Archive for the 'comedy' Category

11
Jul
16

Speedy

Lloyd, Harold (Speedy)_01

Harold Lloyd’s 1927 film Speedy is a comic delight. Speedy is hero’s name. Lloyd’s Harold “Speedy” Swift is in love but can’t hold a job for more than a few days so his sweetheart’s grandfather, her guardian, won’t let them marry. We see him lose a couple more jobs through no fault of his own.   His fanatical love of baseball cost him his soda jerk job and luck just wasn’t on his side when he tried to drive a taxi with Babe Ruth as his first and only customer.

Despite his poor job record, Speedy takes his girl to Coney Island, where a slew of mishaps continue.

His sweetheart’s grandfather owns the last horse-drawn car (i.e. a tram driven by a horse when cars and buses have taken over the streets). A railroad tycoon wants to buy him out to replace the old horse-drawn conveyance with his railroad line. After reading about the railroad deal in the paper, Speedy changes grandpa’s requested amount from $10,000 to $70,000, which the big shot who’s come to negotiate with grandpa outright refuses.

Thus the railroad man plots to prevent grandpa from completing his route. If he misses a day, the railroad can take over the route without paying grandpa anything so the shrewd tycoon hires a bunch of thugs to stop grandpa. Speedy happens to overhear the plan and volunteers to take over as the driver. Since Speedy’s batted 0% as far as his jobs go things look bad.

The film is full of sight and physical gags that amaze. How did they do these stunts? Considering how they sometimes used real streets and had to orchestrate massive, chaotic scenes with hordes of extras and animals, it’s incredible and still entertains.

11
Nov
15

Steamboat Bill, Jr.

steamboat

Finally I found time to watch a movie, albeit a short one that I watched in short stints as I ate lunch this past week.

Steamboat Bill, Jr. starred Buster Keaton as a long lost, disappointing son of a steamboat owner. Steamboat Bill. Sr. owns an old steamboat that gets condemned shortly after Mr. King, a local tycoon with a splendid new boat muscles into town. Bill’s son, whom he hasn’t seen in at least 20 years comes to town and the rough, salt-of-the-earth father is totally disappointed with his light-weight, citified son.

To make matters worse, coincidentally, the son’s sweetheart turns out to be the daughter of the tycoon, who so hates Bill.

Lots of slapstick ensues. While I could appreciate the acrobatics and the technical precision in the film, I wished for more–more like the social commentary Chaplin would have included. The DVD I had had a few extras, but I missed the audio commentary that many Criterion Collection films have. It wasn’t a bad film, but it could have been better.

13
Feb
15

Moone Boy

moone_boy

My new favorite comedy is Moone Boy created by Chris O’Dowd and Nick Vincent Murphy. In this Irish sitcom import, Martin Moone (David Rawles) is a twelve year old with a full grown imaginary friend named Sean. Martin lives with his shambolic family, which consists of his father who runs a sign shop, his mother who becomes Weight Wishers counselor and three older sisters who don’t like Martin at all.

Martin needs someone in his corner and Sean helps him navigate the slings and arrows of school, romance, and family life. Set in 1989-90s, Moone Boy reminds me of The Wonder Years. It’s got wit and heart. The acting, particularly Martin’s performance, is natural and the pace is brisk. Each episode, available on Hulu.coma and PBS in some areas, wrings the most from every story. In the two seasons I’ve seen every episode delights.

05
Feb
15

Ohayo/Good Morning

movie-good-morning-by-ozu-yasujiro-s3-mask9

In Ozu’s 1959 film Good Morning (Ohayo) two young brothers take a vow of silence when their parents refuse to buy them a television. Complications ensue when the neighbors and teachers read in all kinds of things into the silence. Gossip spreads and at one point to boys run away. The youngest brother, who’s probably 6, is particularly cute.

All in all, it’s a charming film that shows Japan on the brink of prosperity.

10
Jan
15

Miss Annie Rooney

annie rooney

With the end of 2014, came retrospectives reminding us of all the talented, accomplished people who died last year. One was Shirley Temple Black so I thought it fitting to watch one of her movies. Netflix just had Miss Annie Rooney, which I’d never seen so the choice was easy. (I’d expect Netflix to have a few more.)

