Downton Abbey, the Film

I admit I was worried that the film wouldn’t meet my expectations. Perhaps it wouldn’t translate to the silver screen.

The main plot involves the Crawley’s hosting the King and Queen of England (Elizabeth II’s grandparents). Will they be up to the task? What will go wrong?

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By framing the story around this glorious event, writer Julian Fellowes hit the target. It’s a story that puts both the family and the servants in a tizzy. Since perfection’s required, Carson’s called out of retirement as the once sneaky Barrows isn’t experienced enough as butler. As the residents of Downton unite, conflict enters in the form of the supercilious royal servant staff. They elbow our favorite servants into a corner. No cooking for Mrs. Patmore. Poor Mr. Mosley, who’s taken time off from his teaching to return to serve, won’t get to. The royals bring all their food, drink and personnel.

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A suspicious stranger comes to town and starts sniffing around Tom, the Irish son-in-law. What is this man who booked a room over the parade path in town up to? How will he implicate Tom?

Other subplots include Violet’s scheming to get a cousin to leave her fortune and property to Robert. Violet is beside herself when it seems that a maid will get everything.

Lonely Thomas may at last find understanding and possibly love (in a sequel?) but not till after surviving a very close call.

Widower Tom is pivotal in the film. He’s tied up with the mysterious strangerr, befriends the maid who’s to inherit a fortune and offers sage advice to a distraught royal.

It’s good fun to see this familiar cast again. Edith’s life has improved dramatically now that she’s married. Her problems are manageable, rich girl problems now that she’s away from Mary and has moved out and upward in status.

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Violet and Isobel spar with wit. The saddest scene takes place towards the end between Violet and Mary.

The pacing was brisk and the film was clever and entertaining. With a such a large cast it’s hard to get everyone a good part. Mr. Bates didn’t have much to do and Mary’s husband was out of the country most of the time.

As usual the costumes and sets were amazing. Lots of delights for the eyes. It’s a film that’s sure to delight Downton fans, which is its aim.

Downton Abbey, 6.6

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My reactions to the sixth episode of the final season of Downton Abbey. I’d say this was my favourite episode of the season due to all the humour.

  • As is true for the whole season, I find the clothing sumptuous and it made me want to work on my triceps.
  • Robert is out of the hospital and on the mend, but confined to bed all week.
  • This week the hoi poloi was allowed to trample through the Abbey to make money for the Hospital Trust. What a situation ripe for dissension and humour! Of course, Violet, Carson and Robert believed this was the end of civilisation and they did have a point. Even Edith (I think) later said having them come through made her feel like there was something strange so that people were willing to pay to gape at them so that their home was a bit like a zoo. What was most funny was how when Cora, Mary and Edith gave their tours they knew so little about the house’s history. It makes sense because they’ve grown so used to it. It’s just home. Still since they fight to keep it you’d expect them to know more.
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Don’t you just love these clothes?

