Though I can’t stand Japanese sweet bean paste, the movie Sweet Bean is another story. Loner Senato runs a snack shop in Tokyo where he makes and sells pancakes stuffed with sweet bean paste when one day Tokue, a cute old lady, comes along and begs for a job. She begs to for a job, but he’s sure at 76 she’s unable to do the lifting and hard work he needs.
When she comes by again bearing a batch of the most incredibly delicious sweet bean paste Sentaro has ever tasted, he relents and hires her. The next morning she’s there at 4 am to make the beans replacing the canned glop used before. Soon there’s a line around the block for the snacks.
Wakana, a student whose single mom wants her to stop studying and get a job, is drawn to this pair of loners. She shows how wonderful friendship is with someone much older. She shares her dreams and memories with Tokue and keeps Sentaro on the right path regarding sticking up for Tokue.
In the midst of the business’ success, the shop’s meddling owner pops in and insists Sentaro fire Tokue because her knobbled hands are due to leporasy. She’s a health risk. She’s got to go.
The film goes into new territory and explores friendship, loyalty and isolation in a beautiful way. I loved this film. Even though I still can’t choke down a sweet bean pancake and highly recommend this movie.
The documentary Dark Horse shows how a rag tag group of friends in Wales agree to pool their cash and breed a racehorse. Jan, a cleaner at a grocery store cum barmaid, has a fascination with breeding a thoroughbred. As a girl she learned to breed birds and whippets from there father. How much harder could it be to breed a race horse?
Jan’s friends and husband agree to contribute 10£ per week to the horse’s upkeep. The film consists of interviews on how Jan and the group made decisions and supported their horse Dream Alliance. Every step of the way, the group makes clever decisions to make the most of their money. For example, when choosing a trainer, Jan convinced the others that they had to get the best because a good trainer can do wonders with an average horse, but a mediocre trainer can ruin a good horse.
Dream Alliance surprises them all with his performance on the track and the film is a feel good movie with a healthy dose of realism. It’s fine for family viewing and I loved how these working class folks made a splash in the Sport of Kings.
Perhaps I missed something, but The Spirit of the Bee Hive confounded me. A story about Anna, a young girl living in a village in Spain, who sees a Frankenstein film and gets obsessed with figuring out why Frankenstein killed a girl who had tried to play with him. She asks her older sister, who’s probably 7 or 8 years old, and gets a fanciful response which sends her on a mission to find Frankenstein in a local field.
Because I don’t know much about Spanish history and couldn’t understand the context a lot of the film was beyond me. Moreover, the family was so alienated. The parents spent little time with each other or with their children. There were some touching scenes, but as a whole the parents seemed distant and lived in their own heads. The kids were allowed to wander wherever including along and on railroad tracks. They’d put their ears to the tracks to determine if a train was approaching. That made me tense, but on the suspense scale, I wanted something more.
At one point a man who’s been shot jumps off the train and makes his way to the abandoned barn in the desolate field where Ana seeks her Frankenstein. We never learn his story. Ana innocently cares for him and brings him food and tends as best she can to his wound. He never says much. One day after she leaves him some food and starts for home gunfire takes the man out. We never learn the source of the bullets. Since Ana’s given the victim her father’s jacket with his watch in the pocket, her father is questioned by police. We never hear what’s said and never does the father talk to Ana about her actions. So much is left to the imagination and without understanding of Spanish modern history and its impact on the culture, I couldn’t appreciate this film.
The father was a beekeeper and scholar and there’s plenty of bee hive patterns, like the windows shown above. Still I really never got the significance of the title. I was going to watch some of the extras on Disc 2, but I figured I didn’t want to spend the time digging deeper in the hope of possibly understanding an opaque film.
Ana is blessed with the most beautiful, arresting eyes and they’re well photographed. Her sister is pretty as well. Seeing how they’re captured on film was the best part of this movie. For the most part, the emotionally distant characters left me cold.