Shirley plays the title character, a young teenager with dreams of high romance. Annie and her friend live half their lives in a very romantic dream world where they quote plays and use as many elegant words as they can without fussing about whether they use them correctly. They’re cute and funny.

Annie’s family consists of her father who’s just one “get rich quick” scheme away from becoming a millionaire and her grandfather, a retired policeman who’s traded his uniform in for an apron as he is the chief cook and bottle washer at home. Grandpa is only the Rooney with both feet on the ground. Her father is a salesman attracted to get rich quick schemes and unable to keep money in his pocket to pay the rent. As the story progresses, the father imperils the family financially, while the grandfather tries to keep them afloat by borrowing from his pension.

Annie soon meets a very wealthy young man and is smitten with his polish. Trouble arises when he invites her to his birthday party without telling his snobbish parents. Annie’s introduction into society is not what she’d dreamed. I loved the dialog and slang. A drizzle puss is a wet blanket and pocket lettuce means cash. There are dozens of such  gems.

Joey, there are times when you positively curdle me.”
“Come on gate! Let’s circulate”
“I won’t know any arithmetic under a million.”

This Shirley Temple film was a balm to my soul after watching the masterful, but dark Happy Valley, The Village and One Wonderful Sunday, a Kirosawa movie I’ll soon review. It’s light-hearted fare and a fun way to see Temple as an older character.

29
Nov
14

The Story of a Cheat

guitry

The Story of a Cheat (1936) is a delightful comedy by Sacha Guitry, whom I’d never have discovered if it weren’t for my New Year’s resolution to watch old movies. In T he Story of a Cheat, Guitry plays a suave man who falls into one incident after another where he winds up stealing or conning someone. As a boy, he stole some money from his father’s shop. He got caught and was forbidden to eat the mushrooms served for dinner. As all his relations get poisoned, he lucked out and thus the confusion over whether honesty is the best policy ensues. No matter how bad things get, there’s always some silver lining and this hero winds up doing alright – as long as he’s dishonest. Whenever he’s honest, he gets in trouble.

boy cheat

It’s a fun, entertaining French film told almost entirely through flashback and voice over. Big no-no’s for movies, but this does work. The Criterion Collection provides a nice essay on Guitry’s career.

28
Nov
14

The Kid

charlie_chaplin_the_kid
I wasn’t prepared for the pathos of Charlie Chaplin’s The Kid. I didn’t expect the storyline either. In The Kid a single mother gets out of the charity hospital and doesn’t know what to do. Though it breaks her heart, she abandons her baby in an empty c ar in front of a wealthy home. It’s understandable since her love drops her photo in a fire and when he pulls it out, decides to toss it back to burn.

Yet comedy ensues and much as he doesn’t want the baby, Chaplin’s Tramp is stuck with it. The Tramp lives in a squalid apartment where just about every possession is broken or tattered. Yet he ingeniously manages to care for the baby. I loved how he rigged up a coffee pot to serve as a bottle.

Five years pass and the two are a family. They make money with a scam. The boy, who’s the epitome of a street urchin in looks, throws rocks through people’s windows. A couple minutes later the Tramp appears and he’s in the window glass business so he’ll repair the window right away. However, the local police are soon wise to them.

Meanwhile the boy’s mother has become a successful opera singer and his father, a famous artist. The two meet each other, but since the boy’s gone, there’s no reason for them to rekindle their love.

The story features so much clever slapstick and imaginative moments. It also plays on viewers heart strings big time, yet the film isn’t depressing. Chaplin and little Jackie Coogan are terrific and their story makes a commentary on how orphans and unwed mothers were treated.

Tidbits

  • There’s a 50 to 1 ratio between the footage Chaplin shot and what he used.
  • Chaplin discovered Jackie Coogan, when he saw Coogan on stage at a music hall with his father.
  • Chaplin had been suffering from writer’s block. Then his wife gave birth to a son, who died three days later. That incident sparked this story.
  • Chaplin himself spent time in an orphanage.



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