I’d never seen these military training films before. YouTube’s got quite a few.
Who remembers this holiday treat?
This video explains how they produced the scene with Gene Kelly dancing with Jerry of Tom and Jerry. Talk about a painstaking process. It’s amazing that they put so much work into light entertainment.
By Satoshi Kon, Tokyo Godfathers shows three homeless misfits–a gambler, who’s lost his family, a transvestite and a runaway teen–who discover an abandoned baby. These outsiders, though flawed and somewhat to blame for their situation, come to get the audience’s sympathy and respect. They bicker as they seek the baby’s parents, which is a wild odyssey full of surprises against a gritty backdrop I rarely see in Japanese films.
The misfits have interesting backstories and as the story progresses they are forced to come to terms with their mistakes and history. They lead us through Japan’s shadier sides and the artwork is realistic.
Unlike the other Kon films I’ve seen this one sticks to the story with no departures into the character’s subconsciouses. Tokyo Godfathers/em> is a film I’d watch again and again.
Disney’s Zootopia is a fun kids’ movie that adults can enjoy. Zootopia’s plucky heroine is a new police officer, who though highly qualified gets put on meter maid duty because of stereotypes and discrimination against rabbits. She must team up with a fox who’s a con artist to catch the mastermind behind a slew of kidnappings. If she can solve this case, she can prove her worth. As you’d expect in this “buddy” film the fox is her polar opposite in terms of ethos and personality.
The film is fast paced and clever, but like many Disney films lacks unique perspective. It feels like it was made by a committee rather than an individual artist. Not a bad film. It’s an entertaining film, but I do wish an American studio could produce some films that are not so packaged, so pat.
A mix of animation and live action, Jellyfish Eyes amazed me. It’s the story of Masashi, a Japanese boy whose father died in the tsunami. He moves with his mother to a new town where he befriends an otherworldly creature and soon learns that all the other children have similar strange friends that they control with remote controls and have fight each other whenever their teacher turns her back.
Mashasi’s uncle works at a mysterious lab, which turns out to be run by a nefarious group of evil scientists trying to harness negative energy through children since children’s energy is purest. His uncle opposes the mad scientists, but they ignore his warnings and pleas.
As the movie progresses,a girl befriends Masashi saving him from bullies. The girl’s mother in reaction to the tsunami and following nuclear disaster, has joined a religious cult. Thus the girl, like Masashi must parent herself. The film is unique in that shows children coping with trauma and loss. It has a powerful message of self-sacrifice and pulling together rationally in times of crisis. At the end I was stunned. As the film’s directed towards children it ends happily, but that was uncertain till the last minutes. I thought it was brave and smart to give children a chance to see such a wise, exciting and delightful film.
It offers adults the message of how technocrats and scientists gamble with our safety when they get caught up with an idea or “solution.” It’s such a different film and one old and young (as young as say 10) could enjoy and ponder.
Holy moly, what a film!
Paprika is another fabulous Satoshi Kon creation. It left me stunned by its mastery and left me wanting to figure out what exactly had I experienced.
I’m not a big anime fan so I don’t know much about the history or depth or breath of the art, but wow, Paprika took an art form to its limits. I never knew what to expect and while the basic story’s easy to follow, it’s till perplexing.
The story revolves around a group of psychologists who’ve developed a device called the DC mini that allows people to view another person’t dreams if they are also wearing a DC mini. Boy, I had no idea how bizarre some dreams might be. The technology gets out of the hands of its creators, who then go on a quest to protect this amazing invention, which has a purpose they realize isn’t only good.
From start to finish the film moves in and out of dream worlds that are colorful, boisterous, scary, and bizarre. Dr. Chiba, the lead female character is a very serious, very beautiful psychologist who’s often bickering with her obese, irresponsible colleague as they try to track down his assistant who’s taken the DC mini. Paprika is Chiba’s alter ego who mainly inhabits the world of dream. She’s a sexy, super girl, who rescues a cop who’s having a little existential crisis.
Yet Paprika is not a film about plot. It plays with plot and constantly twists and turns defying any expectations. It’s ultra cool and something any adventurous filmgoer should see. Once I get my VPN to work, I’ll find the trailer on YouTube and post it here.