Archive for the 'International' Category

17
Sep
16

Our Little Sister

The Japanese film Our Little Sister is about three sisters, whose half sister comes to live with them after he dies. The older sisters are all out of school and working. The eldest, Sachi, is a nurse and the mother hen. She seems the most upright, but she’s got a secret romance with a married doctor. Next is the more sociable Yoshino, who works at a bank and has romance after romance. She’s the sort who gets too involved to fast. The third of the sisters is Chika, who’s very whimsical and happy go lucky. She’s all sunshine and smiles and she works at a store selling athletic shoes.

At their father’s funeral, the trio decides to bring Suzu, their half sister who’s in middle school to their family home. Suzu’s mother has died and her stepmother is really a non-entity. The film is a slice of life about the four sisters and the first three’s mother who deserted them but comes back to town briefly for her mother’s ceremony for the anniversary of her death. Along the way we get a natural look at a family that’s had plenty of difficulties and still has some struggles, but they manage to survive and thrive. The house is charming as the the warmth between these characters.

Watching the film feels like floating down a river. The pace is just right. The characters are insightful and perceptive. I loved my time with this family.

31
Aug
16

Dragnet Girl

tokiko

Dragnet Girl: Joji (l) and Tokiko (r)

Director Ozu’s Dragnet Girl is an absorbing silent film about Tokiko,a gangster moll, who becomes jealous when Joji, her boyfriend, gets a case of the wandering eye. Tokiko looks as sweet as can be, but actually she’s quite a coquette. She works at a company by day and the boss’s son is smitten with her plying her with expensive gifts that she’s happy to take.

Her night’s are spent with Joji, the head of a small crime outfit that seems to fix boxing matches. Tokiko is Joji’s main squeeze. Selfish and extravagant, she’s quite brazen and disloyal as she’ll wear her boss’s gifts in front of Joji.

dragnet girl

Kazuko

When a high school boy, impressed with Joji’s flash and power, tries to join his gang, the boy’s sister, Kazuko, who’s simple and innocent, begs Joji to get her brother back on the straight and narrow. Joji’s instantly smitten with Kazuko. He starts hanging around her music shop and starts appreciating classical music and all that Kazuko, who pays him no mind, appreciates.

At first Tokiko dismisses her rival, but when she sees that Joji is changing for real she gets nervous. She goes as far as plotting to shoot Kazuko, but then she comes to appreciate Kazuko’s magnetic innocence. Tokiko is not to be trusted after telling Joji she wants to change and become more like her rival. She’s been branded as a delinquent and that label’s impossible to remove.

The film has the style of a noir classic and takes some interesting turns as Tokiko refuses to marry her boss and plots to rob him with Joji. It’s a beautiful simple film that didn’t need talking.

28
Aug
16

Tokyo Godfathers

tokyo-godfathers

By Satoshi Kon, Tokyo Godfathers shows three homeless misfits–a gambler, who’s lost his family, a transvestite and a runaway teen–who discover an abandoned baby. These outsiders, though flawed and somewhat to blame for their situation, come to get the audience’s sympathy and respect. They bicker as they seek the baby’s parents, which is a wild odyssey full of surprises against a gritty backdrop I rarely see in Japanese films.

The misfits have interesting backstories and as the story progresses they are forced to come to terms with their mistakes and history. They lead us through Japan’s shadier sides and the artwork is realistic.

Unlike the other Kon films I’ve seen this one sticks to the story with no departures into the character’s subconsciouses. Tokyo Godfathers/em> is a film I’d watch again and again.

16
Jul
16

Mr. Six

Mr. Six (left), his pal (right)

Mr. Six (left), his pal (right)

At a hotel, I asked a concierge for a list of good Chinese movies and Mr. Six was among them–and wow did it belong there.

I found it on a Singapore Air flight and this tale of the clash of the old and poor Beijingers with the rich and young blew me away. The film opens in the hutongs of Beijing where an old time gangster, nicknamed Mr. Six, lives and rules dispensing justice as he threatens pickpockets and intervenes between the police and a poor vendor. Mr Six, a widower, hasn’t even heard from his twenty-something son in six months. He knows the kid doesn’t care about him. He soon hears that his son’s been kidnapped as vengeance for sleeping with a super-rich kid’s girlfriend and then keying that guy’s Ferrari.

Mr. Six knows his son was in the wrong and tracks down the gang of rich car racers, who might as well come from another world. Their culture and mores have little in common with this old geezer who has a very clear, almost eye-for-an-eye view of justice.

