Wonderful Sunday, a Kirosawa movie I’ll soon review. It’s light-hearted fare and a fun way to see Temple as an older character.




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