  • Daisy continues to get on my nerves. Lately, Mr. Mason is growing sweet on Mrs. Patmore, who seems to return his feelings. Daisy does whatever she can to keep them apart. In this episode she throws a letter to Mrs. Patmore from Mr. Mason in the trash. Luckily, Mrs. Patmore finds it, but Daisy’s acting so oddly and there’s no reason for it–especially since Daisy hasn’t taken up Mr. Mason’s offer for her to live in his house, which would be a lot more more comfortable and pretty than the servants’ quarters. She’d still be able to work at the Abbey.
  • The storyline with the hospital progressed. The York Royal Hospital will take over the local hospital. What’s worse was that they’ve made Cora president of the hospital, and they’re sidelining Violet. Everyone kept that a secret from Violet till she discovered the truth via the grapevine. She was livid! The climax was Violet storming into the Abbey during the charity tour and blowing off steam with the acerbic wit we love her for.
  • Mary’s love life is moving along. With Tom as an escort, she met Henry Talbot at a dinner party in London. Afterwards, Tom disappeared and Henry and Mary got caught in the rain and shared a romantic kiss. She’s still concerned about his lack of status and his car racing, which reminds her of Matthew’s death.
  • Edith invited Bertie, the man who helped her get the magazine out in one night, for dinner at the Abbey. She even showed him her “ward” Marigold. Finally Mary is on to the truth that Marigold is Edith’s daughter. Rather than directly asking Edith, which she really can’t go since she’s got such a rotten relationship with her sister or asking her parents, she’s trying to get the truth out of Anna and Tom. I really applaud their loyalty to Edith as neither spilled the beans.
  • Poor Thomas. He’s teaching Andy, who’s illiterate, to read. Yet Mrs. Patmore and Carson have seen Andy coming out of Thomas’ room so they’ve reached the conclusion that Thomas is corrupting Andy. Well, Thomas has been cold and conniving so people don’t expect him to be kind so in part, you reap what you sow, but it’s still too bad. He’s being pushed out the door. It’s understandable because the family has to make cut backs, but now it seems, that he’s getting pushed out because  Thomas has been misunderstood. He promised Andy he’d keep his illiteracy a secret so out of honour he can’t tell. What a dilemma.
  • Mr Carson continues to nitpick his new bride Mrs Hughes over her cleaning and cooking skills. She must have known how to make a bed to have progressed in her early career, yet it’s not good enough for Mr Carson, who has no tact. Unfortunately, rather than raising the issue, Mrs Hughes has been stewing. I predict she’ll explode next week. We’ll see.
  • Dexter, who deserves to be out of a job at the Dowager’s, coerced Spratt into pleading her case with Violet. He succeeded, but as is the case with blackmail, he’s still on the hook. Dexter will tell the world that he hid his nephew, who was fleeing the law. Yes, Spratt broke the law, but Dexter is so manipulative it’s dangerous.

downton abbey, S6, Ep. 3 & 4

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I’m a bit behind in my musings on Downton Abbey.  The major events in episode 3 were Carson & Mrs. Hughes’ wedding. After a kerfluffle over what the ever-practical Mrs. Hughes would wear (she didn’t want to make a big deal about a dress and thus had no pretty, let alone elegant dresses), Elsie Hughes looked lovely in a coat that Cora wound up giving her. The trouble before the wedding reached its pinnacle when Cora, who had a headache from arguing with the dowager, discovered Anna, Mrs. Patmore and Mrs. Hughes all in her bedroom trying on one of her coats that Mary said she could wear. Cora through an out-of-character fit, but then Mary hadn’t explained or asked and it did look like a trespass over social boundaries. Soon Cora, true to form, apologised and wound up graciously giving Mrs. Hughes a gorgeous, embroidered coat that perfectly matched the plain dress Mrs. Patmore had ordered from a catalog. How lucky!

Edith took the reigns at the magazine. She sacked the complaining editor and worked all night to get the edition out. She lucked into meeting an attractive male acquaintance who asked her for drinks and then wound up staying up all night to help her with the magazine. How much cleaner than saving the pigs! Does that make it more or less romantic? What happened to Mary’s pig-beau?

Anna continued to have pains and fears of a miscarriage. The family elders continued to bicker over plans for the hospital and once again Thomas had a semi-comical, semi-sad Chekoves-que job interview at a big estate in decline. In the final scene I’m sure I wasn’t alone in rejoicing that Tom and Sybie have returned to Downton for good! (We could have guessed since Tom has been shown in promotional interviews and photos.)

Episode 4

Mr & Mrs. Carson were on their honeymoon for most of the episode. Several characters mentioned how hard it would be to call Mrs. Hughes Mrs. Carson. That little problem was solved at the end when everyone agreed that at the house she’d be Mrs. Hughes.

The squabbling over the hospital continued. Violet called in an aristocratic friend to assist her in her cause. Unfortunately, Lady Shackleton flip-flopped at the dinner party. Her main use proved to be that she brought her nephew, Henry, who is one of Mary’s suitors from last season.

Anna felt she was about to miscarry, so late at night Mary whisked her off to London via York, where the super Royal York Hospital with all it’s nifty skill and technology is. Hmm. Well, it worked out because Mary got to have cocktails with Henry and flirt a bit. Anna was okay and had a procedure that saved the baby. Still I wouldn’t want to take a train trip lasting I’d guess a few hours when I was miscarrying. Seems the last thing a woman would want to do would be to be on a train.