Rich kid with blond hair and scratched Ferrari

Rich kid with blond hair and scratched Ferrari

Mr. Six shocks and impresses the kid his son wronged in a curious way. He’s given 48 hours to come up with 20,000 to pay for the car’s paint job. Mr. Six then proceeds to make the rounds of his old pals, some who’re squeaking by and others who’ve become wealthy to get the money. The film is a good look into China’s culture today. The young are (in some regions more than others) not buying into the old ethos. Materialism is on the rise and taking its toll in the form of souls. Mr. Six has the old justice system down, and it differs from Western ways so he surprised me again and again.

Also the film itself takes some interesting turns that wouldn’t come up in an American film. At one point the young, spoiled kids agree to meet Mr Six and his cronies to resolve the matter with a big fight. The old guys show up, but the young ones don’t. I can’t remember a no-show like that in a Western film. Returning home, Mr. Six gets surrounded by henchmen sent by the rich kid’s dad. They proceed to threaten and beat him.

The film captivates and has stayed with me and will for quite some time.

 Warning: Mr. Six will strangle and fight anyone who’s treating his son unjustly. It’s not as violent as The Godfather but there’s a lot of fighting and some blood.

22
Jun
16

Jellyfish Eyes

film-jellyfish-eyes

A mix of animation and live action, Jellyfish Eyes amazed me. It’s the story of Masashi, a Japanese boy whose father died in the tsunami. He moves with his mother to a new town where he befriends an otherworldly creature and soon learns that all the other children have similar strange friends that they control with remote controls and have fight each other whenever their teacher turns her back.

Mashasi’s uncle works at a mysterious lab, which turns out to be run by a nefarious group of evil scientists trying to harness negative energy through children since children’s energy is purest. His uncle opposes the mad scientists, but they ignore his warnings and pleas.

As the movie progresses,a girl befriends Masashi saving him from bullies. The girl’s mother in reaction to the tsunami and following nuclear disaster, has joined a religious cult. Thus the girl, like Masashi must parent herself. The film is unique in that shows children coping with trauma and loss. It has a powerful message of self-sacrifice and pulling together rationally in times of crisis. At the end I was stunned. As the film’s directed towards children it ends happily, but that was uncertain till the last minutes. I thought it was brave and smart to give children a chance to see such a wise, exciting and delightful film.

It offers adults the message of how technocrats and scientists gamble with our safety when they get caught up with an idea or “solution.” It’s such a different film and one old and young (as young as say 10) could enjoy and ponder.

22
Mar
16

A Night to Remember

A NIGHT TO REMEMBER

A Night to Remember (1958) is a disaster film with dignity. It lacks the sentimental love story, which was central to Titanic, but that’s why it’s a better film. Directed by Roy Ward Baker, the film shows the swells enjoying the high life and the boisterous fun below in steerage mixed in with the misplaced wire messages about the iceberg and the frustrating refusal of nearby ship called the California to believe the Titanic’s distress messages.

The film shows people of all sorts, some willing to help their fellow passengers and others who’ll kick and claw their way into a lifeboat. The film weaves the facts in so you don’t feel like it’s a history lecture. You root for the characters all the while knowing most won’t make it. When the boat starts tilting so much that it’s at a 45° angle, you feel dreadful.

The Criterion Collection offers a good essay on the film here.

21
Mar
16

Paprika

paprika-poster

Holy moly, what a film!

Paprika is another fabulous Satoshi Kon creation. It left me stunned by its mastery and left me wanting to figure out what exactly had I experienced.

I’m not a big anime fan so I don’t know much about the history or depth or breath of the art, but wow, Paprika took an art form to its limits. I never knew what to expect and while the basic story’s easy to follow, it’s till perplexing.

The story revolves around a group of psychologists who’ve developed a device called the DC mini that allows people to view another person’t dreams if they are also wearing a DC mini. Boy, I had no idea how bizarre some dreams might be. The technology gets out of the hands of its creators, who then go on a quest to protect this amazing invention, which has a purpose they realize isn’t only good.

From start to finish the film moves in and out of dream worlds that are colorful, boisterous, scary, and bizarre. Dr. Chiba, the lead female character is a very serious, very beautiful psychologist who’s often bickering with her obese, irresponsible colleague as they try to track down his assistant who’s taken the DC mini. Paprika is Chiba’s alter ego who mainly inhabits the world of dream. She’s a sexy, super girl, who rescues a cop who’s having a little existential crisis.

Yet Paprika is not a film about plot. It plays with plot and constantly twists and turns defying any expectations. It’s ultra cool and something any adventurous filmgoer should see. Once I get my VPN to work, I’ll find the trailer on YouTube and post it here.




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