Directed by master director, Mizoguchi Kenji, Sansho the Bailiff is based on a Japanese folktale. I wasn’t familiar with the original tale, but got caught up in the film. It’s the story of a family of noble station. The father, who’s an official, gets into trouble for prioritizing the peasants. He’s taken away and his wife and young children, a daughter named Anju and son named Zushio must leave their home and go into exile. En route to their destination, a priestess meets them and tricks them so that the mother is taken to a brother and the children are separated and sold into slavery.
The principled father taught his children to always be merciful to the needy. Yet as he grows, Zushio forgets this lesson and as a slave brands another slave on the forehead to gain favor with the Bailiff. His sister scolds him for this heartless action, which is a catalyst for Zushio’s turn around.
The mother laments the lost of her children and it’s amazing how they find she’s alive and how in the end Zushio finds her and does live by his father’s principles though it costs him dearly.
I didn’t realize that there was slavery in 11th century Japan. I found the film a wonderful history lesson as well as lesson in self-sacrifice. The film’s beautifully constructed and the Criterion Collection DVD comes with an enlightening commentary by an expert in film and Japanese culture. My only unanswered question was what was the role of a bailiff in medieval Japan. He held so much power compared to a bailiff today.
I highly recommend Sansho the Bailiff.
In the Korean animated film, My Beautiful Girl Mari, adult Nam-woo remembers his 12 year old self, who struggled with coping with his mom’s new boyfriend who’s awkwardly trying to win him over after his father dies. At school he encounters trouble from a bullying snarky girl. His one friend Jun-ho is even more bungling and awkward than Nam-woo, but Jun-ho is soon to leave for school in Seoul.
While at a stationery store with Jun-ho, Nan-woo discovers a magical marble while enables him to escape to a lyrical, pastel fantasy land inhabited by an ethereal blond girl. Yes, that sounds very non-PC, but it’s cool and Nam-woo does deserve some respite.
The film is quite realistic in portraying issues modern Korea teens face – uncertainty with fragile families, aging grand parents, and school bullies.
The art is done using Illustrator and has a simple look. It did look like something many people could achieve with a bit of training, but that’s not bad. I liked that the animators made the most of cost-effective tools. The scenery was authentic. I liked that in some instances the setting was an old, dilapidated light house. In American animation, everything seems so new and perfect. In My Beautiful Girl Mari most of the scenes just looked real.
This 2002 can be enjoyed by age 11 and up. Made in 2002, it proved that Korea has a lot to offer the world of animation.
Even if you’re not a big cat person, I think you’ll find Kedi a fascinating film. A documentary set in Istanbul, where cats run free and the bipedal residents care and feed these nomads, Kedi looks at the relationship between the cats and people of the city.
I’ve never been to Istanbul and prefer dogs to cats, but I still enjoyed the mysterious, aloof felines and the people who respected them. The film consists of people’s views of the cats and their beliefs about the cats’ personalities and benefits. Many people offer very candid narratives, such as one man’s story of how he was down and out after suffering tragedy and how feeding the cats contributed to his turning his life around and becoming gainfully employed and starting a family.
The cats are beautifully photographed in all their regal grace as they move about the city, vying for dominance amongst themselves and adoration from the people. It’s an unusual film that I found curiously uplifting.
TBR, i.e. To Be Read lists of books is a hashtag and a meme. They’re also real lists. Since there’s been a publishing industry, readers have had lists of books they want to read.
I haven’t seen this yet, but there should be TBW (i.e. To Be Watched or TBS, To Be Seen) Lists. Here’s mine. I’m posting this so I can throw away the miscellaneous scraps of paper I’ve collected in the last few weeks.
1. Like Someone in Love
2. A Kid with a Bike
3. The Petrified Forest
4. Public Enemy
5. The Silence of Lorna
6. The Son, a.k.a. Le Fils
7. Half the Picture
What films are on your list To Be Watched?