Daisy, who’s very eager to see that Mr. Mason get the house and farm that the Drewes have vacated since Mrs. Drewes kidnapped Edith’s daughter Marigold (what was she thinking?), almost sabotaged her job. She’s gotten to be quite a firebrand. She took Cora’s interest in Mr. Mason and a vague comment that Cora would see what she could do as a promise. When she hears a rumour that Mr. Mason won’t get the the land, Daisy works herself into a frenzy that culminates in her determination to tell off Cora. Every single servant urges her to calm down, to watch it, to wait and hope for the best, but Daisy obstinately ignores. At the pinnacle of her rage, Daisy storms upstairs. She’s willing to put her job on the line. Fortunately, before she can irrationally lash out against Cora, the Crawley’s tell her that they’ve decided that (although it’s not a great financial decision) they’re giving Mr. Mason the farmland. I doubt there was a luckier character on the show than Daisy at this time.

My favourite part of the show was when Gwen, who in the first season was a maid who with Sybil’s help became a secretary, showed up at Downton. She came with her husband, an aristocrat. When she arrived Thomas and Anna recognised her. The family members didn’t. Thomas, full of envy, blustered about how Gwen prospered, but he’s working in the same house in 1925 that he was in 1912 (or earlier). When serving, Thomas spilled the beans and got Gwen to reveal that she had been a kitchenmaid at Downton. While Thomas tried to embarrass her, Gwen regaled the family with stories of how dear Sybil helped her get the education and job that propelled her into the workforce and how that ties into her current association with a new woman’s college, Hillcroft. All the Crawley women now fully support this novel idea to educate women who need to work.

Baxter, Cora’s lady’s maid, is called upon to agree to testify against the man who urged her to steal from her previous employer. At first she was reluctant, but Mr. Mosley convinced her that if she didn’t other women would probably be tricked by him and would end up in jail or as prostitutes (that’s what has happened to some of women he’d conned).

Odds and Ends

  • Tom wants to do something more than just be the agent for the estate. He’s got an inkling that it may have to do with racing cars.
  • Mary and Henry met in London and romance may bud there, again.
  • Quite a few people–Anna, Robert, and Violet–experienced some kind of health worries or aliments. Will this mean that down the line the Crawley’s may actually need that new hospital with all it’s modern equipment and knowledge.
  • Violet made a good speech on how when government gets into an area, people lose power and autonomy. Typically, I don’t buy that line of thought, but Violet was quite convincing.
  • As usual the dresses were amazing.

 

 

Downton Abbey, Season 6, Episode 2

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I don’t know why I hope for a faster pace with Downton Abbey, but I often do. I should know by now that Julian Fellows likes to draw things out; it’s his style.

I had hoped we’d see Mr. Carson and Mrs. Hughes’ wedding this week, but we didn’t. Instead we saw them discuss and plan, not always harmoniously, the wedding. Thankfully, only Lord Grantham thought decorating the servants’ hall would work as a reception venue.

Afraid that he’ll lose his job, Thomas has started job hunting. He’s finding it’s slim pickings and that he’s got it pretty good at the Abbey. His interview did not go well as he learned that at this estate he’d be “chief cook and bottle washer.” They expected him to do the work of 3 or 4. Thanks, but no thanks.

Edith’s editor is giving her more trouble. Then speak on the phone a lot and he won’t listen to her. I expect once she’s got the gumption, she’ll fire him. She certainly should. One dramatic moment came later in the show and dealt with Marigold. Mrs. Drewe, the farmer’s wife who took Marigold in, doesn’t realise Edith is Marigold’s mother. Thus she wants Marigold back. It’s odd, but she seems to care about Marigold more than she does her own children. We’re led to see Mrs. Drewe as unstable. At a village agricultural fair, Mrs. Drew kidnapped the girl. Everyone scrambled around trying to find her and in the end they did. This storyline was oddly placed and there wasn’t a minute when I didn’t think they’d soon find Marigold.

