By Paul Harvey
Of course, now this applies to Police Women.
By Paul Harvey
Of course, now this applies to Police Women.
How to Squirrel-Proof your bird feeder, sort of.
I love Mark Rober’s videos and this was no exception. Mark designs and builds an amazing maze for squirrels to test how hard a squirrel will work to get some tasty walnuts. I have a whole new respect for squirrels.
If I knew engineering school would enable me to make this sort of mischief I would have been all in.
This is far more entertaining tham most TV shows. Trust me.
Andrew Klavan at his best. We need this kind of rationality.
The History Channel offered a capitvating documentary mini-series on the life of Ulysses S. Grantthis week. It’s still available online. We saw it advertised when watching The Last Dance and thought it would be worth checking out. I didn’t know much about Grant other than he was an important General during the Civil War and not much of a president. I’ve learned that that was an inaccurate view of a brave, intelligent man.
Grant grew up poor. His father was a tanner and both parents were staunch abolitionists. He went to West Point where he wasn’t a shining star, but he met men like Robert E. Lee and other future Civil War leaders. When he fought in the Mexican-American War, his distaste for war was solidified, but he also proved to be unique in his ability to think clearly in the heat of battle.
This documentary features several notable historians and shows the complexity of a great military strategist and a popular President who’s become forgotten through the decades. The commentary is interspersed with excellent reenactments.
Part of the reason for Grant’s tarnished reputation is that in the 1960s, Southern historians published profusely and changed the narrative reshaping Grant’s life so that he came across as a drinker who became a corrupt President.
From this documentary you learn the complexity of Ulysses S. Grant. He was an abolitionist whose father-in-law bought him a slave, a slave that he soon freed. At the time Grant was poor and couldn’t support his family, but believed in equality and though he could have made a lot of money by selling rather than freeing this man, chose to free him. Yes, Grant drank, but he also knew that was a weakness and dealt with it. He’s a man who knew failure and poverty, but overcame them. He was an honest man, a military genius, and popular President who sought to bring a divided country together.
Grant is a gripping documentary from start to finish.
The ups and downs of motherhood courtesy of K-Drama
ESPN is showing The Last Dance, an amazing 10 part documentary focusing on the 1997-98 Season of the Chicago Bulls. Michael Jordan is certainly the star of the show. What would you expect? I enjoy watching interviews with his mother, his father and his high school and college coaches.
But there’s a lot of time devoted to other team members. Episode 2 had a lot about forward Scottie Pippen and much of the first two episodes featured General Manager Jerry Kraus and owner Jerry Reinsdorf. By including these important behind the scenes figures, the drama is heightened.
The documentary is thoroughly dramatic as it shows mainly key figures like Kraus, Reinsdorf, Michael’s mother, Pippen’s brothers, and describing the final season of the most famous Bull’s team play what coach Phil Jackson dubbed “The Last Dance,” when the team granted documentary makers unprecedented access to the famed team.
On Sunday nights I’m usually a Masterpiece viewer, but The Last Dance offers more grace in Michael and his team’s fantastic playing and drama in the conflict between the office and the players.
I found every interview, every game sequence compelling. The Last Dance is definitely “must-see” TV.
This Rick Steve’s special on how Easter is celebrated in Italy, Greece and Slovenia was wonderful. I had no idea of the colorful, heartfelt traditions that people have kept through the centuries.
He describes holidays and practices from Mardi Gras all the way through Easter Sunday.
I looked for some photos of these holiday practices, but soon learned that this year due to the CCP Virus, they’ve been canceled. My nephew was in Greece for a semester abroad, but had to come home. What a shame as Greece celebrates with lots of passion and color.
I pray next year will be normal and maybe I’ll have the good fortune to take a trip.
With Paul Newman playing Fast Eddie Felson, a young, swaggering hot shot, The Hustler is more about character than competition. At the start of the film, Eddie strolls into a dive pool hall looking for Minnesota Fats (Jackie Gleason). Fats is the champ of champs in pool. He agrees to play Eddie who in a marathon session has won $18,000. Fats is ready to call it a night, but Eddie, who’s been guzzling whiskey, insists on continuing the game. By the next morning, Fats has defeated intemperate Eddie, who leaves in shame. Observing all this is Bert Gordon, gambler and manager who knows it all. Before Eddie’s out the door, Bert imparts some pearls of wisdom about character. As Bert sees it Eddie’s got talent, but that doesn’t make you a winner, strong character does.
The Hustler isn’t so much about pool as it is about character. We don’t see as many great shots as I expected and often the score isn’t clearly stated. What we’re to watch for is Eddie’s character.
The middle of the film centers on Eddie meeting the equally melancholy drifter Sarah (Piper Laurie), who drinks too much and hangs out at the bus station where she isn’t judges and where she can get a drink at all hours. Sarah is pretty but sad. She’s a habitual liar without direction. She’s lame, but has pride. She’s very hurt and damaged by life and so is Eddie. Water seeks its own level and their love is based on sharing the pains that come with getting kicked around and lacking the wisdom from a mentor, parent or worldview that helps a person weather life’s storms and accept responsibility.
After a kind of honeymoon period, Eddie returns to the pool halls where his talent gets him victory and his bravado gets his thumbs broken. He heals under Sarah’s care, but is drawn back to hustling. Burt lures him to Louisville where Eddie believes he can win big. Burt offers wisdom, but he’s essentially a serpent whose main concern is his own wallet.
The Hustler is a dark film full of melancholy, but gripped me. Newman, Laurie, Scott and Gleason all put in excellent performances, which garnered four of the film’s nine Oscar nominations. While it’s a dark film, it wasn’t too depressing. Still you might like some lighter fare during the quarantine.
Starring a young Paul Newman, Hud riveted me.
Lon Bannon’s mission is to track down his uncle Hud Bannon, who’s hot footing it out of his lover’s house just before her husband gets home. Lon’s got to bring his prodigal uncle home. A heifer has mysteriously died and grandpa, Homer Bannon, has called in the county vet, who soon confirms his worst fear the herd has foot and mouth disease. They’ll all have to be put down.
Straight-shooter Homer’s life work is about to be totally wiped out, yet his cavalier son Hud maintains his que sera sera attitude. Just when the family needs wisdom and prudence, Hud keeps carousing, sometimes with his teenage nephew in tow. Lon looks up to Hud, even though he can see his failings.
Father and son constant argue and judge each other, though Homer has more wisdom than Hud. Hud believes their conflict dates back to the night he got into a car accident that killed his beloved brother, Lon’s dad. Homer disagrees. That resentment has been buried, Homer insists. His contempt comes from Hud’s values, or lack of.
Patricia Neal plays a sharp-tonged housekeeper, whom both Hud and Lon admire.
Hud’s a compelling film that made me care about every character and the survival of the traditional family ranch.