This should delight you. I loved every minute. It just gets better and better as it goes and makes me so happy I was born when I was.
Part two of Kobayashi’s trilogy Human Condition maintains the excellence of the first film. Here the hero Kaji is a private in the military. It seems no one on the face of the earth faces more degradation than a WWII Japanese private. Kaji’s particularly targeted because he’s suspect of being a “Red” since he tried to get humane treatment for the Chinese P.O.W.’s stationed at the mine he managed.
The “vets” or soldiers with more experience are merciless in their brutality against the newer recruits. In fact, the sensitive Obara, who’s physically weak and plagued by domestic problems, is beaten and humiliated in a way I’ve never witnessed. While Kaji tries to help, that makes matters worse for Obara who commits suicide rather early on in this three hour film.
Although Kaji is strong and performs his duties without failure, because of his principles, he’s berated and targeted. In no uncertain terms, the film indicts the Japanese military, where a few good men are outnumbered by corrupt brutes. Even when he was in the hospital, he was beaten. The head nurse thought nothing of striking patients!
As in Human Condition, part 1, Tatsuya Nakadai, who plays Kaji, is stellar. I just learned that he was a shop clerk and Koyabashi, the director of Human Condition, discovered him and put him in a film.
A must-see video about how the world is changing. Here Scott Adams explains how society is changing by examining Kanye West’s twitter comment that he “likes how Candace Owens thinks.” It seems like a small event to those who aren’t watching.
Given that Candace’s friends have said that the media’s snooping around and looking for dirt on her, this tweet is a big deal.
Faith, Hope and Charity
This week’s episode centered on the Irish Potato Famine and the British lack of response. First we see a meeting of Church of Ireland pastors, which is connected to the Anglican Church, where the men discuss their response to the potato famine. They’re offering soup kitchens to the Catholics who agree to switch denominations. They gripe about the poor Catholics who haven’t tithed to the Church of Ireland, which the law required them to do. Yes, later in the episode Victoria appalled, too. Why donate to a church you don’t belong to?
In the 19th century anti-Catholicism is in high gear. Only one pastor, Dr. Traill, objects and sees that all the Irish need food. The rest are quite un-Christian and wiling to let their neighbors starve. I suppose they’re unfamiliar with Mark 25: 35-40.
At Kensington Palace, Victoria and Albert welcome Ernst who’s got some mysterious health problem, which turns out to be an STD. The condition is slowly revealed.
Lord Peel and a new character, who’s a real churl, Charles Trevelyan, Assistant Secretary to the Treasury, explain to Victoria why they can’t help the Irish. Trevelan hates the Irish whom he thinks are subhuman. In fact he thinks the famine is a boon, because it will cull the herd. Victoria was rightly appalled. She seeks solutions, but neither Peel nor Trevelyan want to rock the boat in Parliament. Victoria wants to feed these people and she wants to repeal the Corn Laws, tariffs that protected the price of grains. Peel and Vrevelyan worry that if we give free food to the starving, everyone will expect free food.
Victoria confers with Albert over the matter, but Albert’s so upset with the stench of the old plumbing that he brushes her off. He’s hellbent on getting more WC’s in the palace. I’m not sure why he couldn’t manage both issues. He’s basically an executive. His job is to make decisions while someone else installs WC’s or sends the food to Ireland.
Downstairs our attention is drawn to the servant girl who’s from Ireland. She’s lied about being Protestant to keep her job. Her family is starving back home. She needs to get money to send to them so they can eat. One great scene is when she tells off Penge, who makes snide remarks about Papists and the famine.
Ernst is told that his mistress Harriet’s husband has died. This should be a great opportunity for him to court her openly. (Though this is not historical at all. The real Ernst was already married by now and this particular lord did not die in a hunting accident or in this year. He died later.)
I can’t feel sorry for Ernst. Actions have consequences. Fooling around with prostitutes comes at a cost. Laughing off his choices as following in his reprobate father’s footsteps is ridiculous. Ernst gambled with his life. I will feel sorry for any woman the show might marry him off to.
When Victoria asks the duchess about her land in Ireland, Charlotte, dismisses the country as an uncivilized spot with no real society. She should stay in London. The duchess is a poor traveler.