Anna confided in Mary about her fertility problems and Mary escorted Anna to a doctor, who examined her and told her that she just needs a simple operation when she gets pregnant again, and she should be able to have children. Anna’s on cloud nine. I bet she’ll have a child by the end of the series.

Mary proved herself to one of the local agricultural bureaucrats (i.e. the man who arranged the fair).

The issue with the hospital remains and Violet and Isobel exchanged barbs. I do wish it were over an issue that I cared about more. Then the quips would have more potency.

Daisy talked about taking some exams and Mr. Mosley encouraged her. The world’s changing as we’re constantly reminded (I could do with more “show, don’t tell” with this theme) so it’s wise to be prepared.

As usual . . .

The dresses were splendid. Cora didn’t get to do much, but neither did Robert. And yet the acting is strong enough to carry an okay story.

Downton Abbey, 5.2

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This week’s Downton Abbey events hummed along, but nothing earth shattering happened. Jimmy left the estate after being dismissed for a liaison with an aristocratic former employer who was visiting the Granthams.

Daisy started to study with Miss Bunting. Mrs Pattmore was kind enough to offer to pay for the lessons. I don’t like that Miss Bunting will be around the house regularly and I wasn’t all that impressed with her advice to think of “figures as your friends.” That hardly unlocks the secrets of mathematics.

An art historian, whom I think we all understand will make a play for Cora, arrived. He’s quite a bounder and talks with more familiarity than I think a first time visitor should.

The biggest event was a police officer came to question Carson and the others about the rapist cum servant who died. Mrs Hughes kept her theories to herself while worrying about what the witness told the police.

Thomas continues to lurk and plot, while also missing his pal Jimmy.

Edith still spends way too much time with her secret daughter in the village. Edith spends a lot more time visiting Marigold in the village than Mary does with George. She’s asked Papa for permission to help the child out. Someone’s sure to put two and two together.

Mary’s off for a week rendezvous with Lord Gillingham. Not much happened there. The show ended with their arrival at the hotel. I’m sure this will blow up in her face. I predict she’ll finally decide Charles is “the one” and this dalliance may cost her.

All in all, the characters made small changes probably so the story is set for more drama in episode 3.

The dresses were exceptional this week!

Downton Abbey: Season 3 Episode 6

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Can’t believe Robert and Tom are side by side outside an RC church

Can we already be at week 6 with only one more week of Downton?

Believe it or not, yes.

The black of mourning for Sybil has been replaced by violet by the second hour. My very well read aunt said that after they wore black, mourners could change to gray or violet. Yet, I’m not sure why Edith was wearing whatever color she wanted, creme or red while Cora, Mary and I think Violet stayed in black.

Sybil is baptized Catholic against Lord Grantham’s wishes. He does attend the baptism and manages a forced smile when photographed with the baby, his mother and the priest. Tom’s brother, a real Irish rebel, who’s a bull in a china shop, comes to Downton and plunks himself down to hold court in the servants’ hall until Tom drags him upstairs.

The big story was with Thomas who falls into O’Brien’s trap and creeps into James’ room and makes a move on sleeping James, who wanted no such action. All hell breaks loose. No matter what your orientation sneaking into someone with whom you have no intimacy with and kissing them is not welcome, cool, or smart. Thomas learns that the hard way.

Alfred catches Thomas with James and soon Carson’s told. Dismissal with a good reference is the plan till O’Brien convinces James he better insist that Thomas get no reference, which means no chance of future employment (unless he goes to North America or Australia). I was surprised by how accepting all the characters were of this validation of Thomas’ sexual orientation. Only Carson was steeped in conservative thinking. But at the end all’s well and Thomas will stay. Considering how disloyal and plotting Thomas was, I felt they lost an opportunity as a staff. If Carson and Lord Grantham were wise, they’d let him go with a good reference. I really couldn’t believe that Bates went the extra mile to save Thomas, a man who’s plotted against him time and again. Given time, Thomas is sure to pay him back with deceit.

