The Awful Truth

Taking a break from drama on the level of Human Condition, I watched Cary Grant and Irene Dunne in The Awful Truth. The Awful Truth is a 1930s romantic comedy about a married couple that races into divorce court after a misunderstanding. Each side has gotten the “wrong end of the stick.”

While they have 90 days between the court date and the divorce finalizing, Lucy, the wife, meets an Oklahoma tycoon who woos her, making Jerry, her soon-to-be ex-husband painfully jealous. Jerry no sooner gives up than Lucy realizes she wants him back.

In a nutshell: Lots of slapstick, lots of wit, lots of style and lots of fun.

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Unfaithfully Yours

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In Unfaithfully Yours, Rex Harrison plays conductor Alfred de Carter, a pompous egotist. (Doesn’t Harrison play a lot of this sort?) De Carter’s clueless brother-in-law Augustus misunderstood his request to “look after my wife while I’m gone and as a result Augustus has Daphne, the wife, followed by a detective.

At first Alfred wants to give his wife the benefit of the doubt, but other people want to tell him that his wife was found leaving his secretary’s hotel room in a negligee in the middle of the night. Soon Alfred’s high minded ethos are out the window and while he’s conducting a symphony concert, he’s plague by different scenarios involving confronting Daphne about this affair.

Each variation is more comical than the last. Directed by Preston Sturges, Unfaithfully Yours is a madcap comedy with a perspicacious take on jealousy. I particularly liked how well music was worked into the story and how each piece fit Alfred’s mood to a T.

The psychology of jealousy is explored to the limit. Harrison offers a superb performance of slap stick humor in a scene towards the end when he tries to trick his wife. Unfaithfully Yours moves at a clip and in spite of a few corny jokes stands up to the test of time. In the 1980s, they did a remake of Unfaithfully Yours starring Dudley Moore. I doubt it could match this clever film.

The Criterion Collection version includes a bonus feature with Terry Jones of Monty Python fame describing how he discovered Preston Sturges and his thoughts on the film.

The Shadow of the Thin Man

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A fun, entertaining old film, Shadow of the Thin Man brings Myrna Loy and William Powell reprise their roles as Nora and Nick Charles to exchange banter, wear stylish hats and solve a murder. When they go to the races, Nick gets roped into investigating a jockey’s murder. There are plenty of slick jokes about cocktail hour and the bon vivant lifestyle. At times it’s corny, but fun. Despite the murder, Nick and Nora deliver the light entertainment I was in the mood for.

12 Days of Christmas Stories, #4

Doctor Who Last Christmas is an outstanding episode, that’s funny, mind-bending, and emotionally satisfying. It delivers smart science-fi that makes you think about our dreams and our dreams within dreams. We see Clara missing her boyfriend Danny, who had died (I haven’t seen that episode. I’m quite behind in my Doctor Who viewing. As usual Peter Capaldi is a frantic, whip smart and yet annoying Doctor, who usually makes a good point when you think about it.

It’s got the gross monstrous villains you expect. The twists and turns that make the plot unpredictable and moments between Clara and Danny and the Doctor and Clara that provide emotion that’s more real than what’s on a lot of television. It does a lot of questioning our dream states that was compelling.

Oh, and Santa, Santa and elves with attitude and smarts feature prominently.

You can find it on Amazon or DVD. Give it a watch!

White Christmas

There’s something about old musicals that’s so uplifting. I’ve seen White Christmas a few times, the best viewing was on Saturday at Chicago’s Music Box Theater with all the surrounding fanfare: Santa, jingle bells, carolers and organist.

The film probably wouldn’t be made today. The script would be rejected. It’s not a dark or edgy film. There’s no desperation. No here characters are perfect, but they all have spunk and hope, which is why by the end of the film, I left the theater filled with cheer.

It’s the story of two nightclub singers played by Bing Crosby and Danny Kaye. They served in WWII together when Kaye saved Crosby’s life. Thus no matter how annoying, Crosby can’t shake the whimsical Kaye, who’s forever getting sensible Wallace into complicated, embarrassing situations.

The pair meet a pair of sisters, played by Rosemary Clooney and Vera-Ellen who’re trying to scale the ladder into showbiz. They’re talented, but are just starting out. The younger sister schemes to get the famous Wallace and Davis (Crosby and Kaye’s characters). Both Crosby and Kaye are enamored with a sister, but you know romance will not be easy.

The crux of the story revolves around the plight of Wallace and Davis’ old general, who owns a failing Vermont Inn. The general feels like a failure and misses his army camaraderie and success. No one’s coming to the inn because there’s no snow for skiing. Soon Wallace and Davis get the sisters to help them change the general’s fate.

The characters all had a lot of elegance and style. The costumes were bright and well tailored. They spoke with rhythm and intelligence. There’s no offensive language or swearing. I think all of these things contribute to how good the film makes people feel.

The film has great music and dancing. The jokes, often corny, made me laugh.

Try to find time for White Christmas this holiday. Introduce a younger relative to this cheerful film. Pray Hollywood finds a way to make more films like White Christmas. Not all films need to be cheery, but how about a few new ones that are?

Hopscotch

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Starring Walter Matthau, Glenda Jackson, Sam Waterson and Ned Beatty, Hopscotch (1980) entertains with wry, sometimes corny humor and a clever cat and mouse plot. Matthau plays Kendig, a top CIA operative who bugs the big boss and plays by his own rules. Beatty plays the big boss who intends to place Kendig in a desk job till he retires. Kendig won’t have it. He shreds his personnel file and goes on the run. His first stop is to meet Isobel, his lover from way back when. There’s plenty of witty repartee between them. Isobel often plays the mother to Kendig’s naughty boy, but underneath her stern façade Isobel thoroughly enjoys Kendig’s antics.

Beatty plays Myerson, the consummate manager, who has no imagination and follows everything by the book. He’s certainly a stereotype, but as the movie hops along and a good clip, I didn’t mind. The film’s aim is to entertain, nothing more.

Sam Waterson plays Cutter, a fan of Kendig, who’ll take his mentor’s job and who’s sent to track down Kendig. Cutter admires Kendig and doesn’t feel Kendig deserves a desk, but he follows orders and hops around Europe and the U.S. trying to catch Kendig.

The ending provides a nice surprise, and though some of the dialog now seems stilted. It’s a shock that a few decades ago Hopscotch got an R rating. Now you’d hear the few profanities and see the little love scenes on TV during what was the “Family Hour.”

I liked how Kendig represented the experienced, skilled older professional who’s value is undervalued.