Mr. Francatelli is seen consorting with some woman who wants him to sell palace secrets and go with her to America. Apparently, she’s the source of all the finery he’s been able to afford. However, he decides to stay put (so the storyline with Skerret can continue). He gives the Irish servant girl his gold watch so she can sell it and send the money home.
The queen does send the Irish some help, which is true to the history. In spite of his wife’s protests, Dr. Traill does the Christian thing and opens a soup kitchen at the vicarage. He contracts typhus and dies. The episode ended with a montage of the starving of Ireland. Hats off to the show for using Irish music throughout, but to squeeze a famine that went on for years into one episode is just wrong. I think the issue should have come up throughout this and probably next season.
Here’s a collection of tweets that an Irish newspaper collected in response to this episode.
What a fun play! Written by Lauren Gunderson, The Book of Will at the Northlight Theater till December 17th tells the story of how without the effort of his friends, we wouldn’t have an authentic collection of William Shakespeare’s plays. In 1620 after Will had passed on, his friends were fed up with bad Shakespearean plays. Some were bad versions patched up with garbled versions of the plays made from copyists in the audience who tried to take down everything that was said. Some were just plays written by hacks who tried to copy Shakespeare’s style.
The play begins in a pub near The Globe theater where three of Shakespeare’s friends Richard Burbage, John Heminges, Henry Condell, actors from the King’s Men’s troupe and Condell’s daughter Elizabeth bemoan the horrible fakery that passes for Shakespeare. When Burbage dies suddenly they realize the only chance for passing these masterpiece plays down to posterity is to collect and publish a folio. It’s an expensive undertaking that is complicated by the lack of a full set of originals. A few plays are here, another bunch are with a scrivener, most actors only got their part, not the full play so some had to be carefully put together. No respectable printer wanted to touch the project so Heminges and Condell had to settle for a slimy, greedy cheat.
The play is delightful as it weaves memorable passaged of the Bard’s work throughout the story, which is well paced. The characters include Shakespeare’s wife, daughter and mistress, and Heminges’ and Condell’s wives and and so there is some female influence supporting the impossible project. The Northlight’s set and costumes were perfect. I’m tempted to go again.
What’s great about the Northlight is free parking and every seat has a clear view.
After reading the play for my book club, I watched the 1971 Antony and Cleopatra film starring, written and directed by Charlton Heston. It was a grand epic and I think today a director would be more naturalistic, which isn’t necessarily bad. I did appreciate the grandeur and pretty much expected that in a Heston production.
I was surprised by the amount of skin shown. We see Charlton Heston in a thong-like loin cloth and some women’s bare backsides. It was the early 70s and Antony and Cleopatra were led by their desires and Cleopatra’s court was hedonistic in Shakespeare. (Earlier Chaucer wrote about Cleopatra and she was more of a “good wife,” more nurturing and romantic.)
The film did make parts of the play, which I read for my online book club, clearer.
The film was able to show the scale of the battles and their brutality, which was quite gory, but how things would have been. While it wasn’t perfect, I got the sense that the film did include authentic aspects of the Ancient World.
It reinforced my attitudes toward the characters–they weren’t at all admirable, but they were compelling as great people who suffered great falls.
As I watched I wondered why Shakespeare had all three servants–Iras, Charmian, and Eros–commit suicide for their masters. Such blind loyalty. I wondered how Shakespeare’s contemporaries thought of that. I wondered why no one went on to move on with their lives. Two women killed themselves for Cleopatra. Wow. Was she worth dying for? Ladies, you could have had a better life post-Cleopatra.
There was a scene in the film that really struck me. In Act 2, Scene 2 when Caesar and Lepidus are conferring Caesar’s watching two gladiators spar. Then Antony walks in and he and Caesar . All the while the gladiators spar and are quite violent. Therefore there was a good tension between the veiled, polite language Antony and Cleopatra use and the increasing fighting Caesar’s seeing.
My old employer, DDB has an office in China. Last month I showed my students a couple of their commercials. I just discovered this one. It’s thought provoking for this culture, where mothers tend to view their children critically so they have room to improve. DDB wondered whether they could change this behavior with an ad.
It’s gotten 40 million views and counting in China.
I found this moving, but also wondered about making women feel guilty while televised. I suppose if they felt willing to criticize their kids in front of a camera, they perhaps opened themselves up to this, but then again they were following a cultural norm.
What do you think?