Edith’s editor flirts with her so just a few months after Sir Anthony has jilted her, Edith already has a good occupation and the possibility of love. Well, poor Edith’s cursed and she learns that the editor is married. He explains that his wife is in an asylum. Since she’s read The Scarlet Letter, we can assume Edith’s read Jane Eyre. How I hope she has the good sense to send him packing. Be strong, Edith! Be the first young woman who’s sisters outshine her who actually has the gumption to distance herself from a flirtatious married man who’s spun a good tale.

Robert eventually agrees to implement Matthew’s ideas for improving the management of Downton. It wasn’t easy, but everyone except Jarvis, the manager who wants to run everything as he did when Victoria reigned, join Matthew’s camp.

Rose, a cousin from London, is sent to stay with Violet. Violet’s happy to have a new project, I mean guest under her roof. However, Rose soon tags along with Edith and Matthew to London. She slips out and meets up with her married lover at a dance club. She’s a handful to put it mildly. She’ll no doubt replace Sybil as the lively young beauty, but while Sybil was into social justice, Rose just wants to be social. Here comes trouble. Soon after arriving, Violet’s figured out how to get Rose to leave early.

I was glad that Tom has decided to stay on rather than to go up to Liverpool.

Extras

Mourning customs in Edwardian England

For those nerds out there:

Bedikian, S. A. (2008). The Death of Mourning: From Victorian Crepe to the Little Black Dress. Omega: Journal Of Death & Dying57(1), 35-52. doi:10.2190/OM.57.1.c
N.B. Victorian era predates Edwardian when Downton Abbey is set.

 

Downton Abbey, 3 Episode 4

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If Thomas (a.k.a. Mr. Burton) cries during an episode of Downton Abbey, you know there’s tragedy. I happened upon news of Sybil’s death last fall when I did a search for some other Downton matter and a British site popped up.

Still as Bresson asserts in good drama knowing the outcome won’t diminish the engagement with a story. I know how Casablanca ends and yet I get caught up in the story time after time.

So I was actually all the more rapt as Sybil lost her life in childbirth. Any viewer could tell the city-fied, modern Sir Whatshisname, was wrong and that Lord Grantham should listen to Dr. Clarkson. It was odd, but believable, that this tradition-bound lord didn’t. I kept thinking, “Listen to the women. Listen to Cora on this, Robert!”

The tone of the emotion was just right. Characters were devastated, but there was some reserve. This is not a telenova. And that’s why we viewers feel all the more emotion. When I see say a Malaysian soap opera everyone’s screaming, crying and flailing about in hysteria. I feel nothing because that “works” been done by the actors. When you witness tragedy and there’s been restraint because the situations so sad that words and actions won’t suffice, that’s when the audience feels the most.

One of the most beautiful scenes in this season so far was when we saw Branson at the window holding his daughter. No words and it just lasted a minute, but we knew (or projected) everything his grieving husband must feel. He’s got to be strong and committed to his daughter in spite of his own grief.

We’re in store for a lot of drama. Branson’s role in the family is even more tenuous. He’s still connected by a female the Grantham’s love, but she’s a baby and can’t act as a mediator. Where will they live? What work will Branson, who can’t return to Ireland, take on that won’t humiliate the Grantham’s?

Bravo to Isobel for hiring Ethel. I can see why Mrs. Bird left, but it’s a shame she didn’t try to stay and work through her prejudices. I think Isobel’s great sacrifice isn’t going to be her reputation, but rather her palate. It’ll take Ethel a while to learn to cook.

Congratulations to Edith for the newspaper column. I hope she surprises everyone with her insights and writing. Edith, yes your father and granny disapprove, but don’t flee the breakfast table each time he does. Women need their rights, but they also need to learn to stand their ground.

Daisy, listen to Mrs. Patmore. You’re becoming too much of a grouch.

Robert, it’s true you didn’t cause Sybil’s death, but to get back into Cora’s good graces, you ought to blame yourself as much as possible.(The trailers suggest you won’t.) If you descend into depression than Cora would probably consider rescuing you her mission. If you aren’t huber-contrite and grief-stricken you’ll be sleeping solo ad infinitum.