27
Nov
14

Price Check

price_check

I wanted to like Price Check starring Posey Parker, but it was just unwatchable. The plot revolves around a dull pricing department filled with people who slog through their lives getting a new vivacious department head with no common sense. She shakes up these folks,  particularly a man who’s content to just lay low in his life. This guy’s married with a young son and his home life seems fine. The film tries to be zany and stir people up so they “live it up!” I really felt it was a poor copy of Office Space or The Office with less heart, laughs and satire. I stopped watching after 25 minutes when Parker’s character invited herself to the man’s son’s Halloween party at school and took the stage. I knew that Parker is seen to be someone with trouble with boundaries, but I just felt “so what?”

Price Check will not endure the way Chaplin’s The Kid or Modern Times has.

26
Nov
14

Why Are Some Countries Poor?

What do you think? Do you agree with their thesis?

12
Nov
14

The Life of Oharu

banish oharu

Life in 17th century Japan certainly wasn’t easy for women if The Life of Oharu is anything to go by. I really loved this movie about a beautiful young woman. First Oharu is a courtesan at the Imperial Palace. When she gives in to a lower class retainer’s advances, she’s found out. Then she’s banished from Kyoto. Her parents are also banished because they failed to guide their daughter properly. When they’re led out of the city, soldiers keep back their loved ones separating them with a pole as they proceed to the city limits in tears.

Oharu’s lover did not get off scot-free. He was beheaded after dictating a letter urging Oharu only to marry for love.

After a long banishment, Oharu lucks out. An emissary from an important lord must hunt for the perfect courtesan. The requirements are so specific. Feet must be a certain length, certain earlobes, background, talents. No one fits all the criteria — no one except Oharu. At first she kicks and screams, but eventually she goes to Edo (now Tokyo) where she delights the lord and infuriates his wife. She bears the lord the desired male heir and things are looking up. She finally feels at home, valued. However, the wife, who’s jealous of her husband’s fondness for Oharu, sends her packing with very little cash. Oharu’s father has over extended himself in business thinking he’ll be taken care of for life as his daughter bore the heir. The film continues to show this poor woman’s hardships and to reveal how precarious life could be in this highly structured society. The acting is superb and the story compelling as I had no idea what to expect. I really was shocked that Oharu was tossed out after producing a royal heir.

oharu

While the film is melodramatic, there’s humor such as when a prostitute drags a man into an inn, while he’s calling out, “I’ve got to get home to my wife.” Based on the novel, The Life of an Amorous Woman, this film is beautiful with images that will stick with you. For more on the cinematography read this essay on the Criterion Collection website.

03
Nov
14

Basically “China’s Got Talent”

I know cute baby and kid videos can be rather too cutesy and maybe this is, but it did make me smile and there are subtitles so you get a glimpse into Chinese culture via the judges and the boy.

25
Oct
14

Philosophy

24
Oct
14

The Paradise

Denise Lovett

Denise Lovett

After Moray shook up The Paradise by jilting the powerful Katherine Glendenning, we’re back at this store a year later to see what’s new. Moray returns from Paris because Katherine, who now owns the store with her new husband, Mr. Tom Weston, a severe and scary man, summoned him. Katherine’s father has died. His loan put the store in his name as a means of keeping Moray faithful. That ploy didn’t work, but it won’t be easy for Moray to get the store back, as he’d like to.

Miss Audrey decides to marry Edmund, Denise’s uncle and she and go off to the seaside to live in a cottage her brother bequeathed to her. Ah, so now there’s a top position open in ladies’ wear. Who will get it Clara or Denise? In episode three Denise gets it in spite of Moray’s warning that the games between Katherine and Tom. Katherine’s drawn to this gloomy foreboding man. God knows why.

Episode 5 of 8 airs Sunday the 26th. Spoilers follow.

Tom treats his daughter, who’s about 7, terribly, belittling her, glaring at her and yelling at her not to touch his things! Miss Flora is sure to grow up in need of Dr. Freud’s expertise. Katherine is the kind stepmother, breaking a long held tradition, but she just indulges poor Flora with shopping trips. The girl has no playmates or friends. Poor thing.

I’ve liked the series and needed a dose of historical drama – corsets and all. I’m not sure whether I’m more draw by Denise’s romance with Moray or her ambition to run ladies’ wear and create the most magnificent department store in the Western world. I know Katherine’s plots are compelling. She’s someone I would watch with care. It’s clear that she want’s Denise to fail and fall as punishment for capturing Moray’s heart.

I miss Pauline, who was Clara and Denise’s roommate cum colleague. I didn’t catch what took her away. She did so want to marry. I should re-watch episode 1 to find out. Sam’s back and I’d like to see him in a more prominent role. He should be doing more at work, not just cutting cloth and uttering witticisms. Susy, who’s mother we learned is a drinker, replaced Pauline. She’s a good supporting character who needs to learn the ropes.

Tom has a back full of scars which Katherine uses to pull him under her influence, or try to. He’s very much a man who wants to be in charge, but he’s living in her father’s house and the money’s from her family. The scars on the back and dialog have suggested that he was attacked while retreating . . . hmm? What’s the story on that?

From week to week, my curiosity remains piqued as I want to know what Katherine’s up to, how Tom will react to any manipulation towards Moray and Denise which will reveal that Katherine married just to show Moray she could.

24
Oct
14

A Man Called Peter

man called peterI didn’t know what to expect when I started watching A Man Called Peter (1955). It turns out it’s a biopic about Peter Marshall showing his life from the seminary. Of Scotch descent, Marshall (played by Richard Todd, whom I’ve never seen before) comes to America for seminary and by dint of his riveting oratory, becomes a popular preacher in Atlanta, New York and then Washington, DC. He preaches real deal Christianity, which is hard to take, especially for some a rich society lady who donates a lot of money Marshall’s unapologetic about his bold ministry but the main theme isn’t rebellion so eventually the movie doesn’t dwell on that conflict.

We see a minister who’s a whirlwind, so energetic it’s exhausting to watch. His wife was captivated by his charisma but soon he wears her out. It’s not that they divorce, but she does get ill and I don’t know how I’d deal with someone who’s constantly in motion. She does manage though.

In Washington, DC Marshall is named chaplain of the U.S. Senate and I loved watching him challenge the powerful. It was a shame that his life was cut short. That came as a complete surprise, but you can’t rewrite biography to suit your wishes.

The film would mainly interest Christians as Marshall’s pretty earnest. He’s very dynamic, but doesn’t go through any periods of doubt or dark night of the soul, which I think many modern viewers expect in their cinematic (or televised) clergy.




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